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Wye Oak: ‘The Louder I Call, The Faster It Runs’

Posted on April 6, 2018April 6, 2018 by Sam Veal

Wye Oak is a band of separation and reconnection. Bandmates Jenn Wasner and Andy Stack are divided by over 1,500 miles (Durham, NC to Marfa, TX, respectively), meeting back to write and record. Forgoing the recording methods of previous albums, the duo approached their latest release with a freer process, allowing them to delve further…

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Show Review: Japanese Breakfast at the 40 Watt Club

Posted on April 5, 2018May 23, 2018 by Harper Bridges

From the moment she stepped onto Athens’ 40 Watt stage, Michelle Zauner captivated with her easy, self-assured energy and verve. Donning a white jumpsuit with winged shoulder pads, she could have been mistaken for an angel even before she started singing, and I am confident that I was in the majority when I fell in love…

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Show Review: Rainbow Kitten Surprise at the Georgia Theatre

Posted on April 4, 2018April 4, 2018 by Erica Kastner

Last time Rainbow Kitten Surprise played in Athens, Georgia, they played a single show at one of Athens’ mid-sized venues: the 40 Watt. Two years later, on Tuesday, April 3, they returned to Athens with Ohio-based folk band CAAMP for a show at one of the largest and most iconic venues in Athens: the Georgia…

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The Voidz: ‘Virtue’

Posted on March 30, 2018 by Sebastian Marquez

How does Julian Casablancas want to be remembered? It’s been 17 years since the release of The Strokes‘ Is This It, and I think Julian is finally a little tired of being a Stroke. I never thought that I could have typed this sentence, but I also didn’t ever expect to be this taken aback by a new VOIDZ album. I…

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For Fans of Pat Benatar? Check Out Bat Fangs

Posted on March 28, 2018March 29, 2018 by Emma Korstanje

This edition of FFO is for fans of 80s rock, in all of its heavy eyeliner and spandex glory. For those who truly believe that love is a battlefield, but one that’s worth it because sometimes two people just belong together. For those who sang into hair brushes, possibly rocking a feather boa, and eventually…

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Preoccupations: ‘New Material’

Posted on March 23, 2018March 24, 2018 by Sebastian Marquez

Have you ever been to a rave? No, like a real one. I’m talking about the kind that would be in warehouses, bunkers, or maybe even condemned buildings. What if the new generation of post punk kids all decided to throw a new kind of rave together in that fashion? New Material by Preoccupations asks this question. Are they having…

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Sunflower Bean: ‘Twentytwo in Blue’

Posted on March 23, 2018March 24, 2018 by Nate Bramel

To understand just how much that the Brooklyn trio has grown in the past two years, look no further than the cover of the band’s terrific new album, Twentytwo In Blue. The three members of the band are spotlighted in the middle of the picture; a cover that is more confident and much less cluttered…

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Savannah Stopover 2018 Spotlight: Wild Child

Posted on March 20, 2018March 21, 2018 by Anna Lee

Indie pop band Wild Child has grown a lot since Alexander Beggins and Kelsey Wilson initially formed the group seven years ago. What started as a duo with a ukulele and violin has now turned into a seven-piece mini orchestra. In the wake of their fourth studio album, Expectations, I sat down for a Q&A interview with…

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Artist to Watch: Molly Burch

Posted on March 20, 2018March 19, 2018 by Sebastian Marquez

Like a well-maintained and beautifully hand carved wooden sculpture, Molly Burch’s music has a sort of softly natural, matte glow to it. Influenced by the music of her childhood spent growing up in LA, her early country influenced songwriting and equally paisley patterned arrangements have caught the ear of record labels, including Captured Tracks (who…

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Decemberists: ‘I’ll Be Your Girl’

Posted on March 19, 2018March 19, 2018 by Harper Bridges

Veteran indie rockers The Decemberists, helmed by frontman Colin Meloy, officially released their eighth full-length album I’ll Be Your Girl on March 16th, and while it showcases Meloy’s enchanting vibrato and occasionally conjures a vaguely maritime aesthetic, it veers off-course of traditional Decemberists material in most ways. The band utilizes milky, spacey synths on several…

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