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Amsterdam Station: “Stories from the Subtext”

Posted on December 26, 2015 by Nikki Smith

It’s been about a year since the boys of Amsterdam Station released their seven song EP, Stories from the Subtext. The EP came to initiate the band’s plan for a full-length album in the coming new year. Hailing from Atlanta, Georgia, the band consists of Greg Jarvis, Andy Potash, Schafer Gray, and Chris Connelly.

With an alternative rock style, Amsterdam Station opens their EP with “Warden.” “Warden” exhibits a catchy, sonorous bass melody, balanced with a fluid vocals and stark guitar riffs, “City of the Dead” follows with a classic violin sound and a haunting chorus. Slower songs like, “White Dove” and “Love is a Martyr,” exemplify the band’s flexibility. While they produce heavy hitting rock ballads, AS also knows how to serenade their listeners. Furthermore, Stories from the Subtext offers cohesiveness among the tracks. The EP begins with a post-apocalyptic feel and ends on an optimistic note with “Sons and Daughters of the Revolution.”

Although the band is still developing, and will inevitably make a few changes in the future, they’ve started off on the right foot. Their sound comes together with meaningful lyrics. AS essentially encourages their listeners to hear the story behind the sound.

Don’t be fooled by these guys’ rock style, they have a soft side. In light of the holiday season, Amsterdam Station has graced us with their harmonic rendition of “Happy Xmas (War is Over).

Find more of Amsterdam Station on Soundcloud. Stick around for new material in May 2016.

PerDiem x Vinyl Mag: The Future of Music

Posted on December 9, 2015December 9, 2015 by Chris Hunkele

PerDiem_Logo_Black

Over the last decade, the music industry has struggled to provide a reliable way to successfully support independent artists. The traditional method of saving money to make a record, playing a ton of shows and hoping that people buy your music just isn’t working. Now more than ever, the market is so saturated with great music that artists often struggle to break even, which is ironic because music is more accessible now than it has ever been. How can an independent artist “make it” in the digital age without signing a long term record deal?

Generally speaking we’ve stopped pirating our favorite music in favor of subscription based streaming services, only to learn that a small fraction of what we pay for these services is actually returned to the artists. As fans, we have loads of great music at our fingertips but very few ways to support the bands we love. Certainly the resurgence of vintage music mediums like vinyl and cassette tapes have opened new financial avenues for the independent artist, but what if there were a way for fans and artists to be more intimately connected?

Enter PerDiem, a crowdfunded music investment platform that is looking to breathe new life into the music industry.

Quite simply, PerDiem is an online platform that allows fans to act as record producers. By purchasing shares, PerDiem allows the public to invest in the success of their favorite artists.

Here’s how it works:

An artist determines how much money they need for their new project, i.e. making a new record or going on tour. Then the artist chooses a percentage of the money raised to give back to their investors. Finally, the artist asks fans to help them reach their financial goal by purchasing shares. As revenue from the project grows, the percentage set by the artist is returned to the project’s investors based on how many shares they’ve purchased.

In this model, an artist’s success is directly tied to the fan’s ability to promote their music. The more an investor promotes an artist, the more money that artist makes, meaning more money finds its way into the pockets of its investors. This model creates incentive for people to put their money into music while bringing fans closer than ever before to their favorite musicians, making PerDiem a potential game changer for independent artists.

Ahead of their Athens launch party last Friday, we got to ask founder Brandon Nelson a few questions about his vision.

Vinyl Mag: What made you want to start PerDiem?

Brandon Nelson: I was working in the music industry and saw bands having to work full time jobs and move in with their parents so they could simply afford to live. I watched bands not be able to release songs they loved because they wouldn’t sell or make it on the radio. I decided to leave the music industry because it was sad to see this happening. A few months later I was floating this idea of investing in music to a few friends and people started getting excited about it. Before I knew, I had people wanting to build out the platform and artists wanting to launch their music on it. It was like people were sort of forcing me to make it happen. Every time I would tell artists about the idea they would tell me “you have to do this”. Seeing how much of an impact music can have on people’s lives and the potential for this to make a difference, I knew that I had to do it.

VM: How is PerDiem different from other crowdfunding platforms?

BN: If an artist raises money on a traditional crowdfunding platform, the people are either “donating to” or “pre-ordering” their music. With PerDiem, you are actually investing in the music. So when revenue is generated from that music, part of the sales go back to the people who invested in it. We are able to do this by distributing the music and managing all of the technical stuff for the artists. This way artists can focus on just making the music and having a team of people who have a vested interest in making that music successful.

VM: Is PerDiem open and available to every band or artist, or are there criteria for gaining approval to start a campaign? Would PerDiem ever deny a band’s request to start a campaign?

BN: We welcome any artists to the platform! We work with the artists to make sure they fully understand the platform and are set up for success. It’s still early on so we are determining the best way to go about adding artists to it so that investors are protected, but we will never deny an artist based on genre or style.

VM: Is there a certain amount an artist must raise in order for the campaign to move to the next stage?

BN: Yes, an artist sets how much they are raising and must reach that goal in order to receive the funds.

VM: So my band wants to fund a record or raise money for our upcoming tour. What is the process for starting a PerDiem campaign?

BN: Go to the website (www.perdiem.rocks) and submit your information! We will reach out and get to know you a little better and walk you through everything.

VM: Like any good independent band, we have an entrepreneurial spirit. Can we use PerDiem to buy merchandise, fix our van, or get a new tattoo?

BN: Totally. There has to be an incentive for people to invest money into your band, so that would be tied to a song or album that you are creating. For example, you want to raise $20k to produce an album, you can use that money to fix your van, get a tattoo, and buy some merchandise – as long as you are able to produce the record with the money that you raised.

VM: What if the record doesn’t get made, or never gets distributed? What happens to the money that was pledged?

BN: There is always a risk when investing in anything. There is a chance that something could happen where they use the money and are unable to produce a record at all. As an investor, you are giving your money to an artist that you believe in to give them a shot at their dream. That is why it’s important to only invest in artists that you truly believe in. We try to make this very clear in our “Trust & Safety” part of the site.

VM: A band I love is on PerDiem and I want to help them make a record. How do I get involved?

BN: If you want to invest in a band you simply go to the artists page, select how many shares you want, and buy them. All of the information on how much they are raising, what they are raising it for, and how much they are giving back is all hosted on their page.

VM: The band is going to pay me a percentage of revenue from record sales?! Cool! So… how do I get my money?

BN: When a fan wants to “cash out”, we’ll deposit the value of those shares into your bank account. We are building out a much more comprehensive platform so this process may change a bit in the future to make it easier and more streamlined.

VM: This could be a game changer for the music industry. I see it not only as a way for fans to fund their favorite bands, but also as an opportunity for a fan or group of fans to essentially become an independent record producer. Have you thought about that at all?

BN: Absolutely. The amazing part of the platform is that it turns your fans into your marketing team. I see investors wanting to use their resources and talents to help the bands they are invested in. For example, a videographer could film a music video for a band they invested in, or someone with a recording studio could offer studio time to artists they have invested in as well. It creates an entire new industry of opportunity around music. I always have this dream of an inner city kid taking his $10 and investing it into an artist that he believes in. Then that $10 turns into $20, then $100, etc.. Next thing you know, he is a music curator that people look at to find new bands and he is making a living by finding good music. The possibilities are exciting!

VM: Why stop at records, tours, and merch? In theory, PerDiem could be used to fund things like festivals, benefits, or even music venues where a percentage of proceeds from the events are returned to its investors. Would you want your platform to be used in such a way?

BN: We actually get that question a lot and it’s definitely something that we are interested in. Right now we are focused on fixing what we believe is the biggest problem in the music industry, then using what we have learned to expand into other areas where there is a demand for it. We have a pretty big vision for PerDiem so I wouldn’t be surprised to see it expanding into other areas in the future.

VM: When is it going live and how many artists do you have lined up?

 We did a test run with a couple artists to see how people would interact with the concept. In just a few days an artist named Nico Blue raised $1,000 to produce his first original single. So we know that people are willing to invest in music and use the platform. We’ve got some exciting artists in the pipeline and an incredible group of people supporting us. We’re planning to add more artists over the next couple of weeks and continue to build it into a platform that can support the next generation of music.

To find out more about PerDiem, type “perdiem.rocks” into your preferred search field, and stay up to date with their soon to be launched Twitter feed @perdiemmusic.

Vinyl Mag’s Holiday Playlist

Posted on December 1, 2015January 7, 2015 by Vinyl Mag

Vinyl-holidayplaylist

Cage The Elephant: “Trouble”

Posted on November 20, 2015 by Camren Skelton

Cage The Elephant FB

On December 18th, Cage The Elephant will return with their fourth album, Tell Me I’m Pretty. This follows the Kentucky rockers’ Grammy-nominated Melophobia in 2013.

Last month, the band unveiled the lead single, “Mess Around.” Now, they are back with another preview of Tell Me I’m Pretty with “Trouble.” Although the cheerful melodies intertwined throughout give the song a light-hearted feel, the lyrics “Trouble on my left, trouble on my right/ I’ve been facing trouble almost all my life,” seem to tell a more sorrowful story.

Listen to “Trouble” below.

Superbody x Vinyl Mag

Posted on November 17, 2015November 17, 2015 by Nikki Smith

Robert McCurry and Caleb Dills of Superbody recently released their first album, Hades Land. With a deep and dreamy synth pop style, the boys from Chattanooga have made multiple appearances in Athens, Georgia. McCurry and Dills briefly talk about their fateful history and possible upcoming albums with an air of modest humor.

VM: Superbody is a relatively new project for you two and also pretty successful. What are the challenges, if any, of beginning this new duo?

Robert: Hearing the words “success” and “Superbody” in the same sentence makes my head hurt. I would rather not expand upon the details of the achievements or disappointments of this project at this time.

VM: You guys have a lot of help with your music videos from various friends. What is the creative process like when working with other people to get your vision across? “Wings 4 Two” and “Call Me That” really coincide with your experimental style.

Caleb: Yes, the multimedia undertakings of Superbody have so far been aided by extraordinary acquaintances who happen to share our same vision. If I could afford a video camera you would not be asking me this question.

VM: How did you two get together to form Superbody? And how did you come into your own style?

C: We’ve said it once, and we’ll say it again. We started making music at Ricky’s Crab House on 5th and Broad. Robert had a tune. I had a beat. The end.

VM: Although you two are from Chattanooga, you play a lot in Athens. Is there a difference between the audience’s responses in the two cities? Is there any particular reason you like to play in Athens, as opposed to Chattanooga?

R: I love my children here in Athens, Georgia. I’ve developed a paternal relationship with the youth of Athens in the past few months. They give. I take.

VM: I noticed at your show in Athens that you were selling tapes of Hades Land? Why that medium? Do you also sell CD’s?

C: One crisp autumn morning, the type that you could take a bite out of if you really wanted, the cassette tapes for Hades Land appeared on our doorstep. I will gladly sell anything with our faces on it for pure profit, especially if that product is a gift. If you have any gifts for us that bear our likeness please do not hesitate to reach us by electronic mail at superbodymusic@gmail.com

VM: You recently released your first full-length album, Hades Land, any talk of upcoming releases and new material?

C: If the stars align and we don’t get drafted into the war, you can expect some new media sometime in the future.

VM: Based on your experience with your first album, is there anything you’d like to improve or change for your next album?

R: First off, we’d like to get this stray pack of dogs out of our studio! If you listen to Hades Land very closely you’ll hear ‘em! Those damned things are a headache and a half!

PALMAS: ‘To The Valley’

Posted on November 13, 2015November 12, 2015 by Jessica Troland

palmas to the valley

If there is a point where future meets past, and east meets west, it’s the new PALMAS album, To The Valley. Coming to headphones near you Friday, November 13, the Philly band has gathered all the metallic sounds of East Coast rock, shipped them across the country to the sandy beaches of California, and time traveled a few decades back to produce a blended sound of old school surf rock.

The album kicks off with a 30-second intro titled “Buzzcut.” The song leads with the a quick drumstick tempo-set and dives straight into the classic guitar slide all surf rock fans know and love. It’s a perfect glimpse into the album but and an even better view into what it feels like to sit in the middle of a PALMAS jam session.

From “Buzzcut,” the album moves seamlessly into the hit single “I Want To Know (Your Love),” a song that was released earlier this year and only left fans wanting more. It’s got a quick start that jumps right into the first verse then glides into a slow and melodic chorus of “I want to know, I want to know your love.” The song switches back and forth from bursts of high pitched, choppy verses to smooth choruses, and it doesn’t take more than a few seconds before there’s nothing left to do but surrender and sway back and forth.

PALMAS sticks with the slow and solid melodies for most of the album, including “Take My Hand,” where they’ve mixed things up with more chops here and there. There’s some added classic beach bash guitar, but the song has a more somber tone than the rest of its precursors. Then, just when we’ve gotten all too comfortable with the easy motion of the ocean, PALMAS surprises us with an upbeat tune that will take anyone right back to the time of dance halls, big hair and poodle skirts, in “Sweet Water.” It’s lighthearted, fun, and impossible to sit still to.

The last two tracks bring us down from the jive of a 1950’s dance hall and back to the laid back rhythm of the California coast line. “Better Guy,” full of “oos” and “ahs,” pines for romantic drives along the shore and dives into the “deep blue sea,” while “San Francisco Bay” “oos” again, this time to with the hopes of bringing a long lost love back home, to the San Francisco Bay.

The album finishes with a personal sign off from the band, which we can only image is exactly what it would feel like to be front and center at a live performance. There’s no doubt PALMAS has mastered what it means to be a 21st century nostalgic surf rock band. In To The Valley, they have found a way to not only rejuvenate the timeless sound that inspired so many before them, but they make it all their own along the way. To The Valley marks a new era for PALMAS and classic rock lovers everywhere, and we’re sure it’s one you won’t want to miss.

Missy Elliott ft. Pharrell Williams: “WTF (Where They From)”

Posted on November 12, 2015November 12, 2015 by Nikki Smith

In April 2015, we made a list of five artists that need to make a comeback. Missy Elliott comes in at number one. Now our dream has finally come true with the release of her new music video “WTF.” #TBT, the video is straight out of the early 2000’s; not even Missy Elliott has aged. Her costumes are just as edgy and her dance moves just as sassy. A puppet, with an uncanny resemblance to Pharrell Williams, comes in around 1:35, along with some booty poppin’ lady puppets. Time to listen to this track about 100 times and learn every single word. It’s not like we didn’t do the same thing with “Work It.”

Saint Pé x Vinyl Mag: “Eat, Shit, Sleep, Breathe Rock ‘n’ Roll”

Posted on November 12, 2015October 24, 2016 by Emily McBride
All photos by Maria Uminski at CMJ 2015
All photos by Maria Uminski at CMJ 2015

“The wheel ain’t broken.  You don’t need to fix it, just trying to put some new rims on it.”

At CMJ this year, the first band on my must-interview list was Saint Pé, the newest project formed by Black Lips alum and current Diamond Rugs guitarist/vocalist Ian Saint Pé. 

Backstory

As a not-born-but-bred Georgian, I’ve been a Black Lips fan since I switched Jack Rogers for Converse and mini skirts for skinny jeans back in the 9th grade.  And then came college and post-college life in Athens, Georgia, where I was introduced to part-local supergroup Diamond Rugs.  Dudes.  This band is my joint, and I have been helplessly addicted since the release of their latest album Cosmetics back in February.  Yes, that is nine full months that I have had D.Rugs in my constant rotation, and I’m nowhere near over it.

That being said, if Ian Saint Pé is involved with a band, I’m an instant convert.  So when word reached my ears that he was forming a new band under his name, I was all kinds of psyched.  And when I found out that the band was coming to CMJ, I snagged myself an interview with them so I could let my fan flag fly.

The Interview

We all sat down on the rooftop of Our Wicked Lady in Brooklyn before the band’s last of three shows at the fest, and as soon as the mic was on, Ian dove in, intro’ing us with our new slogan: “Vinyl Mag CMJ 2015.  Pro gear, pro attitudes.”  This turned out to be the first of countless ad-libbed one-liners throughout the interview, which he attributed to having a “lot of time in a van to think about things.”

When asked about his new direction away from the band that had built his career and on to a new self-titled project, Ian explained to me that sometimes, even the bands you love get a little stale (my nine-month Diamond Rugs binge might indicate that I have a higher tolerance than most for this phenomenon), and that after 10 years in the same band, things inevitably get a little redundant.

“I’d say after 10 years … honestly, The Rolling Stones—that’s my favorite band, and there’s a good reason why—but I don’t even want to hear them for more than an hour, you know?  And that’s a super good band.  I mean, ’cause how much more can you say in that amount of time?  So with that statement, I’m gonna move it on to records.  I did seven records in 10 years.  What more can I say?  It was time to change it up.  Love the guys, but I got more to say.  I love them, and I love the records, but I’m ready to birth new children with new people.”

SaintPe_2

And so, Saint Pé was born.  The band came together the way all bands do, through the local music scene—in this case, the scene of Atlanta, mainly.  Most of the band members are based and/or met in A-Town, with the exception of “ivory tickler” (a.k.a. keyboardist) Paul Wierdak, who is based in Chicago.  Ian, who had lived in Atlanta for 15 years, credits the bulk of his musical career to the city, saying, “It ain’t New York, but it was my New York.  And no regrets, because unlike New York and L.A., I could have half a job and spend all my time playing music–and did it–rather than having to have three jobs and maybe play music … if you have a fall back plan, you’ll fall back.”

So what does Saint Pé have to say that hasn’t been said in any of Ian’s other projects?

“It’s always been eat, shit, sleep, breathe rock and roll,” Ian told me. “The wheel ain’t broken.  You don’t need to fix it, just trying to put some new rims on it.”

The rims are fresh indeed.  Though it was Saint Pé’s oh-so-familiar moniker that originally grabbed my attention, it was the refreshingly upbeat track “Street Lights” that made me a believer in the band.  Premiered via Noisey back in April, “Street Lights” is one of four tracks off the band’s debut Secular Music EP.

“It’s just my story of never worrying about what could have been, because I always knew what was,” Ian said of the song.  “And that was to play music.  ‘Street Lights’ is basically the adaptation of my novel I haven’t written and the movie that hasn’t been made yet … because late at night, with the white line fever, the only thing that comes to your head is the lights, physically.  That’s powerful to the eye, the light … basically about being on the road and getting something.  [The line] ‘Got a country house, quiet as a mouse’—you know, I was able to get everything I wanted … that’s what ‘Street Lights’ is about.  Just everything I was striving for, I got–which wasn’t much, but just to be happy and do artistic shit on my terms.”

Sounds good to me.

“Nothing’s changed,” Ian clarified.  “I’m 38, still bleed 17.  I want to continue to play music with friends of mine.  The other Black Lips guys are still my friends, but I just want to change it up … I had to take two steps back to go five steps forward, and I have a bunch of my friends from Atlanta and Chicago that are participating in this project.  I’ve got nothing but great expectations. I did six continents, but I haven’t done seven. This band will do seven.”

The Future

Saint Pé is Ian Saint Pé (vocalist/guitarist), Matt McCalvin (bassist), Ian “Mickey D” McDonald (guitarist), Paul Weirdak (keyboardist), and John Restivo Jr. (drums).  They are currently on tour, set to play shows with Natural Child and T. Hardy Morris.  Check out their tour dates below, and keep an eye out for more dates coming in January.  These guys won’t be slowing down any time soon.  Parting words from Ian: “Ain’t gonna stop ’til it’s broken, and I don’t plan on being broken.”

Tour Dates:

Thursday, November 12 – The Earl – Atlanta, GA w/ Natural Child

Saturday, November 14 – Georgia Theatre – Athens, GA w/ Natural Child

Saturday, December 5 – JJ’s Bohemia – Chattanooga, TN w/ T. Hardy Morris

Sunday, December 6 – The Basement – Nashville, TN w/ T. Hardy Morris

Thursday, December 10 – Isis Restaurant and Music Hall – Asheville, GA w/ T. Hardy Morris and Roadkill Ghost Choir

Friday, December 11 – The Earl – Atlanta, GA w/ T. Hardy Morris

Saturday, December 12 – Saturn – Birmingham, AL w/ T. Hardy Morris and Duquette Johnston

 

Screen Shot 2015-11-12 at 1.54.08 AM

Sorority Noise: “Tiny Rick (Let Me Out)”

Posted on November 10, 2015January 1, 2016 by Maria Lewczyk

noise

All musicians love doing covers of other songs, but these guys have taken the cake.  Sorority Noise, a four-piece emo band from Hartford, Connecticut, recently released a single on their Bandcamp website that is none other than “Tiny Rick (Let Me Out)”.  For fans of the wildly popular television series Rick and Morty, this is a homage to the episode “Big Trouble In Little Sanchez” in season two where Rick transfers his consciousness into a younger-bodied version of himself.  While at a party, the newly-dubbed Tiny Rick grabs a random acoustic guitar and breaks out into song about his body trying to control his switched consciousness.  At least it wasn’t Wonderwall.

In a time where artists are pushed to be their most creative, who would have thought to make a post-rock version of a song featured in an Adult Swim show?  Sorority Noise definitely deserves a high five and pat on the back for this one.

You can listen to the ridiculously awesome “Tiny Rick (Let Me Out)” and Sorority Noise’s most recent release Joy, Departed here:

Tiny Rick (Rick and Morty Cover) by Sorority Noise

Hulaween 2015 [Photo Gallery]

Posted on November 10, 2015November 9, 2015 by Jacklyn Citero
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VINYL MAG AT HULAWEEN 2015

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Hulaween 2015
Hulaween 2015
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