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Tag: sxsw


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SXSW 2014: Blouse x Vinyl Mag

Posted on April 11, 2014April 11, 2014 by Mary Frances Dale

We caught up with Portland-based Blouse at South by Southwest this year to talk about Debbie Harry, New Zealand, bassist Paul’s alter ego and their changing sound! Enjoy, and then stalk them for tour dates. They’re definitely a band to see live.

Vinyl Mag: How has Austin been? Have you done anything crazy yet for South By?

Charlie Hilton [guitar/vocals]: It’s been good, but we’ve just been here one day. We got here Tuesday night, so we sort of tried to do too much last night and ended up like not really doing anything.

VM: Yeah, that’s the way it always is.

CH: But our show yesterday was fun; we played an important showcase thing. The weather’s beautiful, so we’re happy.

VM: Are you excited to be down here from Portland? It’s pretty cold up there right now isn’t it?

CH: Yeah, so far we’ve been on tour with Dum Dum [Girls] for like a week, and the minute we got to California, it was beautiful and hot and sunny, and it’s been that way pretty much ever since, because we been to New Mexico, Vegas, Arizona…so we’re getting a little spoiled, but we’re eventually going to go back to the cold in the North.

VM: Could you tell me a little bit about the evolution  that you took from kind of synth-y, electronic music…I think I read a quote where you said you had wanted an album with nothing plugged in. I think that’s really cool taking that leap.

Arian Gillali [guitar/keyboard]: You know, Patrick has a good way of explaining it.

Patrick Adams [bass]: Do I?

AG: Yeah, What did you say in the last one?

Paul Roper [drums]: You didn’t want there to be any established rules.

PA: Yeah, yeah. I mean it kind of opened us up to not necessarily being a synth-pop band and doing a second record that didn’t have synth pop in it. I guess it was kind of a big statement, but we just saw it as just continuing to make and craft songs that we enjoy.

CH: It started off kind of practical. One of the other guys in the band was like, ‘synths are annoying, and I don’t wanna tour with a synth.’  And then, as we got more serious, it felt really important to try something new on the second record.

VM: It definitely made a statement. People in the blogosphere were going crazy about it.

CH: I mean, people definitely latched onto that aspect of the record – like, what it’s not – which may or may not be a good thing.  I’m not really sure at this point, but I’m happy with the record, and we all like really love the songs. I definitely don’t have any regrets.

MF: What would you say were some of your inspirations that lead to your second record?

CH: When we first started the band, we were geeking out over Galaxy 500 and The Dream Syndicate…

VM: And Portland has that alt-rock vibe going on there, too.

CH:  I mean, there are so many things in Portland happening right now, it’s hard to keep track.

VM: How do you think [being based in Portland affects your sound?]

CH: Oh, I think it definitely does in a big way. I remember making the last record. I was going out into the forest – there are these beautiful forests in Portland – and I spent a lot of time in the mountains in this cabin. It was winter, and I just was going through a dark period, so some of the songs definitely came from that. But it’s beautiful. I’m from LA, so I feel like the seasons there are really beautiful, even when it’s depressing…like, all the trees are dead, and they almost have this purple-y color to them…[laughs] I don’t know. To me, that’s really fascinating – trees with no leaves – gorgeous…

VM: They’re always giving away so much free stuff here! How do you [work together as a group? What are each of your specific roles?]

CH: I feel like everyone in the band is justa really good musician, and more than not, energetically, we’re really good friends, and so we really enjoy playing together. It doesn’t feel like a business.

VM: It’s key, because a lot of bands out there are strictly business.

PA: Yeah, we never really got that deep into that part. It’s more just like, ‘let’s try to figure out how we can all have fun and make this thing happen.’ And a little bit deeper into that question of how we each [contribute] individually. Arian’s been in a bunch of more synth-y, darker bands, and Paul –

PR: A lot of techno.

PA: A lot of techno. Paul was in a band that he toured with for a long time in New Zealand.

MF: New Zealand? That’s so incredible.

PR: Well, it’s green. It’s down over there somewhere…I wanted to get away! I wanted to move out; I wanted to get off the island, so I moved to America and –

CH: And he almost got kicked out, and we saved him.

PR: They saved me!

CH: That is the one thing that we were able to do…we got him a visa.

VM: What’s the craziest thing that’s happened so far at South By? 

PR: Yesterday, we were watching the Dum Dum Girls, and Debbie Harry came out…

CH: Yeah, that was the craziest thing.

VM: What kind of projects are you working on right now?

CH: I’ve been working on this solo record with the label – our label – that I’ve sort of been talking about with them for a couple of years, so I’m hoping to finish that in June.  And we just want to get home and start working on more Blouse stuff, too.

VM: Do you find [performing without the synth is very different from with it]?

CH: It’s a lot more fun, actually. The set’s really dynamic, and there’s a lot of energy in the new songsin a different way than the first record, so we can get really loud, and  it sounds good. We’re just louder, and I think it’s just more fun. The mood can change a little bit more throughout the set, which is cool…it’s not as dreamy anymore.

VM: Where are you performing again?

CH: At the Hotel Vegas tonight…[and tomorrow at] the Absolut vodka Bed Head thing…it’s kind of in a crazy studio. They’re doing people’s hair, and the updos look incredible.

VM: I have one more question. Who is the craziest member? I feel like you all are really chill right now, but who’s the secret crazy one?

CH: It depends on the day, really.

PR: I have this alter ego that comes out…

CH: Yeah, we don’t need to…it’s a secret, but it’s in him somewhere.

 

SXSW 2014: The Silver Palms x Vinyl Mag

Posted on April 11, 2014April 11, 2014 by Mary Frances Dale

The Silver Palms are a pretty unique band, and I’m not just talking about their sound (which is pretty damn rad – be sure to grab a listen below).  The Camden, Georgia-based band sat down with us at South by Southwest this year to talk about their hatred of Subway, how good-looking they are and what’s up with their all-black uniform (all before our interview got broken up by the cops…yeah, we’re badasses). Just don’t tell them they look like The Beatles.

Vinyl Mag: So, how’s your South By [Southwest] going so far?

Dalton Drury [vocals/guitar]: Alright, I guess. Yesterday was a show with some…bad audience.

VM: What happened?

DD: Well, they seemed like it. The first show was good, but the second show…

VM: I hear that you don’t like Subway. Your Facebook said that.

DD: If you’re an artist, you’re supposed to be cool. Why are you getting branded by Subway?

VM: But you might have something sponsored by Kmart?

DD: Yeah, exactly. That’s a joke. It’s a joke on all those sell outs.

Wade Beahm [bass]: We love Target though.

DD: Yeah, we do love Target. Target’s the stuff.

VM: So, Target can be your sponsor, but you hate Subway.

Adam Drury [guitar]: It’s gross.

VM: So, you like non-branded subs.

Dalton: Non-branded subs.

AD: For bands! For normal people, go at it, you know?

Jordan Scott [drums]: We’re above that.

VM: Can you tell me a little bit more about this all-black look you’ve got going on here?

Wade: We’re The Beatles, man.

DD: At least five times a day we get, ‘Oh look, it’s The Beatles.’

AD: That’s very true, all the time.

DD: We don’t want to look like The Beatles.

WB: The Beatles are a good-looking band, and, obviously, we are too.

VM: I want to hear a little bit more about how you guys started playing together. Can I get a little more of the background?

WB: Jordan broke my hand in football. I thought we were best friends.

JS: Then, our senior year in high school we were like, ‘yo.’ We saw Muse playing a show and we were like, ‘Wouldn’t that be amazing if we could do that?’ Screw going to college; we were going to become a band.

VM: How many shows are you guys playing for South By?

[All]: Four

VM: Tell me a little bit more about your influences for getting into music.

JS: Johnny Cash. We’re southern boys, you know?

VM: What’s your favorite venue you’ve ever played at?

JS: Newcastle. I love you guys so much, because I know you love me.

Wade: Shout out to you guys.

VM: In terms of Austin, are you more of a taco band or more of a barbecue band?

AD: A taco band?

JS: Meat is murder. Be a vegetarian.

VM: Wow! I’m a vegetarian.

DD: I’m not, so don’t high five me.

VM: So, you’re not going to tell us anything about your upcoming shows?

AD: We have a show at the Madison tonight.

VM: Nothing after South By? It’s all secretive.

WB: If you want to know, go on our Facebook.

VM: Tell me about your craziest South By moment.

JS: Last night, I was on a Pedi cab, and this girl was blasting hip-hop music. I was standing around, just whipping my shirt around and partying on. I was dancing, and everyone was chasing us taking pictures, it was great.

DD: We met this cat named Miguel.

VM: Tell me more.

DD: Alright, he has a sex move and a drink named after him.

AD: He’s a stud.

VM: Where did you meet this character?

DD: He’s a bass player, and apparently he’s really good. He was behind the bar making drinks for everyone.

AD: For no reason.

VM: What are you guys excited about for after South By? I know you’re going to some different festivals.

DD: Yeah, but we haven’t announced anything. I don’t know if I’m allowed to.

VM: Super secretive!

Dalton: You shall see if you want to know so much.

AD: Keep your eyes peeled.

 

*We did as we were told and checked out their Facebook. Voilà! Tour dates below!

TOUR DATES:

Apr 11 Garden Bowl Detroit, MI
Apr 12 Beat Kitchen Chicago, IL Tickets
Apr 14 First Avenue Entry Minneapolis, MN
Apr 16 VFW Missoula, MT
Apr 17 El Corazon Seattle, WA
Apr 18 Hawthorne Lounge Portland, OR
Apr 20 Milk Bar San Francisco, CA
Apr 21 The Satellite Los Angeles, CA
Apr 22 The Hideout San Diego, CA
Apr 23 Pub Rock Scottsdale, AZ
Apr 25 City Tavern Dallas, TX
Apr 27 Lamberts Austin, TX
Apr 28 House of Blues Houston Houston, TX
Apr 29 Circle Bar New Orleans, LA

 

SXSW 2014: Hundred Waters x Vinyl Mag

Posted on April 11, 2014April 10, 2014 by Emma Cramer

We here at Vinyl are not quite sure how to classify Hundred Waters. Are they indie? Are they electronic? Are they alternative? Perhaps their unclassifiable and refreshing sound is why we like them so much. Based out of Gainesville, Florida, all four members completed their self-titled album while attending the University of Florida (I guess we will let that slide this time. Go dawgs). This debut album garnered a significant amount of buzz, as producer and artist Sonny Moore (Skrillex) took notice and signed the up and coming group to his label, OWSLA. We met up with Nicole Miglis, Trayer Tryon, Paul Giese, and Zach Tetreault on the quiet third floor of the Austin Convention Center one sunny afternoon during SXSW to chat about their past year, their bucket list, and their evolving sound.

VM: 2013 was a big year for you guys, touring the US and the UK with acts such as Alt-J and The xx. How was that experience?

Nicole Miglis: It was a super incredible experience, and you learn a lot too, because you are opening for a band. And you are also like, this thing that you made in three months – this record that we made – we have had to stand behind for so long and learn how to adapt it to different situations. But meeting them was super inspiring, and they were really inspiring people to know and be around. It was incredible.

VM: You guys have a really unique sound that doesn’t really fit under a genre title. How would you guys describe your sound?

Trayer Tryon: Smart Dark.

VM: Has your sound evolved since the beginning?

Paul Giese: Yes, quite sufficiently. Our first album was made before we knew that this was going to be our everyday and before we knew we were going to be playing it live especially. This new stuff comes from two years of only thinking about music and only thinking about what it means to be doing this and meeting all of these inspiring people in music, instead of having to divide between school and work and what not.

NM: Yeah, it’s a full time thing now for sure.

PG: We are like 100 percent into it, whereas before the world was dividing us.

VM: How did the band form?

Zach Tetreault: We have all played music in different projects like for forever. Trayer and Paul were in a band in early high school, and I started playing with them at the end of high school.

PG: Awesomely, we were called Awesome.

ZT: Yeah, their band was called Awesome. Then we had a little project called We Are Trumpets, and then in college we met Nicole at university, and I would always go see her do solo shows, because she has an awesome solo project that no body knows about.

NM: Top secret.

ZT: Because she doesn’t let anybody know about it. And then we all joined this group together in college called Levek and toured with that, and then it sort of evolved into this. That’s the short of it, but yeah school and music bound us.

VM: So you guys have already performed here in Austin, TX for South by Southwest. How was that experience?

TT: Yesterday was great.

PG: Yeah, it was fun. We drove a long way and then flew and almost missed the flight. The show was all the people that were around most from where we drove. It was kind of funny, but it was good. It was a good beginning show, because it was really hard and rough, so it made us feel alive.

TT: It was our label showcase, which is OWSLA, which is like a lot of dance music mostly. And we don’t get to do a lot with them, because we aren’t really similar to most of the acts. This is one of the few things we have done with that family, so it was cool to be a part of it.

NG: Tonight, we are playing the Portal Showcase with Angel Olsen and Mark Kozelek, who I was obsessed with in high school, so I am super excited to play a show with him. He was like my first real music crush. I am super honored to be on that bill.

VM: Any particular show later in the week you are really looking forward to performing? Or anyone that you have already seen that really impressed you?

PG: Yeah, we really want to see Mark Kozelek.

NM: We are trying to see Empress Of, but she is playing right now.

TT: We wanted to see Ms. Gaga, but we just missed her. We are standing right where she was.

VM: If you guys could perform at any venue, what would it be?

NM: I don’t know. I don’t really know enough venues to be honest. I feel like the most exciting thing to do would be to play at your own venue, like set up your own thing somewhere. I don’t really have any venues that I idolize or anything like that.

TT: You don’t really know venues until you play them.

VM: Who would you say your main influences are?

TT: John Petrucci, Quincy Adams, Michael J. Fox, Rick Wakeman.

VM: If you guys could perform with anyone dead or alive, who would it be?

ZT: Nicole.

TT: Yeah, Nicole.

NM: I don’t know to be honest. The people that I know are the people I enjoy most being around and touring with and watching, because I know about their life. It means more to me when I see them perform.

PG: Let’s pick one. Let’s pick a dead fella. But how about watch instead of play. I think John Coltrane would be great, because it would be kind of sacrilegious to stop any time spent with him talking.

SXSW 2014: Lily & the Parlour Tricks x Vinyl Mag

Posted on April 9, 2014April 9, 2014 by Samantha Gilder

Lily & the Parlour Tricks is a soulful sextuplet based out of NYC.  According to their bio – and evident in their sound – their influences range from The Andrews Sisters all the way to The White Stripes. During South by Southwest, we sat down with Lily, Brian, Terry, Morgane, Angelo, and Darah to see what they had been up to in the past and what they plan on getting into in the future.  Read about all about it and more below, and check out their website for a stream of their latest release, Requiem, as well as upcoming tour dates.

Vinyl Mag:  Is this your first SXSW?

Lily: It’s our second; the first was in 2012.

VM: Is there a reason you took a year off from it?

Lily: Yeah, actually, a label saw us at SXSW 2012, and we got into a development deal with them through 2013, so it made sense not to come- but now we’re back.

VM: What set have you had your heart on catching while down here?

Lily: Definitely St. Vincent.

VM: This question is for the guys- I watched a bit of your interview with Rock on Philly, and Lily mentioned how you were super into 90’s R&B; as a fellow R&B appreciator, what kind of 90’s R&B are your particular favorites?

Brian:  Bone Thugs for sure, Montell Jordan, Brian McKnight…

VM: Oh snap, you guys are the real deal!

Brian: Well, the thing is that we did a run of shows once, and Angelo had found this Planet Groove: Best of 1997…

Lily: I think that was the first time we had ever gone out of town together, actually.

Brian: It was! So that was our soundtrack for about three straight days. And now it’s just a thing.

Terry: It started as a joke, and now we’re all into it.

VM: Being a larger group, how do you travel?

Lily: Well, now we have a van courtesy of Angelo. But usually, if we’re out of town, we rent a big SUV or something. Otherwise, we just split into two cars; usually, it’s just the “boys” car and the “girls” car.

VM: Here’s a question I’ve found relevant with this week: are you food truck people or BBQ joint people?

Lily: Both! We’ve done Iron Works already, but we’ve also done the food trucks. Really, we’re just food people.

VM: What has been your favorite so far?

Lily: Gus’s has been mine.

Darah: The best fast food truck at SXSW is Chilantro’s for sure.

Brian: We were discussing earlier how the food truck situation is really interesting and awesome, but I don’t know- I always leave hungry. It’s an experience more than it is a filling meal.

VM: You’ve mentioned how “Belle Gunness” was just a demo when it was picked up by BMW for their new commercial- have you since gone back and mastered it or left it as is?

Lily: We left it as is.

VM: And that wasn’t the plan originally, was it?

Lily: No, it wasn’t. It wasn’t the in the plan to release it all, necessarily, but we like it, and it sounds good. Now, we have all of these demos that we had done with this label, and we’re allowed to release them. We may or may not do that, but it’s kind of an amazing position to be in.

VM: Are the lyrics a collaborative effort or do you [Lily] do all of the writing?

Lily: I do all of the writing; it’s just how it’s happened. I 100 percent look at it is as a collaborative effort; it just happens to start with me. I send them skeleton recordings, and then it’s formed from there.

VM: Last question- I read that you’ve been going back and forth from Nashville to work on a lot of recordings- are you still going back and forth, or has that wrapped? What can we expect musically in the near future for Lily & the Parlour Tricks?

Lily: We just went in February for a big session, and we got six songs out of it, so now we have a total of 13 to work with. We’ve just released the first single titled “Requiem,” and we plan to release another single. After that, it’s wide open with what we want to do with the rest of it.

SXSW 2014: Lime Cordiale x Vinyl Mag

Posted on April 7, 2014April 7, 2014 by Emma Cramer

Quintet Aussies Lime Cordiale came quite a long way from their home of the northern beaches of Sydney to play at the massive and chaotic live music scene of SXSW. With a voice and sound that can’t help but bring up comparisons to Alex Turner (Arctic Monkeys) and The Kooks from us writers at Vinyl, this group is definitely deserving of your undivided attention with their up-beat indie rock distinctive of the land down under.  We caught up with brothers Oli and Louis Leimbach midway through they week at SX to talk about their experience in the USA, working with Daniel Denholm, and their biggest influences.

VM: 2013 was a huge year for you guys, touring all across Australia to promote your second EP, Falling Up the Stairs. How was that experience for you guys?

Louis Leimbach: Amazing! We all felt solid about that EP and the shows went splendidly. We started the year with an amazing festival on the east coast, so that defiantly pushed us a lot, and we also supported some bands that we adored.  We were super vibing on all of the shows out of our hometown, which had great turnouts.

VM: How did you come up with the band name Lime Cordiale?

LL: Our last name has ‘Lime’ in it, and we stole the ‘Cordiale’ from a French musical festival ‘Musique Cordiale’ we were attending when we first started playing together.

VM: How has it been performing and making music as brothers in the same band; does that ever cause tension or disagreements within the band?

LL: I can’t really imagine doing this without a sibling. There is never any backstabbing, and we can read each other perfectly. Sure, there is tension, but that makes for something good to write about.

Oli Leimbach: Despite being brothers, we get along really well. We have similar vision.

VM: How was the experience of having the EP produced by Daniel Denholm?

LL: Daniel is a strange guy. One of those wackos that would be naked under his trench-coat playing music all night long in the dark by himself. But a musical genius who totally gets us, and we fully respect him. We worked hard finding a sound that mimicked our personalities and presence for about six months. We put down about 20 tracks and picked out the best five.

VM: Being from Sydney Australia, how has that influenced your sound?

LL: There is definitely a distinct sound coming out of us at the moment – maybe that has something to do with it? We come from a surfy town that like to party and dance so we’ve definitely adapted our sound to its groovers.

VM: Are there any particular musicians or bands that shape your music? 

LL: A lot of old soul, deep house, reggae and psychedelic music. Some of our favourites are Bonobo, Citizen Cope, Charles Bradley, Amy Winehouse, Tame Impala and Crowded House.

VM: How has your music evolved since the beginning?

OL: When we first started out we were playing much smaller venues and mainly just acoustically. But as we started playing bigger places, we had to adjust our sound to less of a sit down and listen and more of a stand up and dance type of feel. Its all about playing something that people can dance to.

VM: Anyone who you guys would love to play live with?

LL: Citizen Cope, Charles Bradley, The Growlers, The Strokes…

VM: Do you guys have a favorite song to play live?

LL: ‘Bullsh*t Aside’ is pretty fun the play live. It seems to get everyone grooving pretty hard.

VM: What bands were you most excited to see at SXSW this year?

LL: We had no plans, and that was the best plan. We just hopped from venue to venue, and because of that we now have a list of about 30 great bands we previously had never heard of. We made friends with a couple of them and now have some good U.S. connections and friends.

VM: How many shows did you play at SXSW? What was your favorite?

LL: At one showcase we played, the guitar amp blew up in the first song, so Oli just danced around for most of it. When you stuff up that hard at the start of your set, you just loosen up and stop worrying, because there’s nothing else to loose.

VM: What is next for Lime Cordiale?

LL: We’ve got a bunch of new songs we want to lay down when we return to [Australia]. Then head back over to hit the USA with some fresh new tracks.

 

Apr 08   ‘Play Us Your Hits’ Showcase @ MUSEXPO Los Angeles, CA
Apr 09   Casa Costa Mesa, CA
Apr 21   Bluesfest Byron Bay Nsw, Australia
Jun 11    The Catalyst Santa Cruz, CA
Jun 17   The Crocodile Seattle, WA

SXSW 2014: Blondfire x Vinyl Video

Posted on April 4, 2014April 3, 2014 by Emily McBride

It’s no secret that we at Vinyl have love for Blondfire. It all started at South by Southwest 2013 when we saw them play a show at The Belmont with Sirah, Charli XCX, Icona Pop, Rockie Fresh, Action Bronson and Macklemore & Ryan Lewis (um…best lineup ever?).  Since then, we’ve been hooked.

We sat down with them at SXSW this year (after trying to meet up at a restaurant that no longer exists and getting super lost and confused), and they patiently held off eating a delicious-looking muffin to talk with us about their newest release Young Heart, finding band members through Craig’s List, what they love about South by Southwest and, of course, what’s next for them. Enjoy!

Apr 03    The Hoxton w/ The Sounds, Ghos…    Toronto, Canada
Apr 04    Imperial De Quebec w/ The Sounds, Ghos…    Quebec City, Canada
Apr 05    Corona Theatre w/ The Sounds, Ghos…    Montreal, Canada
Apr 07    Music Hall of Williamsburg w/ The Sounds, Ghos…    Brooklyn, NY
Apr 08    Union Transfer w/ The Sounds    Philadelphia, PA
Apr 10    Webster Hall w/ The Sounds    New York, NY
Apr 11    Fete Ballroom w/ The Sounds    Providence, RI
Apr 12    9:30 Club w/ The Sounds    Washington, DC
Apr 14    Terminal West w/ The Sounds    Atlanta, GA
Apr 15    The State Theatre w/ The Sounds, Ghos…    Tampa, FL
Apr 16    Grand Central w/ The Sounds    Miami, FL
Apr 18    Granada Theater w/ The Sounds    Dallas, TX
Apr 19    Emo’s w/ The Sounds, Ghos…    Austin, TX
Apr 21    Fitzgerald’s w/ The Sounds    Houston, TX
Jun 03    The Demo w/ Chain Gang of 1974    St Louis, MO
Jun 04    Woodland’s Tavern w/ Chain Gang of 1974    Columbus, OH
Jun 05    The Boot & Saddle    Philadelphia, PA
Jun 08    Brighton Music Hall w/ Chain Gang of 1974    Boston, MA
Jun 09    The Drake Hotel w/ Chain Gang of 1974    Toronto, Canada
Jun 10    Magic Stick w/ Chain Gang of 1974    Detroit, MI
Jun 11    Empty Bottle w/ Chain Gang of 1974    Chicago, IL
Jun 12    7th St Entry w/ Chain Gang of 1974     Minneapolis, MN
Jun 14    Marquis Theater w/ Chain Gang of 1974    Denver, CO

SXSW 2014: Jagwar Ma x Vinyl Mag

Posted on April 3, 2014April 3, 2014 by Jessamyn McTwigan

Walking down historical Congress Street through the steady droves of Southby-goers to meet with the Australian band Jagwar Ma, I listened to the bands debut album, Howlin’.  When an album can be defined as psychedelic dance rock while at the same time evoking a chill wave vibe (and somehow bringing some Beach Boys-esque melodies to the mix), you know you’ve got something unique.

Jagwar Ma was formed in 2011 by Gabriel Winterfield (lead vocalist/guitarist), Jono Ma (guitar, beats, synths, production), and bass guitarist/vocalist Jack Freeman.  Howlin’ was released in 2013, and they have been touring the album internationally through Future Classics, Mom + Pop Music and Marathon Artists.  I caught up with the band at the eclectic antique shop, Uncommon Objects, an Austin soho staple – very fitting for the band’s first SXSW.

VM: You guys just put out Howlin’ – are you ready to put out a second album?

Jono Ma:  People ask us a lot about the second record, and we’ve definitely been looking at our crystal ball and [doing] a lot of sketching and things but, realistically, we’ve got a pretty hectic touring schedule coming up and want to stay focused on that for now.

VM:  I saw that!  You’re heading back to New York this summer, right? Plus playing Coachella?

JM:  Oh yeah, and all over really – headed back to South America in a couple days, Chili, Columbia, Brazil and Argentina, all leading up to Coachella.

VM:  Wow, how do you guys keep up with the pace?

JM: Picking our battles. Like, last night for example, it was 2 a.m., and I was standing in the middle of the road outside of The Mohawk with the band Warpaint debating: should I go party?  I decided in the end to go home and get some rest.

VM:  You definitely can burn out quickly I imagine.  Now, how did you guys meet?

Gabriel Winterfield:  We met in Sydney; we both played in other bands that would play the same venues and tour together.  It’s not abnormal in Sydney for cross-pollination in bands.

VM:  Is Sydney a good culture for that?

GW:  Yeah, it certainly was, and I think it still is, It’s got a really good vibe for bands.  I was renting an office that I turned into a little studio, and Jono actually had a professional studio to work from.

VM: Did you produce all of your music yourself?

GW:  Yeah, Jono produced this record; I sort of dabbled in demo recordings, but the fact is, we had the opportunity to make our own sh*t, and people would come to jam. It was a pretty good time.

VM: It seems that’s one of the best ways to create new music, so that’s really fortunate.  Are there any new artists that you feel you would like to work with in the future or are inspired by?

JM:  We’re quite comfortable, musically, just the two of us, because we can really cover a lot of ground.  I can do a lot of technical stuff – we can both play guitar and keyboards, but we’re excited about the prospects of working with great visual directors and artists like Chris Cunningham and maybe Spike Jonze, because that’s not our forte’.  As pretentious as it might sound, I would like to work with a lot of designers.

VM:  Why do you think that sounds pretentious?  Are you afraid of coming across as pretentious?

JM: Well, I don’t know. I guess, ‘what does physical clothing have to do with it?’ maybe…

VM:  This is your first SXSW right? How has it been so far?

JM:  Yeah, our first time – it’s good… quite chaotic, but we haven’t smashed Southby yet.  We’ve only been here two days. I’ve seen some tired looking heads.

VM:  You must get used to travelling a lot.  You’re now based in the UK, right?

GW:  Yeah, we’re based in North East London.  There’s a bit of a vibe there. We’re not there too often, but when we are, we love it.  It’s a place that makes the most sense for us at the moment.

VM:  Right, because you are signed to a couple of labels right?  I know you work with Future Classic in Australia, Marathon in the UK and Mom+Pop here in the US. How does that all work out?

JM:  With great difficulty.

VM:  Do they all get along?  For instance, who handles the tour to South America?

JM:  Yeah, but they just work on their territories separately; it’s not that unusual of a structure.  South America is the wild west – we’re just gonna wing it down there. God, I don’t even know, but we have really great management that takes care of it all for us.

VM: Who do you wanna see at Southby?  I know you guys are friends with Cut Copy [who are] playing tonight.

JM:  Yes!  We need to get a hold of them; it would be great to see what they are doing at the moment.  I also really wanna see Danny Brown. We just did the Laneway tour, and he was on it.

 

SXSW 2014: SW/MM/NG x Vinyl Mag

Posted on April 3, 2014April 3, 2014 by Samantha Gilder

As a seasoned SXSW attendee (two consecutive years constitutes as seasoned, right?), I’ve come to realize that – while not many – there are a few things you are guaranteed take with you from your experience.

You will, without a doubt, always leave with a full backpack-worth of “swag”- koozies, stickers, matches, sunglasses, t-shirts, CDs or whatever else was shoved in your hand as you were cramming a taco into your face while power-walking through the masses to get to Red 7 by five minutes ago.

Second, you will definitely leave with some sort of battle wound. Battle wounds take on a variation of forms, so be prepared to endure them in (potentially) multiple fashions, such as blistered ankles from the 10 miles you walked in six hours, or an unevenly proportioned sunburn (also resulting from the 10 miles you walked in those six hours of blazing sunshine).

While those things are all good, great and dandy, the last thing you are guaranteed to take away is probably most relative to what brought you to this week of SXSW in the first place – you came for the music, and without a doubt, you left with at least one new band that really, really did it for you.

For me this year, that band was SW/MM/ING.  SW/MM/NG is a five-piece from Arkansas that makes whimsically dreamy tunes that put you somewhere between the California coast and the year 2004 in your mind. Following their showcase at Valhalla, we were able to catch up with some of the guys and find out completely relevant things like where they were eating and potential lawsuits they were witness to. Read for yourself, and then download their demo “Feel Not Bad” (if you’re into things like ear candy and good feels).


Vinyl Mag: Tonight was your first showcase, correct? How do you feel it went?

Jared Hennessey: Yeah, it was our first showcase and first show with Jack on pianos. It went pretty well, I think.

VM: Oh, first show with the band?

Jack Paul: Well, I’ve been with the band playing drums, but I’ve assumed a new position, because we got a better drummer.

VM: Right on! What has been memorable for you thus far [during SXSW]?

 

Jared Hennessey: We tried to catch some shows today, but every time we would be walking up, everyone else would be walking out.

Brian Kuppillas: The Portals showcase was really cool, though. And actually, a great set we caught was Trash Talk, and it was right outside of Beer Land. It was nuts- the cops were called; people were jumping off of the roof and falling out of trees. There was a huge mosh pit in the center of the street, and the cops rode up on their ATV’s with their sirens on during a song, and it just made the song so much cooler. Other than that, we’ve just been partying with buddies.

VM: I noticed you had a substantial amount of people at your showcase tonight who knew you guys- were those real- life friends or fans?

JP: A lot of people move away from Fayetteville, and Austin is pretty close, so they come here. We have friends all over, so they come to support.

JH: We actually have no fans – just a lot of friends.

BK: Arkansas is a good place for leaving, so they all head to bigger cities.

VM: Well, Arkansas seems to keep you content, right?

BK: It’s fine. It’s easy and really cheap in the city.

VM: I noticed when trying to google the band that you’re actually very hard to google- is that an intentional thing?

JH: No, we’re working on it. We’re thinking about it pretty hard right now.

BK: Can we talk about the story behind it?

VM: I would love to talk about the story behind it.

BK: So, there’s this UK band called Swimming, and they called Jared up one day around 8 a.m. while we were in Virginia Beach on our first or second tour. They went on with some ‘manager of the band Swimming’ stuff, and I was like, ‘No, we don’t need a manager, but thanks for the call’ or whatever. Meanwhile, he had this ridiculous accent, so I had no idea of half of the stuff he was trying to say. It pretty much came around to him stating that he was calling because he might sue us if we didn’t change the name.

VM: So, this is how the slashes in the band name came about?

JH: Yeah, that’s how that started. But there’s also this band in Australia with the name Swimming, so we may as well just call ourselves Swimming.

JP: Their main concern was that it would be too hard to tell apart in iTunes, so now we just write it differently.

VM: Well, I guess this segways nicely into another question of mine- I saw that you [were on] a list of ‘Worst Band Names of SXSW’- how do you feel about that?

JH: Well, there’s a good point to that that a friend of mine mentioned- you can literally take any of the ‘best band names’ and put them on the ‘worst band names,’ and it all still works. They’re all easily interchangeable.

BK: For example, I think Perfect Pussy is a fine band name. But as far as how I feel about it, I love that we made that list.

VM: To be honest, the name is what drew us in to check you guys out, so I guess it’s all relative.

BK: Well, that’s awesome. It could always be worse- like, The Goo Goo Dolls or something.

VM: Serious question- are you food truck people or BBQ joint people when you’re Austin?

JP: Can we be all of those people? Because we’ve already done both of those today.

VM: What exactly have you done today?

BK: The Bearded Lady and Austin Daily Press. They’re both dope places to eat, so check them out. They literally have the best hush puppies, and I hate hush puppies.

VM: Where were you when the accident happened in front of the Mohawk?

JH: Still in Fayetteville, actually. We didn’t even hear about until we were driving down here. It was really weird pulling up here and knowing we’re right beside where it all went down.

JP: I was texting my girlfriend on the way down here about how I was worried about the energy we would be coming into, but the vibes have been really good, all things considered.

VM: What’s currently playing in your tour bus at the moment?

BK: We’re all obsessed with the solo record from Kevin Morby, who is the guitarist in Woods.

JH: I’ve listened to it four times in the same day, and I never do that with any record. I’m obsessed with it- you let him know that.

BK: Our drummer is obsessed with The Zombies, so we listened to a lot of that, also.

VM: What’s the best/worst artist comparison you’ve received?

BK: I’ll never understand it, but there was this dude who said we sounded like Hootie and the Blowfish. I’ve also gotten the guy from Dashboard Confessional, and I don’t hear that one, either.

JH: People seem to relate things that they personally like to other things they personally like, even if there is no real comparison there.

JP: My girlfriend always says The Cure, and we’re all totally down with that.

VM: In that same token, what’s the weirdest thing anyone has said to you about their thoughts on your music?

BK: So, this dude named Buffalo once told us that our music took him to the spirit realm, but he was tripping really hard, so I’m not sure how much of that was musically-induced or drug-induced.

VM: Do you ever have those moments where you get those vibes off of your own music?

BK: There are times when you think about something too much that it doesn’t seem real anymore. You can do it with a word, even. If you say ‘orange’ over and over again it becomes meaningless; it’s easy to feel that way when you’ve played something hundreds of times. But, there are those times when you realize that you’re essentially five strangers, and everything worked out so well that you ended up together, and now you’re all playing the same song, and you’re very much in tune with one another. That’s what usually pops in my head and throws me out of it for a second.

JP: Because I live in Little Rock and not Fayetteville, I come to things a little bit later, so I have more of that outside perspective where I listen to the music and can really appreciate what’s being made.

 

SXSW 2014: Night Riots x Vinyl Mag

Posted on April 2, 2014April 3, 2014 by Emma Cramer

What would you get if U2 and The Killers had a baby?  Night Riots – that’s what. Hailing from central California, this rock band has such an infectious sound that both MTV and Rolling Stone have taken notice. We were lucky enough to have the opportunity to chat with them during their stint in Austin during SXSW, so read on to hear about how the band formed, their influences, one band member’s premonitions, and what’s in store for Night Riots down the road.

Vinyl Mag: So you guys have playing together since you were teenagers, how did the band form?

Travis Hawley: Well Matt and I met in middle school, and then the rest of us started playing together when we were little kids. We grew up playing music together and it has just been that way ever since.

VM: Comparisons have been drawn between Night Riots and big names such as The Killers, The Clash, and U2. How would you define your sound?

Nick Fotinakes: Sort of like a mix between The Killers and U2. I don’t know; I like it. I think it has the nostalgia of U2 or maybe some 80’s stuff. But, we also grew up listening to a lot of punk music, so it still has a lot of angst and darkness. I don’t know; it’s just rock with a listenability.

VM:You guys had to change your band name due to copyright infringements. How did you guys settle on the name Night Riots?

TH: It came to Mikel in a dream.

NF: Mikel has a lot of premonitions. Like on the flight over here, he thought we were all going to crash.

Matt DePauw: No, he saw a ring of light, and it was hopeful. He grabbed my wrist and was shaking, and then his eyes went completely white, and he saw a vision…

VM: You raised the money to put out your EP Young Lore independently. How was that experience?

TH: It was fun; it was a actually a cool way to give back to our fans. You know, they would donate surprising amount of money, and then we just tried our best to make worthwhile things to give back to them. So, we just had a bunch of cool little perks.

VM: Who would you guys say are your biggest musical influences?

TH: I like INXS.

NF: Travis.

MD: Dr. Dre, 2001. I mean it, it’s a great album. It inspired me a lot.

VM: So, welcome to the heaven that is South by Southwest! Any really cool experiences yet? Or anything you guys are really looking forward to?

Rico Rodriguez: South by Southwest is just pure chaos. You have people throwing up on people, Lady Gaga flying around on meat, barbeques.

MD: Pretty much in the streets, too. She’s throwing up on stage, then you walk outside. Mikel saw that one in a premonition. He saw us eating gyros later, too…

VM: What is your favorite venue you guys have played?

TH: I like the Great American Music Hall in San Fransico; that’s pretty awesome.

NF: I like this place called Humphrey’s by the Bay in San Diego. It’s like a big outdoor amphitheater. You saw people on their boats pull up and watch the show.

VM: You were featured on Rolling Stone and on MTV Buzzworthy in 2011 and 2012. How did that feel to get that exposure?

NF: Pretty cool – like surreal. It’s something you never really think is going to happen, but then it does, and I don’t know. It doesn’t really click in until someone tells you it’s cool, and then you think it’s cool. I am really peer-pressure-influenced.

VM: How would you say your music has evolved since the beginning of the band?

TH: Since the beginning of time. It has just evolved. It has all been pretty organic, and I think recently we have been exploring a lot more textures and sounds and rhythm, so I think that’s the biggest thing. But also, just pushing ourselves to be a little bit more outside of the box.

VM: If you could play a live show or collaborate with any band or artist dead or alive, who would it be?

MD: Freddy Mercury. Or that guy Death Grips.

VM: What can we expect from Night Riots after SXSW?

Mikel Van Kranenburg: Lots of gold, gold rings. That’s what I saw.

TH: We are going to come home, and then we are actually just spending a couple of months just writing music, get[ting] a couple of music videos done. A bit of touring, and then we are going to start it all over again.

SXSW 2014: Bert McCracken x Vinyl Mag

Posted on April 1, 2014April 1, 2014 by Emma Cramer

As frontman of the well-known rock band The Used hailing from Orem, Utah, Bert McCracken is far from inexperienced in both performing and interviewing. During SXSW, we were lucky enough to sit down and talk with the veteran rocker for a few minutes of his jam-packed schedule. Despite his experience, we chatted about how he still gets nervous to perform, his fondness of Australia and the new The Used record that’s coming out this month.

VM: The Used manages to combine heavy rock and roll with strong, catchy melodies. [What is] your main focus when writing a song?

Bert McCracken: My main focus is the lyrics first, then melody second. I grew up listening to Michael Jackson, David Bowie, Neil Diamond, and so I appreciate pop melody and pop sensibility. I want to write a song that I want to hear.

VM: You have a new album, Imaginary Enemy, coming out in April. What can we expect from your sixth studio album?

BM: It’s really a more selfless record than we have ever written. We wanted to ask some big questions about some really serious issues facing the world, inequality, and love and humanity, and what are we all doing not treating each other with respect…these kinds of things. So, we really keep the writing general enough so you can take it for what it means in your own personal life. But this record is going a bit deeper than we have before, and just like your typical Used record, I think there are a lot of colors that paint this canvas. So you have your heavier songs and your lighter songs and your more experimental stuff, but I think the focus is more on the consciousness of the message.

VM: How do you feel like you have evolved as a band and stayed relevant since starting out 13 years ago?

BM: I think the relevance is in part to do with our passion, and also directly a product of honest, pure love of music…there are a lot of bands out there like The Used that are just truly passionate about what they do, because they love music. And I think that is the most important thing for us – status aside, money aside, attention aside, everything else aside – other than this unadulterated love for music.

VM: Let’s talk about the heaven that is SXSW. What’s your favorite part of the Austin festival?

BM: My favorite part of SXSW is just the camaraderie and the freedom of music. There is a band here, there’s a band there, there’s a band there, there’s a band there – how great is that? Purely for the music.

VM: What’s the coolest venue or event that you’ve ever played?

BM: The Gorge in Washington is really awesome. It’s this outdoor venue that’s right in front of this cliff.

VM: What has been your most outrageous experience with a fan?

BM: There is a fan that has this fake leg that he always throws up on stage, and we always talk about it. He’s got a beer keg in his leg, so there’s a tap, and he’s got drawers, adult cigarettes and all. But we also had a Make a Wish Foundation cancer victim who chose to come spend a day with the Used in 2005, and we became super close. We talked on the phone all the time. His name was David Smith, and he lost his battle with cancer about a year ago. But that was the most outrageous fan experience.

VM: Do you still get nervous before you perform live?

BM: Very nervous. And if I didn’t, maybe I would need to re-evaluate my passion a little bit. I care a lot about what I do, and I want everyone to have a really amazing time. I want that healthy escape to be as enjoyable and memorable as possible.

VM: How have you managed to preserve your voice after years of recording and performing?

BM: I don’t know. I don’t think I have. I just take it easy, really really easy.

VM: Who are some of your biggest influences?

BM: I would say a Brazilian Revolutionary named Paolo Freire is one on my major influences. Noam Chomsky, T.S. Elliot, Umberto Eco, Charles Dickens…George Orwell is one of my main influences. I would say authors influence me a lot more than other artists. I am a writer first.

VM: If you weren’t making music, what do you think you’d be doing?

BM: Writing.

VM: So you have a pretty sweet set-up living in Australia. What is your favorite part about living in the land down under?

BM: I love the Australian way of kind of protected market systems. They have really strong protection for family-owned independent business. I think the whole world should feel that out.

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