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Jessamyn McTwigan

SXSW 2014: Cash Cash x Vinyl Mag

Posted on April 17, 2014April 17, 2014 by Jessamyn McTwigan

It was an unexpected delight on a hot day of SXSW to share ice cream sundae’s and brownies a la mode at Moonshine’s with the down to earth guys of Cash Cash.   Though I was not surprised by their casual and comfortable nature – these three childhood best friends and two brothers, Jean Paul Makhlouf, Alex Makhlouf and Samuel Frisch have been sharing mealtime conversations for some time now – I was surprised at how personable they were with me, an outsider.

From adolescence, they did everything themselves musically, from producing in their garage, to their own marketing.  Together, they built a passion and understanding for music and music theory.

Their more recent success came in 2013, with the single “Take Me Home” featuring Bebe Rexha. It peaked at #18 on the US Pop Songs chart and #67 on the US Billboard Hot 100 earlier this year.

I spoke with the band about their most recent song “Lightning,” featuring Goo Goo Dolls front man John Rzeznick, their own radio show and being signed with Atlantic Records.

Vinyl Mag: How do you guys decide what to remix or which artist to feature in your songs?

Jean Paul: We started with electronic music as our base when we were younger, which has recently branched out into songwriting… we are very picky about who we use. We turn down requests from artists and labels all of the time. We don’t want to pump out a lot of stuff but rather, when we want to remix something, we start with the artist’s voice, like an instrument that we want to work with, and we will remix it from there.  Like Bruno Mars’ sharp vocals on “Treasure,” and we were excited to work with Icona Pop on “All Night.”

VM:  So tell me about “Lightning.”  Was it John Rzeznick’s voice that was the deciding factor?

JP:  Yeah, it’s a juxtaposition of his voice with what we do on the chorus that really works.  It’s climbing up the top ten list of Hypemachine – we’re really excited.

VM: You recently got signed with Atlantic. How is that going?

Alex Makhlouf: We’re really happy with Atlantic; it feels like family.  We already know how to do everything from the ground up, and they really know how to help us keep doing just that and to push us into realizing our vision.  Plus, we’re excited to collaborate with artists on the label, for example, the guys of Chromeo, and more with Icona Pop.

VM:  Tell me about the radio show that you guys do.

AM:   It’s called Royalty Radio, and you can stream it.  It’s basically our way of giving back and helping to promote the people that deserve recognition, like for example a friend of ours from back home that we grew up with – he’s so talented, and we hope to help him get that exposure.  We also like to let our fans know what we’re up to and who we’re listening to and inspired by.

VM:  You guys really like sweets, huh?  So far, no one has ordered any appetizers or sandwiches for lunch – just sweet drinks and desserts.  Traveling all over the world, what kind of weird food have you tried?

JP:  We toured in Japan – they have lots of really weird candy.  If you ever travel there, you have to try the dried octopus candy and dried fish jerky. We’re headed to Australia soon; we’ll have to try the sweets there!

 

*Catch Cash Cash on tour now!!

Apr 17    Budweiser Made in America Charlotte Party    Charlotte, NC
Apr 19    New City Gas    Montreal, Canada
Apr 22    Budweiser Made in America Athens Party    Athens, GA
Apr 25    Life In Color West    Lafayette, IN
Apr 26    Life In Color    Columbia, MO
May 23    Exchange    Los Angeles, CA
May 24    EDC New York    East Rutherford, NJ
May 25    Sunset Music Festival    Tampa, FL
May 26    Marquee Dayclub    Las Vegas, NV
May 27    Shrine    Mashantucket, CT
Jun 01    Nikon at Jones Beach Theater    Wantagh, NY
Jun 06    Royale Nightclub    Boston, MA
Jun 07    X Games @ Austin 360 Amphitheater    Austin, TX
Jun 14    Grand Central    Miami, FL
Jun 16    Marquee Nightclub    Las Vegas, NV
Jun 20    Firefly Music Festival    Dover, DE
Jun 26    Electric Forrest    Rothbury, MI
Jul 04    Life In Color    Hidalgo, TX
Jul 18    Bassmnt    San Diego, CA
Aug 01    Lollapalooza    Chicago, IL
Aug 03    Boonstock    Penticton, Canada
Aug 09    Whiskey    Portland, OR

 

SXSW 2014: Jagwar Ma x Vinyl Mag

Posted on April 3, 2014April 3, 2014 by Jessamyn McTwigan

Walking down historical Congress Street through the steady droves of Southby-goers to meet with the Australian band Jagwar Ma, I listened to the bands debut album, Howlin’.  When an album can be defined as psychedelic dance rock while at the same time evoking a chill wave vibe (and somehow bringing some Beach Boys-esque melodies to the mix), you know you’ve got something unique.

Jagwar Ma was formed in 2011 by Gabriel Winterfield (lead vocalist/guitarist), Jono Ma (guitar, beats, synths, production), and bass guitarist/vocalist Jack Freeman.  Howlin’ was released in 2013, and they have been touring the album internationally through Future Classics, Mom + Pop Music and Marathon Artists.  I caught up with the band at the eclectic antique shop, Uncommon Objects, an Austin soho staple – very fitting for the band’s first SXSW.

VM: You guys just put out Howlin’ – are you ready to put out a second album?

Jono Ma:  People ask us a lot about the second record, and we’ve definitely been looking at our crystal ball and [doing] a lot of sketching and things but, realistically, we’ve got a pretty hectic touring schedule coming up and want to stay focused on that for now.

VM:  I saw that!  You’re heading back to New York this summer, right? Plus playing Coachella?

JM:  Oh yeah, and all over really – headed back to South America in a couple days, Chili, Columbia, Brazil and Argentina, all leading up to Coachella.

VM:  Wow, how do you guys keep up with the pace?

JM: Picking our battles. Like, last night for example, it was 2 a.m., and I was standing in the middle of the road outside of The Mohawk with the band Warpaint debating: should I go party?  I decided in the end to go home and get some rest.

VM:  You definitely can burn out quickly I imagine.  Now, how did you guys meet?

Gabriel Winterfield:  We met in Sydney; we both played in other bands that would play the same venues and tour together.  It’s not abnormal in Sydney for cross-pollination in bands.

VM:  Is Sydney a good culture for that?

GW:  Yeah, it certainly was, and I think it still is, It’s got a really good vibe for bands.  I was renting an office that I turned into a little studio, and Jono actually had a professional studio to work from.

VM: Did you produce all of your music yourself?

GW:  Yeah, Jono produced this record; I sort of dabbled in demo recordings, but the fact is, we had the opportunity to make our own sh*t, and people would come to jam. It was a pretty good time.

VM: It seems that’s one of the best ways to create new music, so that’s really fortunate.  Are there any new artists that you feel you would like to work with in the future or are inspired by?

JM:  We’re quite comfortable, musically, just the two of us, because we can really cover a lot of ground.  I can do a lot of technical stuff – we can both play guitar and keyboards, but we’re excited about the prospects of working with great visual directors and artists like Chris Cunningham and maybe Spike Jonze, because that’s not our forte’.  As pretentious as it might sound, I would like to work with a lot of designers.

VM:  Why do you think that sounds pretentious?  Are you afraid of coming across as pretentious?

JM: Well, I don’t know. I guess, ‘what does physical clothing have to do with it?’ maybe…

VM:  This is your first SXSW right? How has it been so far?

JM:  Yeah, our first time – it’s good… quite chaotic, but we haven’t smashed Southby yet.  We’ve only been here two days. I’ve seen some tired looking heads.

VM:  You must get used to travelling a lot.  You’re now based in the UK, right?

GW:  Yeah, we’re based in North East London.  There’s a bit of a vibe there. We’re not there too often, but when we are, we love it.  It’s a place that makes the most sense for us at the moment.

VM:  Right, because you are signed to a couple of labels right?  I know you work with Future Classic in Australia, Marathon in the UK and Mom+Pop here in the US. How does that all work out?

JM:  With great difficulty.

VM:  Do they all get along?  For instance, who handles the tour to South America?

JM:  Yeah, but they just work on their territories separately; it’s not that unusual of a structure.  South America is the wild west – we’re just gonna wing it down there. God, I don’t even know, but we have really great management that takes care of it all for us.

VM: Who do you wanna see at Southby?  I know you guys are friends with Cut Copy [who are] playing tonight.

JM:  Yes!  We need to get a hold of them; it would be great to see what they are doing at the moment.  I also really wanna see Danny Brown. We just did the Laneway tour, and he was on it.

 

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