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Category: Reviews

REVIEW: “Palm Reader” by Sonny and the Sunsets

Posted on May 27, 2013October 9, 2013 by Grafton Tanner

Sonny and the Sunsets’ follow-up to Longtime Companion is entitled Antenna to the Afterworld, and like many indie artists to go before them, Sonny Smith and his band are ripe to tackle death and its aftermath.  The band suffered the loss of a close friend, and that tragic experience has led them produce songs like…

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REVIEW: Lemuria’s “Oahu, Hawaii”

Posted on May 21, 2013November 12, 2013 by Samantha Gilder

Buffalo, New York’s own Lemuria is dropping their newest album The Distance Is So Big on June 18th, but prefacing that date, they have decided to release a few sneak-peaks from the album- the most recent being “Oahu, Hawaii”. Upon pressing play, I noticed Lemuria had strayed from the norm in certain aspects, but in…

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REVIEW: September Call-Up’s Air And My Sleep

Posted on May 21, 2013October 9, 2013 by Kate Foster

Christian Bitto, singer of the September Call-Up, is a lot like Leonardo da Vinci. How, you might ask? Quite simply, Bitto is a Renaissance Man of vocals, a jack-of-all-moods, you might say. From first track to last on his album with drummer Jesse Gimbel, Air And My Sleep, Bitto switches constantly and effortlessly from a…

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REVIEW: Valaska’s Natural Habitat

Posted on May 7, 2013October 9, 2013 by Kate Foster

With the warm, lazy summer months ahead, what could be better than a pensive indie album with fantastic acoustic instrumentals? Enter Valaska’s new album, Natural Habitat. The brain-child of Chicago native Dave Valdez, this record will uplift you with its often cheery acoustic guitar, then force you into a state of reflection with its unabashedly…

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SHOW REVIEW: Crystal Castles at the Tabernacle

Posted on April 18, 2013October 9, 2013 by Kate Foster

A threesome of musicians swarmed the Tabernacle stage, awash in black, taking their places before a massive, eerie depiction of a cloaked figure embracing a naked human form. The waifish, platinum blonde front woman, Alice Glass, took a drag from her cigarette as the heavy beats reverberated around the room. Crystal Castles provided an incredibly…

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SHOW REVIEW: 2013 NCAA Big Dance Concert Series

Posted on April 14, 2013October 9, 2013 by Jacklyn Citero

The NCAA came to Atlanta last weekend and in addition to basketball fanatics a like, the  sporting event brought with it The Big Dance concert series. High profile and sought after artists such as Muse, Dave Matthews Band, and Sting headlined the Saturday and Sunday shows in Centennial Olympic Park. Saturday’s Coke Zero Countdown show…

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REVIEW: Deadstring Brothers’ Cannery Row

Posted on April 10, 2013October 9, 2013 by Kate Foster

Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and the 78s, and Poco get together to make an album. You’re probably drooling by now, right? Now, open your eyes, grab your keys, and go out and buy Deadstring Brothers’ newest album, Cannery Row. You’re welcome. From…

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Review: Luke Winslow-King’s ‘The Coming Tide’

Posted on April 9, 2013April 16, 2014 by Kate Foster

Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme, and enjoying quality music puts you in the minority, Winslow-King brings back a feeling long forgotten: the way your hips can’t help but sway in an almost instinctive way when early 20th century jazz blares from your…

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Vinyl Mag’s Guide to SXSW

Posted on March 22, 2013October 8, 2013 by Emily McBride

South by Southwest. Indescribable.  But here I am, about to try to describe it. SXSW was intense, exhausting, physically painful at times, and overwhelming.  But it was also arguably the best week of my life.  I’ve never had so much productive (and thoroughly professional at all times, of course) fun in my entire life, and…

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REVIEW: The Flaming Lips’ The Terror

Posted on March 4, 2013October 8, 2013 by Amy Anderson

  When the Flaming Lips released In a Priest Driven Ambulance, I was a trembling fetus nestled in my mother’s womb.  When I was nine, the band was radiating mainstream attention, but I didn’t know because no exceptionally cool third-grader brought The Soft Bulletin to show-and-tell.  And when I was 12, Yoshimi was battling the…

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