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King Tuff pushes back album release and announces world tour

Posted on April 10, 2013October 9, 2013 by Vinyl Mag

King Tuff announced the unfortunate push back of his new album, Was Dead, to May 28,2013. However, he did release a track from the album, “Dancing On You”, that can be streamed below!

KING TUFF TOUR DATES
Fri. April 12 – Palm Springs, CA @ Ace Hotel
Wed. April 17 – Pomona, CA @ The Glasshouse w/ Dinosaur Jr.
Wed. April 24 – Sydney, AU @ Godgod Small Club
Thu. April 25 – Melbourne, AU @ Bermuda Float
Fri. April 26 – Brisbane, AU @ Primitive Room
Sat. April 27 – Adelaide, AU @ Tuxedo Cat
Mon. April 29 – Auckland, NZ @ King’s Arms
Tue. April 30 – Wellington, NZ @ Bar Bodega
Fri. May 10 – Cardiff, Wales, UK @ Clwb Ifor Bach
Sat. May 11 – South Yorkshire, UK @ Bowery Sheffield
Sun. May 12 – Glasgow, UK @ Broadcast
Mon. May 13 – Leeds, UK @ Brudenell Social
Tue. May 14 – Birmingham, UK @ Hare & Hound
Wed. May 15 – London, UK @ Birthdays
Fri. May 17 – Athens, GR @ Plissken Festival
Sat. May 18 – Utrecht, NL @ Le Guess Who Festival
Mon. May 20 – Berlin, DE @ FESTAAL
Tue. May 21 – Offenbach, DE @ Hafen 2
Wed. May 22 – Lyon, FR @ Sonic
Thu. May 23 – Nîmes, FR @ Paloma
Fri. May 24 – Barcelona, ES @ Primavera Sound Festival
Sun. May 26 – Toulouse, FR @ Le Saint Des Seins
Tue. May 28 – Zurich, CH @ Mascotte
Wed. May 29 – Luzern, CH @ Sedel
Thu. May 29 – Ravenna, IT @ Hana-Bi
Fri. May 31 – Rome, IT @ Muzak
Fri. Aug. 2 – Happy Valley, OR @ Pickathon Festival
Sat. Aug. 3 – Happy Valley, OR @ Pickathon Festival
Sun. Aug. 4 – Happy Valley, OR @ Pickathon Festival

REVIEW: Deadstring Brothers’ Cannery Row

Posted on April 10, 2013October 9, 2013 by Kate Foster

Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and the 78s, and Poco get together to make an album. You’re probably drooling by now, right? Now, open your eyes, grab your keys, and go out and buy Deadstring Brothers’ newest album, Cannery Row. You’re welcome.

From the very first track, “Like A California Wildfire”, frontman Kurt Marschke’s voice paired with some very alt-country instrumentals draw undeniable comparisons to the Rolling Stones circa Exile On Main Street. Yeah, heavy compliment, but this is one group that’s earned it – by the time you get to the album’s title track, you’re hooked. “Cannery Row” is a slow, mournful tune that reveals Ryan Adams backbone whilst keeping a very “Wild Horses”, Rolling Stones sound. The female vocals really make this track pop, though – they’re a much-needed calm before the fun, danceable, country storm that is “Lucille’s Honky Tonk”. Trust us, you’ll suddenly feel like you’re in a saloon in the old west as you move and step to “I can hear her when she sings, and the beauty that it brings. Yeah, we’re swinging down at Lucille’s Honky Tonk.”

As you approach the end of Cannery Row, you’ll be struck by how White Stripes-esque “Talkin’ To A Man In Montana” sounds instrumentally.  It’s the perfect hit of country rock as the female vocals return once again to add dimension to the song. The record ends with “Song For Bobbie Jo”, a measured yet complex ballad in which Marschke croons, “I’m comin’ home for good, I’m comin’ down like no one ever should,” before escalating to nearly yelling, “You know, there’s times when I might need a friend.”

Cannery Row shares its title with a 1945 John Steinbeck novel set in California. Why is this even relevant? Well, yes, the album and the novel are both reminiscent of a very country-influenced era and region. More notable, though, is that, like Steinbeck’s novel, this Deadstring Brothers masterpiece will be put down in the books as irrefutably timeless.

Woods announces Spring/Summer tour and cover The Kinks

Posted on April 10, 2013October 9, 2013 by Vinyl Mag

Woods release their cover of The Kinks “God’s Children” that can be streamed below:

They also announced new spring/summer tour with dates to follow:

Thu-May-9     Les Nuits de Botanique – Brussels (B)
Fri-May-10    Vera – Groningen (NL)
Sat-May-11    Pop Revo – Aarhus (DK)
Sun-May-12    Pustervik – Gothenburg (S)
Mon-May-13    Debaser – Stockholm (S)
Tues-May-14   Debaser – Malmö (S)
Weds-May-15   Stengade – Copenhagen (DK)
Thu-May-16    Comet Club – Berlin (D)
Sat-May-18    The Great Escape @ Pavilion Theatre(Uncut Stage)- Brighton (UK)
Sun-May-19    The Lexington – London (UK)
Mon-May-20    Indiestad @ Paradiso – Amsterdam (NL)
Tues-May-21   Le Point Ephemere – Paris (F)
Weds-May-22   Le Saint des Seins – Toulouse (F)
Thu-May-23    Primavera Sound – Barcelona (ES)
Sat-Jul-13    Boston, MA            TT The Bears *
Sun-Jul-14    Portland, ME            Space 538 *
Mon-Jul-15    Burlington, VT        Signal Kitchen *
Tue-Jul-16    Montreal, QC        Il Motore *
Wed-Jul-17    Toronto, ON            Horseshoe Tavern *
Thu-Jul-18    Cleveland, OH        Beachland Tavern
Fri-Jul-19    Chicago, IL            Pitchfork Music Festival
Mon-Jul-22    Louisville, KY        Zanzabar *
Tue-Jul-23    Charlottesville, VA    Twisted Branch Tea Bazaar *
Wed-Jul-24    Philadelphia, PA        Morgan’s Pier *
Thu-Jul-25    Baltimore, MD        Ottobar *
Sat-Jul-27    New York, NY        Bowery Ballroom #
Fri-Aug-16    La Route Du Rock Festival – St. Malo (F)
Sun-Aug-18    Greenman Festival – Powys (UK)* = w/ Parquet Courts
# = w/ Alex Bleeker and The Freaks

Review: Luke Winslow-King’s ‘The Coming Tide’

Posted on April 9, 2013April 16, 2014 by Kate Foster

Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme, and enjoying quality music puts you in the minority, Winslow-King brings back a feeling long forgotten: the way your hips can’t help but sway in an almost instinctive way when early 20th century jazz blares from your speakers.

This pretty-boy moved to New Orleans by chance in 2001, a fact that is quite tangible when you listen to his newest release, The Coming Tide. Jazz, Delta blues, Southern gospel, and folk collide in this 11-track masterpiece, which combines both earth-shaking LWK originals and creatively reworked covers.

The first track on the album, “The Coming Tide”, ardently displays Winslow-King’s talent in working with an undeniably gospel slide guitar. In addition, fellow singer Esther Rose’s harmonies add the final, perfecting touch to the track and the rest of the album – it’s as if you don’t even realize the music is missing something until her Lucinda Williams-esque voice leaks into the mix. “Let ‘em Talk” is another of our favorites. The sweet, melodious trumpets are the ideal contrast to LWK’s defiant words: “Let ‘em talk, I don’t mind. Don’t make a difference to me.”

You can almost taste Winslow-King’s and Rose’s affection for New Orleans in the Ida Cox cover, “I’ve Got the Blues for Rampart Street” – it’s an homage to their beloved town in both lyrics and musical style, from start to finish. Just a few tracks later, we hear the duo’s soft, breezy take on love with “I Know She’ll Do Right By Me”. Listeners are immediately transported to a more classically romantic era as Winslow-King croons about his favorite girl, who is “so fair, treats me right, she gets home by the end of the night.”

The Coming Tide concludes valiantly with a cover of the 1960s track made famous by George Harrison, “I’ve Got My Mind Set On You”. It’s classic yet entirely reworked and inspired, much like Luke Winslow-King as a musical force.

EXCLUSIVE: Fletcher premieres new album ‘Open Arms’

Posted on April 8, 2013October 8, 2013 by Vinyl Mag

Check out the exclusive premiere of three-piece new age alt-rock band Fletcher‘s second EP, Open Arms, out tomorrow!  And you’re welcome.

BAMBARA shares second single off DREAMVIOLENCE LP

Posted on April 1, 2013October 8, 2013 by Vinyl Mag

BAMBARA released “Nail Polish,” the second single from their first full-length album DREAMVIOLENCE, and can be streamed on Noisey.

A digital copy DREAMVIOLENCE will be available April 30 and will be released on white vinyl in June.

The Front Bottoms announce new album

Posted on March 28, 2013October 8, 2013 by Vinyl Mag

The Front Bottoms are releasing their sophomore album, Talon of the Hawk, on May 21. They also have a new music video for “Twin Size Mattress,” available here:

Vinyl Mag’s Guide to SXSW

Posted on March 22, 2013October 8, 2013 by Emily McBride

South by Southwest.

Indescribable.  But here I am, about to try to describe it.

SXSW was intense, exhausting, physically painful at times, and overwhelming.  But it was also arguably the best week of my life.  I’ve never had so much productive (and thoroughly professional at all times, of course) fun in my entire life, and I’m already ready to go back.  Seriously…is it next year yet?

It is important to note that, more than being the X Games of music festivals, SXSW is also a conference and an incomparable networking opportunity.  Most of the day for me was spent attending parties and exchanging business cards American-Psycho-style, making connections and building mutually beneficial business relationships (such a hard life).

This was my first year at SXSW (and definitely not my last), so I had a lot to learn.  Like…a lot.  And fortunately, I had the presence of mind to take notes so that I could share my knowledge with you – and so I would be prepared the next time around.  So here it is.  My rundown of SXSW 2013:

Favorite venue: Mohawk.

Least favorite venue: The Belmont (too crowded; unless you get there four hours early and wait to be in the tiny pit, anywhere you stand provides a pretty unimpressive view of the stage).

Favorite discovery: Ginger & the Ghost.

Favorite day parties: Spotify, Yard Dog Gallery (both of which required some serious Frodo-and-Sam-style trekking, but were well worth it).

Favorite food: Taco N’ Madre food truck (I don’t know what the sauces are, but don’t ask questions and just put all of them on your tacos — you’re welcome).

Favorite live performance: Still is (and may always be) Diarrhea Planet.  They make me act stupid and get sweaty, and I appreciate that.

Favorite line-up: Sirah, Charli XCX, Icona Pop, and Macklemore & Ryan Lewis all played at The Belmont on Night One.  Pretty epic.

Favorite app: Hail A Cab Austin (this saved me countless times when I was trying to get to an interview.  Wish I’d discovered it Day One.  Kind of wish I hadn’t told you guys about it.  If I can’t get a cab next year, I’m blaming my readers).

Biggest show I sort of made it to (but more like listened to from far away): Flaming Lips at Auditorium Shores Stage.  So crowded I would have gotten the same experience watching it on TV.

Earliest bed time: 3 a.m.

Latest I slept in: 8:30 a.m.

Best public place to regain strength, charge your phone, use the bathroom, and lay on the floor and complain about how much pain you’re in: Austin Convention Center upstairs (surprise, surprise).

Favorite street: Rainey Street.

Favorite celebrity sightings: Standing in line behind Pauly Shore at Iron Works BBQ, meeting Perez Hilton at the VH1 Cafe, and being too scared to go talk to LeVar Burton at the Sennheiser + Paste Interactive Studio & Lounge on Rainey Street.

Favorite fan-girl moment: meeting Icona Pop at the VH1 Cafe and acting extremely uncool about it (sorryI’mnotsorry for creeping).

Favorite score: Generous Unknown Girl came up to me while I was sitting pensively on a bench and asked me if I wanted the free red American Apparel skirt she got because she didn’t feel like carrying it around.  If only she had a backpack (see Lesson One below).  Thank you, Generous Unknown Girl.  I am forever grateful to you.

Biggest rip-off: Wu Wu Fest advertising “free Wu Wu sushi” at their party if you RSVP/”Like” them on FB…what they should have said was “one tray of six pieces of free sushi to be passed around once every two hours so you probably won’t get any unless you hang out by the kitchen, suckers”…I’m bitter, yes, but I was really hungry.

Most pointless “secret show”: Justin Timberlake at Myspace.  It’s not a secret show if it’s plastered all over the wall of the building in giant letters.

Now that I’ve shared my high and lowlights with you, let me move on to the valuable lessons I learned…

Lesson One: Don’t wear new shoes, stupid.  Wear the most comfortable, walkable shoes you can find.  I don’t care if they are Crocs (actually, I take that back —  Crocs are inexcusable), but in this case, style is secondary to practicality.  I seriously have blister scars on my heels from these stupidly adorable mint Oxfords that I thought were a good idea.  Damn my vanity.

On that note, go with a backpack instead of a purse.  Hands-free is where it’s at.  And throw a sweater in there.  It gets a little chilly at night.

Lesson Two: Let some things go.  You will never be able to stick to the uber-strict time-crunch schedule you have made for yourself, so allow yourself to go with the flow, always have a Plan B, and remember to leave yourself some time to stumble upon some new discoveries.  That’s part of what SXSW is for.  It’s not just a festival to see your iPod playlist come to life (did that reference date me? Should I have said Spotify or Drinkify playlist?).

Lesson Three: Bring your phone charger with you.  Bring a portable charger.  Trust me.  You’re gonna be InstaTweetVining the crap out of this thing, and your phone can only handle so much.

Lesson Four: Don’t wait in line for any band for more than 15 minutes.  It is a waste of time.  You are missing too much of the goings-on around you, and chances are the band you are impatiently waiting for will be playing an unofficial show tomorrow at 2:00.  Which brings me to…

Lesson Five: Do not rely strictly on the official SXSW show schedule.  Now, don’t get me wrong, this schedule is THE BOMB, and the SXSW app on your phone that allows you to make your own schedule kept me from running around like a headless chicken (more than I already was, anyway), but chances are, your must-see-or-it-was-all-for-nothing band is playing either a day party you don’t know about or an unofficial showcase somewhere.  Look up your priority bands on their Twitters and websites, and chances are you’ll be able to track them down.

Lesson Six: Stalk Twitters and RSVP to absolutely everything you plan on attending well in advance.

There you have it.  Now let’s do that again.

Sonny & the Sunsets announce new LP and share first single

Posted on March 21, 2013October 8, 2013 by Vinyl Mag

Sonny and the Sunsets announce their new LP, Antenna to the Afterworld, set to release June 11, 2013.  The LP can be pre-ordered through Polyvinyl Records.

Sonny and the Sunsets have also shared a new single from the LP, “Dark Corners”. Check it below.

SXSW with Ginger & The Ghost

Posted on March 20, 2013October 8, 2013 by Emily McBride

Ginger & The Ghost is one of my absolute favorite South by Southwest finds.

Not only were they some of the most friendly, personable people I’ve gotten to talk to, but they are also enormously talented.  Seeing them perform live feels like a privilege, almost as if the audience is being granted an exclusive chance to view them in their natural habitat.  Usually I feel the overwhelming urge to sing along when I see a live show – this is one of the only ones I have seen that made me want to hush and unblinkingly observe the artists in front of me.

Missy (“Ginger”)’s voice is not of this world, and as you listen to her, you can’t help but think that she was made for this…actually hand crafted to be doing exactly what you see and hear.  Her talent is real.

Dan,  “The Ghost,” manifests himself in a way that perfectly befits his title.  He stands beside Missy with a ghostlike omnipresence, but that by no means implies that he fades into the background.  He seems to be haunting the stage as he plays, and he is undeniably felt.

Only Ginger & The Ghost could make an audience forget that they are in a small, unassuming bar in the middle of 6th Street in Austin, Texas and transport them into an otherworldly galaxy (one that I’m eager to return to).

So there you have it. Amazing band. Awesome people. So before you bolt off and scoop up their EP (which came out March 15!!), go ahead and check out this interview first!

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