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Tag: the whigs


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Preview: Campfest 2015

Posted on July 31, 2015July 22, 2015 by Kelsey Butterworth

With the recent news that Wet Hot American Summer is getting a Netflix reboot, it’s easy to slip into campy (sorry) nostalgia. Think back to the halcyon days of food on sticks, eau de bug spray lingering in the air, and weirdly intense two-month friendships which end in unfulfilled promises to “totally write to each other like all the time!!” If you find yourself missing summer camp, then boy, do we have good news for you: Campfest. Is. Here.

In the same way that Dave & Buster’s is a Chuck E. Cheese for adults, Campfest is a return to the cherished American tradition of outdoorsy, activity-packed summer camp – with a musical twist. We could tell you about the crafting on crafting on crafting, or the karaoke and cornhole competitions, or even the festival’s preposterously picturesque location at a real summer camp in the Blue Ridge mountains of Georgia. But this being Vinyl Mag we’re gonna tell you about the surprisingly rad band lineup.

Making an appearance at the inaugural event are Cold War Kids, the Whigs, Langhorne Slim, Roadkill Ghost Choir, Hey Rosetta!, and Margo and the Pricetags. What better way to stay warm (as warm as you’ll want to stay on a September night in Georgia) in the mountains than a few great bands playing anthemic, ringing rock and roll?

Indie rock is a broad umbrella. If you’re into the harsher, rawer chord assault side of things (as this writer surely is), the Whigs are your bag – check the nuclear bomb that is “Someone’s Daughter”. And you know we always love giving shoutouts to the hometown heroes. But for the mellower folks out there, Cold War Kids and Hey Rosetta! make what I like to call midnight music. It’s contemplative, heavily reverbed, and is generally good for looking thoughtfully out of a car window at the world racing by. Hey Rosetta!’s excellent 2015 record Second Sight is full of such offerings. Cold War Kids, as most of you probably know, make alternative piano ballads that are the perfect comforting nightcaps after a long day of adult league dodgeball. And then there’s the funk side of things, brought to Campfest courtesy of Alanna Royale and her Dap-Kings vibiness. Goes without saying that this lady has a killer voice.

Alternately, Langhorne Slim (nee Sean Scolnick) prefers the rootsier side of bouncy acoustic rock. Though he hasn’t released music since 2012, his discography goes back nearly a decade and is full of fantastic bluegrass-informed numbers like “Coffee Cups” and “Set Em Up”. Speaking of roots music, you mainly need to get your ass here to see newcomers Margo and the Pricetags. They hail from Nashville and unfortunately aren’t on Spotify yet, but that’s no excuse not to fall in love with her whip smart back-t0-basics country.

It’s worth mentioning that Campfest, which runs September 18-20 in Camp Blue Ridge, GA, isn’t even done announcing its full lineup. Wristbands and day passes are on sale here, but why the heck wouldn’t you want to overnight it?

Shaky Knees 2014: The Whigs x Vinyl Mag

Posted on May 14, 2014May 14, 2014 by Emily McBride

If you follow us on social media, you already know we pretty much had a blast of a time at Shaky Knees this past weekend.  But aside from seeing an impressive amount of impressively talented artists, we also got to talk to a few of them (impressed?).

Fellow Athens natives, The Whigs, played the festival Friday afternoon at the Ponce de Leon stage at Atlantic Station and then turned around the next day and played beloved East Atlanta venue/bar The EARL.  In April, the band released their fifth studio album, Modern Creation, and is currently touring the album.  See them.  After you read this interview, duh.

VM: You recently played the Late Show with David Letterman and also had a video on Conan  – awesome.  How do you get those gigs/how was it?!

Parker: We’ve been fortunate to have some sweet opportunities with the release of our new album, Modern Creation. Conan debuted the “Hit Me” music video, and the Late Show had us on to perform the song live.  Both were thrilling and an honor.

VM: Did you get anything good on Record Store Day this year?

Parker: Yeah!!!  Purchased Duke Ellington, James Brown, Andre Previn piano records and a sealed Phil Spector Collection vinyl at Wuxtry Records in Athens.

VM: Who were you most excited to see at Shaky Knees in Atlanta this year?  Did you stay the whole weekend?

Parker: I got to see a little bit of Charles Bradley and Band Of Skulls on Friday. I stayed in Atlanta the whole weekend and was super excited to see The Replacements and Modest Mouse but didn’t get to see either unfortunately.

VM: Why didn’t you get to see [them]?

Parker: I missed their sets, because I was loading in equipment and sound checking for our late night show at the Earl in East Atlanta.

VM: What do you like about playing at festivals, as opposed to playing regular shows?  Which do you prefer?

Parker: It’s fun to see buddies from other bands at festivals. It’s also a nice setting to get turned on to a new group. I wouldn’t say I prefer either to the other.

VM: You are playing Shaky Knees Friday and then The EARL, also in ATL, on Saturday.  Two very different Atlanta experiences two nights in a row.  Was there a reason you wanted to play the festival there and then a smaller venue?

Parker: The opportunity arose for us to rock both occasions, and we were psyched. Definitely an opportunity to tailor a performance to two radically different environments.

VM: What was different about the performances? 

Parker: The EARL show was definitely more intimate, and we began and ended the set with different songs than at the festival performance. Showcased a few more songs from Modern Creation and got back to our roots with some older Whigs songs. We also did an encore at the EARL which featured a slight costume change to coincide with a David Bowie cover.

VM: As a fellow Athenian, how would you say that Athens has influenced your sound?

Parker: The Glands, R.E.M, Elephant Six Collective, and later the Drive By Truckers were some of our biggest models on and off stage. The Athens scene inspired us to want to create instantly entertaining music with conceptual depth.

VM: Compare the Athens music scene to the Atlanta music scene.  How is the Athens music scene unique from any other?

Parker: I’d say they’re both eclectic with Atlanta’s being understandably larger.  I’m personally more in tune with the eclecticism of Athens’ bands over Atlanta’s, with a few exceptions. I haven’t spent a substantial amount of local time in all the other scenes, so I can’t speculate on what differentiates Athens from everywhere else.

VM: How has response been to Modern Creation?

Parker: I’d say it’s been generally positive.

VM: I LOVE the album cover – can you tell me about it? Who came up with it?

Parker: We were doing an photo shoot, and I asked someone on the set to snap a photo of us with my iPhone.  The image was cool, and when we were brainstorming album cover ideas, I sent the photo to the band. Tim relayed his idea of framing the photo with a skull to Julian, who made the vision a reality.

VM:  Who does most of the writing/what is the process like?

Parker: I’ll write song ideas and bring them into band practice where we’ll jam and see which ones gel.  As we hone arrangements and structures, we’ll see which songs survive over the course of an album cycle.  The most durable jams get the anointed finished lyrics, which I write with guidance from Tim and Julian if I get stuck or have questions on direction, clarity, etc.

VM:  In three words, describe your sound to someone who has never heard you.

Parker: Raw, real, rock.

VM: What is next for The Whigs?

Parker: Tour!

 

Tour Dates:

MAY 15    RADIO RADIO    INDIANAPOLIS, IN
MAY 16    DOUBLE DOOR    CHICAGO, IL
MAY 17    OFF BROADWAY    ST LOUIS, MO
MAY 24    16TH STREET MALL    DENVER, CO
JUN 12    FITZGERALD’S (DOWNSTAIRS)    HOUSTON, TX
JUN 13    RED 7    AUSTIN, TX
JUN 14    ELM STREET MUSIC AND TATTOO FESTIVAL    DALLAS, TX
JUN 15    STICKYZ ROCK’N’ROLL CHICKEN SHACK    LITTLE ROCK, AR
JUN 18    DULING HALL    JACKSON, MS
JUN 19    WORKPLAY THEATRE    BIRMINGHAM, AL
JUN 20    HI-TONE CAFE    MEMPHIS, TN
JUN 21    MERCY LOUNGE    NASHVILLE, TN
JUN 25    WFPK WATERFRONT WEDNESDAY    LOUISVILLE, KY
JUL 26    BRAGG JAM MUSIC FESTIVAL    MACON, GA

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