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Tag: southwest


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SXSW 2014: Charli XCX x Vinyl Video

Posted on March 31, 2014November 4, 2014 by Emily McBride

charli

Reunited, and it feels so badass!  You know it’s going to be a good SXSW when your first interview is a follow-up with pop princess Charli XCX.

You may remember her from our video interview last year. OR you may know her from her awesome collaborations with artists like Icona Pop and Iggy Azalea (no, but seriously…anyone who has been in my office or in the car with me over the last two weeks month can attest to the fact that I can’t. Stop. Listening to “Fancy”). OR you may just be obsessed with her last album, True Romance and counting the days until her next.  Either way, every one of you should know and love this girl by now.

We caught up on a balcony at the Hilton in downtown Austin for a quick reunion on the first day of South by Southwest to talk about her new projects and what’s next for her (but not before she viciously attacked me with my own microphone – don’t worry; we hugged it out). Enjoy.

SXSW 2014: Aer x Vinyl Mag

Posted on March 27, 2014April 1, 2014 by Samantha Gilder

New-age hip hop duo, Aer, is comprised of Boston natives Carter Schultz and David Von Mering. Having just released their sophomore album earlier in March, the evolution in their style over the years is not only prevalent, but pioneer-style impressive. During SXSW, and (literally) hours into their arrival in Austin, we sat down with the two to pick their brains and find out what’s going on in their world. Give it a read, and follow that up with giving them a listen (I recommend “Feel I Bring,” but note that it’s been in stuck in my head for weeks now, and that’s a commitment in itself).

VM: It appears March and SXSW are the beginnings of an extensive tour for you two- what is the ratio of time spent on the road as opposed to off?

Carter Schultz: I’d say about 65 percent  on the road and 35 percent off. It’s definitely what I prefer; I get stir crazy when I’m home in Boston.

VM: Are there any artist comparisons that you frequently get that you’re over hearing about?

CS: Anything “Frat Rap” – get out of here with that. I hope you didn’t have all of these bands you had compared our sound too…

VM: Well, I did have one in mind, but I wouldn’t consider Gym Class Heroes “Frat Rap.”

CS: Oh, no, I’ll take Gym Class Heroes any day. I just hate being put into that pool of college rap, or anyone who is just doing it really “normal.” If you really listen to our music, it’s clear how different it is than that, but I honestly think the real comparison solely comes from our age. We are of the typical college kid age, but that’s as far as it actually goes.

VM: What are you most excited to see and/or do, being that this is your first year at SXSW?

CS: I want to go to Iron Works; I want to see The Felice Brothers, and I’m really excited to be playing the same showcase as Dom Kennedy and Casey Veggies.

David Von Mering: I’m looking forward to everything Carter listed, but also to finding a new artist.

VM: Do you feel like you’ve had a breakthrough moment into the industry yet?

CS: I feel like we’re not even close. We’ve had our moments where we’ve had sold out shows where it felt a little surreal, but I wouldn’t say there’s been a “break.”

DVM: It’s funny, because I feel like five years ago the big “break” was just signing a deal, and now deals aren’t really prominent or even normal. I wouldn’t say we’ve had a break, but the “Feel I Bring” video did a lot for us.

VM: Currently, what are your favorite releases of 2014?

CS: I’ve been bumping Satellite Flight (The Journey to Mother Moon) by Kid Cudi a whole lot lately, and obviously the new Arctic Monkeys has been on replay non-stop since it came out.

VM: Are you two hands-on with your own social media accounts, or does anyone handle that for you?

DVM: Our manager usually does boring, dry announcements, but other than that it’s one of us.

CS: I think it’s so important to give that personal interaction. It takes tweeting, “Haha thanks” or a little smiley face, but that means so much to the fans. I’d say that we owe most of our success to the tools on the internet.

DVM: I’m not totally satisfied with my Twitter, personally, but I’ll get there. The thing with that is you can tweet one thing, and it gets totally misconstrued into something else. I do love Instagram, though, and all the photos from artists that I follow- I like that sh*t.

VM: Have you ridden in a pedicab yet?

CS: A bike cab? I have not, but our hotel is like seven miles away, so maybe they can take us that far. It’d probably take like eight hours or something insane like that. I did see this beautiful girl today who was a pedicab driver, and she had these leopard pants on- I may have to find her later.

VM: Do you both participate in songwriting, or is one of you more prevalent than the other in that aspect?

CS: David is the one who is most prevalent, because he produces all of the music that you hear. But in terms of songwriting, we each collectively come up with a concept, and I’ll write my verses to the concept, and David will write his hook to the concept. So I’d say we each have our respective duties, but David takes on the bulk of it.

DVM: Our songs usually start with instrumentation, so I usually try to let that dictate where I personally go with it. Also, if I have an idea but Carter doesn’t like it, we scrap it or vice versa. But definitely instruments come first and play the most part.

VM: What can we expect from Aer for the rest of 2014?

CS: Over the summer, we are touring the UK, and later in the summer we’re going on another tour that’s still in the works. In the fall, expect videos, more music, and just more.

DVM: This is just the beginning, kind of like one of those sitcoms like Seinfeld or Friends; there’s still a lot more to come from us.

SXSW Recap: Females Shine at House of Vans

Posted on March 24, 2014April 4, 2014 by Emma Cramer
#babewatching

Checking the pages upon pages of lineups the morning of March 12th with coffee in hand, I found it. I found the one party that day not to be missed. It was taking place at the historic Mohawk in downtown Austin. Four amazing female acts played, and they were not there to mess around.  Below is a short synopsis of each act.

Lydia Loveless:

Unfortunately, I was running behind and arrived late to this rising star’s set (in my defense, no one is ever on time during the chaos that is SXSW). But on the positive side, I did get to listen to the last half from behind a protruding wall partially blocking the overflowing room for which she was playing. The number of people willing to pack into that small room was a good indication of the huge amount of talent this petite blond possesses. Her country twang had an infectious edge reminiscent of the rich voice of Stevie Nix. As her set came to a close, I understood why so much hype surrounded this artist coming into the music week of South by, and she sure lived up to it.

Kelela:
Oh, Kelela. I could listen to this songstress’ lovely layered voice for hours on end.  She is impressive pre-recorded but even more so live, her voice boasting such a range from full and rich bass notes to beautiful and airy falsettos. Unfortunately her set overlapped slightly with Lydia’s, so I only truly caught the tail end. The uniqueness of her sound, her breathtaking voice layered on top an eclectic mix of bass, drum, and electronic tones, especially rang out on “Cut 4 Me,” the title track of her 2013 LP.

Her avant-garde sound is difficult to pin point, which could be because of her out of place feelings as second generation Ethiopian Immigrant raised in the states. Yet her music reaps amazing benefits from this situation, breaking the confines of any particular genre.

Charli XCX:
Punk pop princess of the UK Charli XCX was next on the bill at the House of Vans – the performance I had been waiting for all day. Bounding onto the stage, she immediately began strutting around the stage like she owned it, throwing her wild black locks around as she danced. Known for her synthy pop beats with a dark side, the 21-year-old shined on slower track “Black Roses” and fist pumping crowd favorite “SuperLove.”

Not only did she sound fabulous, she looked the part as well donning a lovely vintage plaid dress and stunning the crowd with her intense stare and sassy red lips. She ended her high energy set with an appropriate cover of the famous tune “I Want Candy.” Needless to say, Charli XCX did not disappoint.

Dum Dum Girls:
If you are looking for a powerhouse all female rock band, then go see Dum Dum Girls live. In their 40 minute set, the four-woman group managed to kill all guys rock harder stereotypes. Dee Dee’s voice soared high above the dreamy psychedelic guitars, sounding especially ethereal on tracks “Coming Down” and “Lord Knows.” All four wore all black, fitting for the slight melancholy that melds into their music. Addictive 80s melodies are sprinkled into certain tracks, especially those off their 2014 album Too True such as “Rimbaud Eyes” that captivated the crowd. Although the Dum Dum Girls went last for the females that day at the Mohawk, they certainly weren’t the least.

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