Tag: questions
Warning: Attempt to read property "post_id" on null in /dom375187/wp-content/plugins/enhanced-category-pages/classes/ecp/Enhanced_Category.php on line 143
Warning: Undefined array key 0 in /dom375187/wp-content/plugins/enhanced-category-pages/classes/ecp/Enhanced_Category.php on line 232
Versus the World Q&A
SoCal rock band Versus The World have announced that will join MxPx Allstars and Unwritten Law on a fall U.S. tour in support of their new album, Drink. Sing. Live. Love., which was released on July 31 from Viking Funeral Records.
I got the chance to throw a couple of questions at vocalist/guitarist Donald Spence, and now you get the chance to read his answers. Congratulations, no need to thank me, and enjoy. Continue reading “Versus the World Q&A”
Quickfire Questions with Lowtalker
Lowtalker is made up of Stu Ross (vocalist/guitarist), Matt Keil (vocalist/bassist), Casey Hjelmberg (guitarist), and Branden Morgan (drummer). The band is made up of former members of such bands as Misery Signals, Living with Lions, and Comeback Kid (but if you’re assuming you know what they sound like from their resume, think again my friends).
I got the chance to catch up with bandmember Stu Ross, who was kind enough to answer my questions. Enjoy, and be sure to check out their upcoming release, Marathon EP, out September 18.
Vinyl Mag: First off, how old is everyone?
Stu Ross: I am 30 years old; Casey and Matt are both 27 and Brian, well, I’m not exactly sure. Judging by his moustache I’d say somewhere in his mid 40’s.
VM: Can I get a brief history of the band? How did you come together after your previous projects?
SR: Lowtalker started in 2008 with Casey and I trading “pop punk” demos. We both love the sound of bands like Saves The Day, Face To Face, and Lifetime. The first few demos that were traded were much poppier than the current sound of the band.
Misery Signals and Comeback Kid were on tour together when I was first introduced to Matt. He and I instantly got along really well; he and Casey were already great friends. So we had the three of us on board. We asked Branden from Misery Signals to drum for us; he accepted the position. From there we recorded People Worry About Everything and did some scattered touring in 2010.
When I left Misery Signals in 2010, I joined Vancouver punk band Living With Lions. My time in LWL put Lowtalker on the back burner. In late 2011 I left LWL. It opened up a lot more time for us all to work on Lowtalker. Later in 2011, Casey left CBK, then in 2012, oddly enough, I took on Casey’s old position playing guitar in CBK.
When it came time to start writing new Lowtalker material, we were up in the air about who we wanted to drum in the band. Casey and Matt’s good friend Brian Moen- who had played drums in their old band, Regret, and is currently drums for indie rockers, Peter Wolf Crier- jumped on board for the Marathon EP. Brian played a huge part in the project, not only playing drums, but also engineering the EP.
VM: Your music as Lowtalker is a big break away from that of each of your previous bands. Was that intentional/how did you end up with this sound?
SR: We wanted Lowtalker to be an outlet for us to play a style of music we all grew up on and still love to this day. Punk/pop punk/post hardcore- whatever you want to call it. We all listen to a wide array of music. Our influences are pretty obvious- all the 90’s punk and alternative bands you’d expect.
VM: I read that you do a lot of the artwork for the band, as well as a lot of songwriting (along with Matt). What other creative outlets/contributions does each member have/make?
SR: I do my best to do all the art-related things for the band. We all share a pretty similar idea of how we want the band to be aesthetically represented, so it’s pretty easy to agree on most things. Brian Moen, our new drummer, did the layout for the new EP. Everyone has a pretty equal hand in writing the music for the band. Matt also writes a good majority of the lyrics. All around, we all contribute pretty equally.
VM: What is your favorite song off of the Marathon EP? Why?
SR: My favorite song on the EP would either be “Tension” or “Barstow”. I say “Tension” because, in the demo version, Matt was the main vocalist; when we recorded it for the EP, I ended up singing the lead for the song. I was super stoked to do it, because I love the song, and I like it even more because I get to sing it [laughs].
My other choice is “Barstow”. It’s a really cool song. It’s much darker than any other material on the EP. Matt wrote the music and the lyrics. I think it has a really cool vibe to it. Definitely stands out from the rest of the songs in a cool way.
VM: Is there an overall theme for this album? If so, what is it? What is the song Prescriptions about?
SR: There isn’t really a re-occurring theme on the EP. 100% of the lyrics stem from personal experience. So I guess that would be it. The song “Prescriptions” is written about a family member of mine who has dealt with prescription drug abuse for the better part of the last 20 years. It’s a struggle to watch someone you love miss out on regular day-to-day experiences because of drug abuse. I feel like they have given up and fallen into a routine that will continue ‘til the end of their life. It’s a bummer. However, I feel like it’s something a lot of people can relate to these days.
VM: If you were a salesman, how would you sell your EP to someone who hasn’t heard you?
SR: Hmm, I guess I could say, ‘if you like rocking tunes, you’ll like this EP’ [laughs]. That’s all I got.
VM: What can people expect from your live shows?
SR: Well, you can expect to hear the majority of the songs from our two EPs. You can expect me to talk too much and for Matt to do his best to stop me from talking too much. You can also expect Casey to rock hard and look good, and also Brian will play the drums- he’s the drummer.
VM: What is next for the band?
SR: Ideally we’d like to do more touring in 2013. We’d also like to record our first full-length record in 2013. A lot of our productivity depends on our other band’s schedule. So, fingers crossed we’ll reach those goals next year.
Chatting it up with Nate Bergman of Lionize
Lionize is a reggae-rock group hailing from Silver Spring, Maryland. In the last year they have released not one, but two full-length albums- Destruction Manual followed by Superczar and the Vulture. Both of these albums evoke influences from rock gods such as Jimi Hendrix, classic chillage like Bob Marley, and some bluesy vocals like Ronnie Wood. Nate Bergman, frontman of the band, graciously agreed to a phone interview to discuss the band and their newest albums, and he also let me in on a little secret! Read on to find out more!

JF: Why did you choose this genre to play? Did you grow up around it?
NB: We didn’t really choose it; it just kind of evolved. We are big fans of jazz of reggae and funk and classic rock, and some border metal stuff. That’s where it comes from, and it’s just how it came out. Yes, absolutely- I grew up around lot of hip hop, reggae, funk, and go-go music. Once that infiltrates your system, it goes with you for sure.
JF: What’s your writing style?
NB: We generally get in a room and jam; not much more to it. We write lyrics and riffs and just jam for a few hours, and usually nothing happens. [Laughs] but sometimes it resonates with us, and we turn it into a song. For us, it’s really about jamming, and if it’s fun to play and if it sounds good.
JF: How difficult was it to write two albums in one year? Why did you do it?
NB: They took 1.5 years to write, but we put them out in a one-year period. We rehearse a lot when we are home: 11-4 Monday-Friday practice. Writing a record to us is about setting a goal for when we want to have it written. Writing both back to back was not specific- we just had the chance to do it, so why not? Why not put out more music? Some bands put out records 6-8 years apart. It’s nice to hear growth, especially if it’s a quick growth.
JF: Are the two albums you wrote back to back connected to each other in any way?
NB: Yes and no. Because they are so close together, there are writing and lyrical styles that are connected, but they were recorded differently; yet they compliment each other well, but are not necessarily paired.
JF: You listed Clutch as a musical influence- how has the tour been with Clutch? (any crazy story from a show?)
NB: It’s awesome. Touring with those guys is the best; we’ve been on seven or eight tours with them. They are probably the best touring rock band in the world, and are really nice guys. People associate them with us, and we’ve had their guitar player, Tim, record with us. It’s like family, and they have the best fans in the world. [Laughs] No, nothing really too crazy. The shows generally go smoothly. We are just there to work, have a few beers, and play music with our friends. We are simple and are more interested in good after-show food and reliving the college days [Laughs]. It’s crazy in general to drive 70mph down the highway for several weeks and go to different places. That’s crazy on it’s own.
JF: How’s fan feedback for the newest album, Superczar and the Vulture?
NB: It’s been awesome and overwhelmingly cool. People are digging the direction we are taking. They are very open-minded about it.
JF: Any other creative outlets besides music?
NB: We are generally interested in art and cinema, and we have our TV shows, but art turns us on as a group. We enjoy shows and comedy- we like stand up, and seeing other bands perform…stuff like that.
JF: What is next for you and the band?
NB: Rest and relaxation! We are taking two weeks off now. We have these shows with The Company Band and Clutch in August, then we are going on another huge two-month tour in November.
Ahhh, but with whom you may ask? Well that’s a tidbit of information that stays sealed behind my lips. You guys will find out soon enough!




