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Listen: A Playlist for the Sunshine
After many gray days brought to us by hurricane Joaquin, the clouds have parted, and the sun has smiled upon Athens, Georgia. Ironically, the only clear day Athens experienced this past week was the day Father John Misty came to town, and when he left he took our hearts and the sunshine. Alas, it is back, and Vinyl Mag has curated a playlist to lift your spirits and your bum. Listen to the playlist and go outside! Or do both at the same time! Here are all of our favorites from past and present, from The Beach Boys to Wavves, organized in (somewhat) chronological order. Enjoy!
of Montreal announce North American tour and share new song
of Montreal have released the second single off of their upcoming album, Aureate Gloom, due out March 3 this year (pre-order here).
The track, “Empyrean Abattoir,” has the quintessential of Montreal sound, with non-stop energy paired with the jaded rant-narration that frontman Kevin Barnes has perfected to an art.
Check out the track below, and be sure to mark your calendars for their upcoming tour. You know I’ll be there.
Tour Dates
1/13/15 Tallahassee, FL – The Moon ^
1/14/15 Pensacola, FL – Vinyl Music Hall ^
1/15/15 Gainesville, FL – High Dive ^
1/16/15 Orlando, FL – The Social ^
1/17/15 Tampa, FL – Crowbar ^
1/18/15 Miami, FL – Grand Central ^
1/19/15 Jacksonville, FL – Freebird Live ^
1/20/15 Macon, GA – Cox Capitol Theatre ^
1/21/15 Charleston, SC – The Pour House ^
1/22/15 Greensboro, NC – The Blind Tiger ^
1/23/15 Nashville, TN – Mercy Lounge ^
1/24/15 Chattanooga, TN – Rhythm and Brews ^
3/5/15 Athens, GA – 40 Watt #
3/6/15 Carrboro, NC – Cat’s Cradle #
3/7/15 Washington, DC – 930 Club #
3/8/15 Philadelphia, PA – Union Transfer #
3/9/15 New Haven, CT – Toad’s #
3/10/15 Boston, MA – Paradise #
3/11/15 New York, NY – Webster Hall #
3/12/15 Cleveland, OH – Beachland Ballroom *
3/13/15 Chicago, IL – The Metro *
3/14/15 Milwaukee, WI – Turner Hall *
3/15/15 Minneapolis, MN – First Ave *
3/16/15 Omaha, NE – Waiting Room *
3/17/15 Oklahoma City, OK – ACM @ UCO Performance Lab *
3/18/15 Houston, TX – Walter’s Downtown *
3/19/15 Austin, TX – SXSW
3/20/15 El Paso, TX – Tricky Falls !
3/21/15 Tucson, AZ – The Rialto !
3/22/15 Los Angeles, CA – The Regent !
3/23/15 Los Angeles, CA – Largo at the Coronet
3/24/15 San Francisco, CA – Great American Music Hall !
3/25/15 San Francisco, CA – Slim’s !
3/26/15 Portland, OR – Wonder Ballroom !
3/27/15 Seattle, WA – Neumo’s !
3/28/15 Boise, ID – Treefort Festival
3/29/15 Salt Lake City, UT – Urban Lounge !
3/30/15 Aspen, CO – Belly Up Aspen !
3/31/15 Denver, CO – Bluebird !
4/1/15 Lawrence, KS – The Granada !
4/2/15 Dallas, TX – Trees !
4/3/15 Austin, TX – The Mohawk !
4/4/15 New Orleans, LA – Howlin’ Wolf !
^ = w/ Nedelle Torrisi
# = w/ Yonatan Gat
* = w/ Deerhoof
! = w/ Yip Deceiver
In case you missed their first single, “Bassem Sabry,” grab a listen below!
Kristin Hoffmann: ‘New Directions’ EP
Kristin Hoffmann recently released a follow-up EP to her full album, The Human Compass. The EP, New Directions, is comprised of three remixes to songs from the previous album. While the EP attempts to transform her ethereal Renaissance pop songs into something more electronic, it fails to realize the true purpose of a remix, which is to take an old song and shed new light/offer a different perspective by adding and subtracting certain qualities.
The original album has some undeniably beautiful piano melodies. Add Hoffmann’s distant, ethereal vocals and you’ve got a catchy pop tune, right? Unfortunately not. One of the qualities that the original album lacks is the presence of a single catchy hook or pop-ish melody. While melody is certainly important in any remix, it often does not have to drive the track like it does in most pop songs. With this in mind, I was hopeful that the three remixes could offer something that the original album did not.
With the exception of the “Ghosts” remix, New Direction doesn’t do much for the original tracks. While the songs do manage to maintain their prettiness, there isn’t much there electronically. I kept wondering when the track was going to “hit,” and then the song ended. For me, the piano and the vocals only carried the tracks for so long until I started drawing comparisons to Evanescence minus the crunchy guitars.
I do feel as though New Directions more successfully captures Hoffmann’s ideas and the original album’s ethereal goals, but it is unfortunate that the EP lack the sort of electronic punch that remixes need to be cool remixes that are worth a listen. Hoffmann sings about “a distant lullaby” in “Ghosts,” and that seems to be what this endeavor is: A distant lullaby that is too far away to serenade us to sleep, but just enough to keep us awake, like the ticking of a fan or the dripping of a faucet.







