Tag: mag
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SXSW with Charli XCX
We’re hearing about her everywhere. She collaborated with Icona Pop on “I Love It” (which we became obsessed with after seeing it featured on that episode of Girls…you know the one we mean…). She has opened for Coldplay. She’s just finished up a handful of shows at South by Southwest, and now she’s gearing up for her tours with Ellie Goulding and Marina & the Diamonds.
Charli is a badass. I think that’s pretty apparent. And she’s absolutely a true pop artist – but not a manufactured, formulaic clone popster like the ones dominating the radio (too many names…I cannot pick). I got to see her twice at South by Southwest this year, and I can’t emphasize this enough- she’s the real deal.
So, in honor of my newfound Charli-love, I scored an interview with her so we could talk about her name, our mutual obsession with Girls, her collaboration with Icona Pop and her tour plans!
Enjoy, and then be sure to snag her upcoming album, True Romance (coming in April) and catch her on her upcoming tour!
CHARLI XCX
NORTH AMERICAN TOUR 2013
May 6th-29th w/Marina & The Diamonds
MAY
6 San Francisco, CA The Warfield
7 Santa Ana, CA Observatory
10 San Diego, CA House of Blues
11 Los Angeles, CA Shrine Exposition Center
13 Salt Lake City, UT Club Sound
14 Englewood, CO The Gothic Theatre
16 Lawrence, KS The Granada
17 St. Louis, MO The Pageant
19 Minneapolis, MN Skyway Theater
20 Chicago, IL Riviera Theater
22 Detroit, MI St. Andrews Hall
23 Toronto, ON Sound Academy
24 Montreal, QC Metropolis
28 Pittsburgh, PA Stage AE
29 New York, NY Central Park SummerStage @ Rumsey Playfield
31 Brooklyn, NY Glasslands
JUNE
1 Philadelphia, PA Union Transfer
3 Washington, DC U Street Music Hall
4 Norfolk, VA The NorVa
6 Orlando, FL The Social
8 Miami, FL Grand Central Miami
10 Charlotte, NC Visulite Theatre
12 Indianapolis, IN Deluxe @ Old National Centre
13-16 Manchester, TN Bonnaroo Music & Arts Festival
SXSW with Allah Las
By the time I stepped off of the plane and onto Austin soil for the first day of SXSW, I had about two hours (give or take) to unload, unwind, and head downtown to meet with Los Angeles natives Allah-las. Tucked away in the corner of Sixth and Rainey Street, sipping our peach berry lemonades and basking up some Texas-style sunshine, I sat down and got to mingle with and pick the brains of these four ridiculously talented guys. These modern-day Beach Boys not only exude California in their music, but their laid back mannerisms and welcoming demeanor perfectly lived up to the expectations I had set for them based on their music alone. After some pre-interview chatter (discussing subjects such as soup houses, the Maury Povich show, and bird phobias), we got down to business. So now, I will waste no time in presenting you with…THE BUSINESS.
Vinyl Mag: Have you ever played SXSW before?
Allah-Las: Yeah, we played last year.
VM: Who’s set are you interested in seeing this year?
AL: We’d like to see Unknown Mortal Orchestra, Blank Tapes, Foxygen…there are so many. I was just going through the pamphlet today to look into it.
VM: As a collective, where do you draw your musical influences from?
AL: Well, we draw from every decade- but a lot of 60’s stuff. The 60’s were a good decade, not just for rock and roll, but for lots of other genres, too, like folk, garage rock, and world music. But we tend to draw from all across the map. Sometimes we’ll like certain tracks just because of the way that the drums sound or if there is a flute- we’re always looking for a good flute part.
VM: How do you feel that social media outlets have helped you as a band?
AL: I guess social media helps everything, really. It’s an easy way to spread your name around and reach masses of people. We run ours ourselves- it’s not that overwhelming.
VM: For the 3 applicable members, what was the transition like from working with Amoeba Music to now touring and making your own music?
AL: We still spend a lot of time there. The biggest difference is just simply spending most of our time doing this as opposed to spending most of our time doing that. But of course, this is exponentially better.
VM: What was the reasoning behind switching from Pres Label to Innovative Leisure?
AL: It wasn’t really a switch- Pres Records was our friend Nick Waterhouse’s label, and then another label got interested in us and we just kind of went with that. It was very casual with Pres- it was more so just a name to put out the record. He had his own little label, but we both joined with Innovative Leisure.
VM: Where did the name Allah-Las come from?
AL: It started just as something that sounded good and we thought it was clever. We’ve found out that it has many other meanings that we weren’t even aware of. Like, it has L- A in it a bunch of times, and we’re from L.A. A lot of people shorten us down to “The La’s”, which was already a band, but I like that.
VM: Who does the lyrical writing for the songs?
AL: Mostly Miles does the lyrics, but we all have our contributions throughout the record.
VM: What are your plans for the band for 2013? What’s next?
AL: After this we’re going to do a small, mostly east coast tour with Black Angels, and then we’re going to go to Europe. We’re also planning on finishing and putting out an LP, which should be out sometime around early August or early fall.
SXSW with Icky Blossoms
During my last full day at SXSW, I was able to sit and talk with Omaha’s own dance-music extraordinaire group, Icky Blossoms. Upon meeting with them, I was pleased (and quite intrigued) to realize that we all fluently spoke the same languages- English, sarcasm, and dry humor.
On top of being so charmingly witty, though, these guys are all EXTREMELY talented and each have their own genius contributions to bring to the table (not that I would expect anything less from anything that Saddle Creek backs). Often in life you need not question things like, for instance…what is it about Omaha that harbors and breeds creators of musical magic? Heed my advice and just…accept it.
With that being said, Icky Blossoms are no exception to this musical manifesto of Nebraskan talent. They’re taking off. They’re going places. They’re making records. And they’re Vining. What’s that, you may be wondering? Quell your concerns and read all about it below.
VM: Are all three of you Omaha natives?
(ICKY SARAH): Well, I grew up in Blair, which is a really small town like 25 minutes away. I moved to Omaha for school, which is where I met them.
(ICKY DEREK): I’m from Atlanta, but I consider Omaha home. I’ve been there over 10 years.
(ICKY NIK): I was born and raised in Omaha; grew up there as a kid and have been there ever since.
VM: In the beginning, how was the community’s response to The Icky Blossoms?
(ICKY NIK): It was good, because the community is so supportive there. It’s a great place to try to make art and be a musician because of that support. It’s not too big of a town, either, so the scene isn’t crazy huge, so any time a new band comes out everyone goes out and supports them. It’s a great town to try to do what you want to do.
VM: I got that vibe in regards to Saddle Creek Records, as well. Are the label-mates as supportive of each other as it appears?
(ICKY NIK): Yeah, it’s definitely like a family. Also, too, it’s like you go out on a Friday night to have drinks with your friends, and all the people around you are people from the label or musicians- they’re just all our buddies. It makes it really comfortable and tight-knit.
VM: Who came up with the name Icky Blossoms?
(ICKY SARAH): We stole it…from a man in Portland named Nicky Blossoms (ha!). No, we didn’t. But he sent us a Facebook message (and hopefully he will read this) that was like, ‘My name is John Blossoms, but I go by Nicky Blossoms, and I’ve been a band for five years and you guys stole my name.’
VM: Get out! Did you guys even respond to the message?
(ICKY SARAH): Yeah, we were like, ‘Sorry, we didn’t mean to steal your name…but they aren’t the same name…’
(ICKY DEREK): We actually did steal it, though. Our friends had a punk band that played one house show and called themselves the Icky Blossoms, and I was like, ‘Man, I love your guys’ band name!’ and when we were trying to pick our band name, I figured we could use theirs since they only ever played one show. So we called them and asked if we could steal their band name, and they were cool with it, so that’s where it came from.
(ICKY NIK): Just another example of the tight-knit community in Omaha, Nebraska…
(ICKY DEREK): Yeah, we were going to go with Bright Eyes, but we decided it against it (ha).
VM: How is this SXSW experience for you in comparison to your first time last year?
(ICKY SARAH): Well, SXSW last year was our first show outside of Omaha. We didn’t have a record out, and no one knew who we were, so now that we have a record out it’s a totally different experience.
(ICKY NIK): [Last year] was kind of our first time playing. I mean, we had just gotten out the studio and finished perfecting the songs, but didn’t really know how we would play them live. So looking back, SXSW last year gave us that fire to figure out how to do this thing live.
VM: What has been your favorite performance that you’ve seen this year at SXSW?
(ICKY NIK): We saw Black Lips last night, and that was great. We saw Azari & III which is like, house music and that was really cool. Looking back on the week, though, my favorite act that I saw was probably Big Harp. They’re also on our label, but we’ve known Chris for a really long time from back in the house show days. Big Harp is awesome- he’s really found his voice.
(ICKY SARAH): I really wanted to see Empress Of, but I haven’t gotten the chance.
VM: Who mostly keeps up with your social media outlets, primarily your Tumblr? And all the fancy GIF’s you’ve been posting?
(ICKY DEREK): It’s a collective effort.
(ICKY NIK): When we first started the band, we decided together that we needed to figure out social media and how it works, because none of us were really tumbl’ing or tweeting before the band. We all share the password and do what we can. We just started getting into Vine- it’s the jam!
VM: Yeah, I just discovered that one, too….I’m hooked.
(ICKY NIK): Follow us on Vine! Our SXSW ‘Vinings’ have been pretty entertaining!
VM: How was it to win Artist of the Year and Album of the Year for the Omaha Entertainment Awards?
(ICKY SARAH): Well, we didn’t expect it. It was really strange. It was this formal event, and we kind of wanted to freak everyone out.
(ICKY NIK): We brought like 30 people dressed in these amazingly wild costumes with us. It’s really a conservative event, so we just wanted to bring in a side of Omaha that normally wouldn’t go to an event like that.
(ICKY DEREK): We used it as a vehicle to show what was happening in the art community for people that maybe wouldn’t typically see it. We don’t really care about the actual awards ceremony, so it was a way to express ourselves to a greater audience that we don’t typically hang out with or see. It was good for that.
VM: How did the three of you meet/collaborate?
(ICKY NIK): I’ve known Derek for about 10 years; I directed music videos for his other band. Derek was actually really influential in getting me to start playing music and guitar. He was recording songs in a basement one day and asked me to play the guitar part for the song, and that was kind of the first time. It really just all tumbled upon itself and turned into this.
VM: What was it about incorporating a light show to your sets that made it so important to you?
(ICKY SARAH): It adds another element for people to live on….or for us to perform to (laughs). I used to get really nervous, but now the lights are really fun because it’s like, I look like I’m looking at people, but really it’s just this blinding light. It’s like I’m in the fifth dimension, or something. It also really emphasizes the beats since it’s programmed to our tracks. It’s just another layer for people to like…..get it.
(ICKY NIK): It’s hypnotizing; having lights going to the beat of a song and shining on the audience and the band increases the opportunity for people to let go. It really helps with that part of the process, especially when you’re making dance music.
(ICKY DEREK): It really transforms the space, whatever it may be, into a dance club. It makes it so much easier to get lost in the moment. It subconsciously starts to pull you in more, and emphasizes parts of the song that maybe you weren’t even hearing. It’s an interesting approach to performing music.
VM: What is next for the Icky Blossoms?
(ICKY DEREK): A record. We’re writing songs right now, so just hopefully another record sometime this year. We’ve got a Record Store Day 7” coming out [April 20]- we’re doing a split with The Black Lips.
(ICKY NIK): Definitely enhancing our live show more. As we’re writing new songs, we’re also enhancing live shows. As we continue to take this next step everything gets….bigger.
(ICKY SARAH): We’re going to isolate ourselves in a cabin for two weeks…..and throw things off of each other…..idea-wise (laughs).
Tim Riley from Souvenirs- Exclusive interview!
Souvenirs is a 4-man band from Carpinteria, CA, that are here to kick it old school and flat out raw. Being compared to Braid and Mineral, and I personally related them to Jimmy Eat World and a splash of Brand New, they are musicians on the emotional angsty rollercoaster called life and are here to write about it. Their songs aren’t dressed up and over produced, but they are music in its simplest form: music. It’s refreshing to hear a new band on the rise with their simple, raw studio sound. I was supposed to meet them on their tour, but the Atlanta show at the Wonder Root was canceled unfortunately. However, I was able to snag a pleasant phone interview with vocalist Tim Riley and discuss his journey with the band.
JF: How did you decide on the name “Souvenirs”? How long have you played together?
TR: I thought of it when I was starting off and writing songs for the band. I’d been on two U.S. tours selling merch for Title Fight, and I loved truck stops, and I liked the souvenirs. I liked the name because it was appropriate, since everything we have in life is a collection- emotions and being happy; it means something to us. I thought it was an appropriate name for a band that I’m writing for. After the U.S. tour, I went full on Souvenirs, and we’ve been playing together for about 10 months.
JF: What are the band’s influences?
TR: Everyone’s is different, but collectively it’s 90s emo like Jimmy Eat World, Knapsack, and Braid.
JF: You guys have been compared to a lot of those bands. How does that feel?
TR: It’s really flattering, because we look up to them, because they are our influences. Their music plays a heavy role in the way we write.
JF: Did you play any other type of music before? Have you always known you wanted to be in a band?
TR: Yeah, this is the only thing I would ever be doing. We all dropped everything to do this; everyone quit their jobs, some of us moved in with each other to pay cheap rent. This is the most genuine music we can create, and we play what we want to. We just want to play music everywhere and all the time. I feel like that’s anyone’s goal in a band- to play for as many people as possible. My dad played music when I was growing up and I learned guitar from being around it all the time. When I was in 9th grade, I started getting to punk hardcore stuff and it evolved. I got so deep into it. This the only thing I am comfortable doing at this point in my life, to be in a band that tours.
JF: What’s the journey from start until now been like?
TR: It definitely helped that one of our first real shows was on Set Your Goals West Coast Christmas tour, and it was totally nerve wracking. It was our first show playing in a completely packed room. Someone posted online that the lead singer looked nervous, but they (Set Your Goals & friends) were all so cool to us. It’s gone by so fast; it’s only been 10-11 months. We are working really hard, and are 100% into the band. On this tour, we are just putting in the hours for the experience. We stopped going to school to start touring. If we wanted to do this for real, then we had to tour as much as possible. We put everything on hold, and that included college.
JF: What’s the fan feedback at the shows been like?
TR: The shows have been so awesome, especially the East Coast. There hasn’t been a show where people come don’t come up to us, or they want to shake our hands. Some guy came up to me last night [Chestnut House in Louisville, KY] and said ‘you guys touched me’. I was like ‘which one of us?!’ [Laughs] He was just like ‘dude, your set was touching.’ We try to write songs that are very personal, yet those that a lot of people can relate to. When someone comes up and says that to me, I feel like we are doing it right, and it’s very encouraging. We are driving for 8-12 hours, we play for 20-30 people, we are hundreds of miles from home, and just to hear that… it’s amazing.
JF: How does the writing process go?
TR: Vince or I have a bass riff, bring it to the table, and we work on it collectively. For the record we just put out, we just practiced the songs 3-4 hours a day, 4 days a week for about a month… learning them by heart, changing them, playing them, changing them again, and breaking the songs down. We did that so we could just go in the studio and record the songs live, and just so we didn’t have to think about it, we’d just play. After that, we didn’t want to play them anymore!
JF: Are you the only one that writes the lyrics?
TR: Yes.
JF: Any reasoning behind the name of the EP “Tired of Defending You”?
TR: Yes, definitely. I’m not a fan of arbitrary, pointless titles to just sell records. “Tired of Defending You” is a general theme of the songs on the record. It’s the point in time around writing the songs, any time in life, every relationship you have with anyone- girlfriend, mom, brother, friends- it’s such a rollercoaster. People are just… human. Everyone is going to make mistakes. People are just trying to do what’s for best for themselves. But who doesn’t want that? Yet, sometimes that doesn’t benefit those around you. I’ve been in a few situations where I’ve been on the other end. I’m tired of weird, pseudo-personalities, like asking how I am when they don’t care. It’s just small talk, or hearing a fake laugh- you don’t care what I’m saying so don’t pretend like you do.
JF: Why was the Atlanta GA show at the Wonder Root canceled?
TR: We wanted to play in Atlanta so bad! All the local bands dropped. The guy that organized the show told us ‘You guys would just be playing by yourselves.’ It was like, ‘well you promoted it!’ We are on tour, so it’d be just like practicing. Wonder Root is really cool! It’s grimy little basement, but it’s set up really cool. First show I saw there was Outcrowd- it was them and Disengage; it was such a cool show.
Members:
Tim Riley, 23 – Vocals/Guitar
Vincent Amador, 21 – Guitar/Vocals
Nolan Nunes, 21 – Bass
Travis Turpin ,21 – Drums





