broncho

When formulating ideas for new music, BRONCHO bandleader Ryan Lindsey could not help but focus on the bad things. While spending a lot of time watching CNN, he says, “…man, there’s a lot of bad behavior out there. Not to mention, there’s a company making money off of people watching their depiction of it all.” Shortly after this, the Tulsa-based five piece examined scandalous topics and how they relate to themselves, and perhaps how they affect the world around them.

Drugs, sex, overindulgence, and other vices: one could argue that this is the perfect framework for BRONCHO’s most broad and murky release to date. Instead, thanks in part to a recording process allowing them to work at their own pace, we are offered a well-constructed, uncomplicated record of pop tracks. Bad Behavior is BRONCHO at all of their bests, combining intelligent and swift songwriting with broad, yet thoughtful musings on a sinful society.

Bad Behavior has a musical center, but what makes the the album so impressive is their ability to loop out into other sounds before returning to ground. “All Choked Up,” the album’s opener, relies entirely on the beat in both its vocal and instrumental cadence. The result is a faded, libidinous march reminiscent of Tobacco. It’s the perfect track to match with the album’s not-subtle artwork of red cherries and extended tongues.

The tracks that follow keep this confrontational theme with pulled back instrumentation, leaving plenty of room to ponder in the space. This doesn’t break until “Keep It in Line,” the most single-worthy song, playing with the delayed, peppy beat iconic through much of the beach pop of the past decade. Lyrically, this is some of their most impressive work to date, where Lindsey addresses “bad behavior” in himself, expressing a disappointment in his own actions. The lines are the most memorable of the album and serves as a sugary bridge into the album’s second half.

“Keep It in Line” is even more impressive when coupled with its following track, “Sandman.” Scaling it back, BRONCHO returns with the same walking beat as the album’s beginning, but this time with much more of a confident swagger. Fleshing itself out with hard-plucked guitar, this is a track with a mission: a return to pleasure, even if it comes at the cost of a return to the uncouth. “Sandman” leans harder on past classical pop influences than much of the rest of the album, and the less-is-more approach pays off with a real earworm.

Things get more scandalous in the second half, especially the debaucherous confession of “Family Values.” The songwriting of the last tracks take on a power pop strut a la the Cars, while digging deeper into lyrics of embracing material vice and desire. The closer, “Easy Way Out,” reprises a swagger-filled strut and doesn’t stray too far from its rhythm. Lyrically, it serves as a reminder that even if these themes are tough to come to terms with, you can always take the safe route of embracing the coarseness of society.

For an album to address vice with such a broad stroke, Lindsey states that Bad Behavior is meant to be a tabula rasa of degeneracy, merely reporting back to listeners at the current state on the carnal. “We’re assuming that everyone is coming from a certain set of values, but ultimately that’s impossible.” Without assumption of a moral compass, BRONCHO are free to approach subject matter with honesty and blunt language.

What makes Bad Behavior so notable in the context of BRONCHO’s discography is the simplicity of the songwriting while letting go of the leash on the subject matter. Focusing on this theme would be quite an easy tableau to run off the rails. Instead, BRONCHO bring to light the wanton while also setting up a sound framework to start a conversation on the vice that surrounds our day to day.

7.8/10

"Courtesy of aLIVE Coverage" — “Courtesy of aLIVE Coverage”

Shaky Knees season is upon us. If you have your tickets and don’t quite know who to go see tomorrow (or if you’re wondering if you’d like to jump on it last-minute) we present to you our 15 picks for emerging artists who we believe are most worth your time (and sweat!) at this wonderful festival:

Rolling Blackouts Coastal Fever

In the mood for danceable garage rock? Melbourne’s Rolling Blackouts Coastal Fever‘s nonlinear jangle and driving blend of indie rock will definitely get the pit to a rolling boil. Excuse all the coffee puns, but the energy that this band exudes might perk you up more than any espresso ever could.

Welles

If you’re in the mood for more of a more contemplative set, Welles might be more your speed. Plain spoken, matter of fact lyrics paired with expansive, driving Americana influenced rock all add up to an engrossing show with an emphasis on lyrical content. Read up on our track by track of Welles’ debut EP ‘Codeine’ here.

Marlon Williams

If you want something even quieter, maybe even a show you can sit down at, look out for New Zealand’s Marlon Williams‘ set. Eschewing the country trappings for more lushly orchestrated quietly beautiful folk songs, Williams’ vocals take the forefront. His widely praised distinctive singing voice both calms and enraptures, so if you’re looking to cozy up for a while, you’ll be hard pressed to find somewhere better.

Amasa Hines

Amasa Hines is a band, not a person. Not only are they a band: they’re a tight knit unit drawing on influences ranging from James Brown, TV on the Radio, and DIIV. Being omnivorous with their influence is what gives them an edge: they can ride on waves of feedback but the soulful delivery of the lyrics will ensure that no one is looking at their shoes while the waves of sound hit you from the stage.

Sun Seeker

Now, I was tempted to use the analogy of a bowl of southern-ass grits falling on the band Pavement, but the fact that they’re hot enough to get signed to Jack White‘s label Third Man Records should be enough to entice fans of both the Nashville Sound and slacker rock fans alike.

Charly Bliss

VHS filters are all the rage lately. But. Can they wear it well? With Charly Bliss the answer is a resounding YES! Mining the poppier aspects of ’90s college rock with a millenial sense of irony and purpose, Charly Bliss make throwback rock for folks who know that you need some substance underneath your Instagram filter.

When we talk about #clout, sometimes it just means having been at the right place at the right time. Who knows, but Broncho‘s music has been on multiple television shows like Girls and Santa Clarita Diet. Their lightly atmospheric mood music is a great accompaniment to a rose tinted afternoon in the Atlanta heat.

The Voidz

You can’t talk about the Voidz without mentioning that their front man is the one and only Julian Casablancas of Strokes fame (and one-time Shaky Knees headliner). However the Voidz are very much NOT the Strokes. With noisy, dense electronic arrangements, hair metal pastiche, and sheer madness making up their solid as hell second album, their tight live show will definitely be a sight to behold, especially for all those Julian fans out there.

Mt. Joy

Folk rock anyone? Philadelphia’s Mt. Joy deliver in spades. Still riding high on the viral success of their “Deadhead Jesus” song “Astrovan”, deliver slightly jaded, punchdrunk singalong music for those of us who want some rootsy fun, but aren’t shy about dishing the dirt with stories about addiction and growing up.

Wild Reeds

Now, did you think that we’d let the country genre slip through the cracks? Not with Wild Reeds. With rich, diverse instrumentation and beautiful vocal harmonies, their brisk, slightly experimental take on country rock should appeal to both un-ironic and ironic wearers of cowboy boots alike!

Post Animal

Who’s ready to rock out again? Post Animal have you covered. With strains of Thee Oh Sees, Pink Floyd, and King Tuff, the moshers in your friend group are likely to go wild alongside your more psyche tinged folks in the crowd.

Greta Van Fleet

More rock! Here at Vinyl Mag we’re no strangers to Greta Van Fleet‘s similarities to Led Zeppelin. If you’re in the mood for some ’70s throwback you have come to the right place. Bluesy guitars: check. High pitched screamalong vocals: check. Ready to get down in a sweaty mosh pit? You decide.

Frankie Rose

After all of that rock and roll I might need a chill pill. Do you like the Cocteau Twins? In that case look for Frankie Rose‘s set. They’ve got a swirling dream pop vibe that might be just what you need to cool down from some moshing—or coming up on some other stuff. Whatever floats your boat, you’ll definitely feel like you’re floating by the end of Frankie’s set.

Bayonne

While Shaky Knees is more rock focused, that doesn’t mean that fans of electronic music need to feel left out. Enter Madrid’s prodigal son Bayonne: electronic wunderkind. With pulsating and dense arrangements, if you don’t feel tempted to dance, just take all the layers in. Bayonne’s ear for samples and texture is bound to engross even the most skeptical listener.

Teenage Wrist

Teenage Wrist‘s name may imply some sort of unlearned youthfulness, but don’t be fooled—these boys make heavy rock that has been polished to a metallic sheen. Makes sense since they’re signed to Epitaph who have handled releases from the likes of Alkaline Trio and A Day to Remember.

No matter who you go see, make sure to take the time to maximize your enjoyment at the festival by staying hydrated and wearing ample UV protection! Happy Shaky Knees season, everyone!

Tag: broncho

BRONCHO: ‘Bad Behavior’

Top 15 Artists to Watch: Shaky Knees 2018