Tag: Blink-182
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House of Cards Season 3 Playlist
The eagerly anticipated (and briefly leaked) third season of House of Cards is premiering this Friday on Netflix. To get you primed and righteously indignant for Shyamalen-scale twists and shameless subterfuge, here’s a playlist containing some of the best political opinions ever put to tape.
Yes, there’s plenty of punk and Vietnam-era ranting. Bruce Springsteen’s “Born In The U.S.A.” was obligatory, and no political playlist is complete without Rage Against The Machine. And even though the average musician tends liberal, not all of the songs on here are anti-government – take Toby Keith’s infamous post-9/11 “Courtesy Of The Red, White, And Blue.”
But most are negative, cynical, furious commentaries on war, capitalism, or race relations. Arcade Fire even show up to lay down a subtle look at imperialism. And as The Clash and Sex Pistols prove, political dissatisfaction is a big-time worldwide issue. So without further ado, get your activism (or, you know, Netflix binging) on.
Tom DeLonge Responds to Bandmates’ Statement
The Blink-182 feud continues, as Tom DeLonge (guitarist/vocalist) defends himself from his former bandmates’ (Mark Hoppus and Travis Barker) accusations that he was “disrespectful and ungrateful,” as well as their statement that he quit the band through his manager without doing them the courtesy of informing them directly.
In his (ridiculously long) Facebook diatribe, DeLonge condescendingly claims moral and professional superiority over Hoppus and Barker (best line in the letter – “But I guess that’s another example of how I differ from most. I follow the light… I follow passion and I make art. I hang with my son, my daughter and my wife.”), playing the victim and humblebragging that his only failure was putting his faith in them instead of trusting his own instincts and judgement.
And, of course, it wouldn’t be a Tom DeLonge post about Blink-182 if it didn’t have some shameless Angels & Airwaves plugging as well.
Check out the full letter below:
LETTER TO THE FANS
Where to begin?
The truth is always a good place. Let’s go there.
I love Blink and am incredibly grateful for having it in my life. It has given me everything. EVERYTHING. I started this band, it was in my garage where I dreamed up the mischief.
So what have I been doing behind the scenes? Well, I’ve tried to make things work. I’ve tried to help move this band down 50 different paths using my people, or other people, and people we don’t even know. I tried to put forth ideas about how we can grow and challenge ourselves to become a better band. I’m not sitting around waiting for someone else to do the work. I’m not wired that way.
The big reset was when I tried to put together a band summit in Utah where we’d talk and work things out. It quickly was narrowed down to three hours in someone’s dressing room in a shitty casino. What I hoped would be a positive get-together away from everything turned into an awkward meeting in a smelly convention hall dressing room. But it was there that I told Mark and Travis that as long as we talked, and things were good between us as real friends, that I would be engaged and work passionately. I’d mirror our personal relationship. Exact words.
Then, the EP was the test. Months later, we’re recording those songs. I was in the studio for two months and they came in for around 11 days. I didn’t mind leading the charge, but we had all agreed to give it 100%. And this time- no baggage.
Despite that, we still somehow managed to self-sabotage.
At one point, squabbling and politics forced me to pull the EP down at a time when 60,000 fans were trying to purchase it. And that blew my mind. I’d been trying so hard but that moment ultimately broke my spirit. I then realized that this band couldn’t lose the years of ill will.
It was after that episode that I promised myself I would never be in that position again – to rely on the words we said to each other.
I remember asking one of them on the phone, “did you try your best? Like we all agreed to?” He was silent.
Are they at fault?
Am I? Of course. I’m nuts.
But there’s three of us – we’re all accountable. At the end of the day, we’ve always been dysfunctional, which is why we haven’t talked in months. But we never did. In the 8 years we have been together it has always been that way.
Over the past two and a half years, while a recording partner was being sought for a new Blink record, I launched a media company. I just put out a new Angels & Airwaves record and as some of you know, there’s a lot more coming – comics, books, a film, etc. The books will all come with music. This is a wheel that’s already in motion. So you can imagine my frustration when I was handed a 60-page Blink contract saying I couldn’t release an Angels album for 9 months and that the Blink album had to be recorded in 6 months, which was impossible for me. Doing so would force me to breach several artist contracts. Authors, Concept Artists, Animators… Many people.
They did eventually drop the Angels provision, but the part about having to finish a Blink album in 6 months remained. All of these other projects are being worked, exist in contract form– I can’t just slam the brakes and drop years of development, partnerships and commitments at the snap of a finger.
I told my manager that I will do Blink 182 as long as it was fun and worked with the other commitments in my life, including my family.
But Mark and Travis know all of this.
I wrote this same letter to them a year ago. But it created a massive argument, the biggest one yet actually. I just wanted us to do things we all agreed on. But that was their moment to dig in. From their view I was controlling everything. In reality, I was scared to put myself out there again. To repeat the EP experience.
I also wrote all of this to their managers this past December (who told me my bandmates weren’t angry and agreed with some of my ideas of how to grow the band).
So you can imagine my surprise when a press release went out yesterday—without my knowledge—about the band’s future. This is new to me. It’s not in my nature to fuel negativity about the legacy of the band on something as trashy as the Internet world.
But I guess that’s another example of how I differ from most. I follow the light… I follow passion and I make art. I hang with my son, my daughter and my wife.
At the end of the day, all of this makes me really sad.
Sad for us.
Sad for you- that you’re witnessing this immaturity.
I know them very well, and their current actions are defensive and divisive.
I suppose they’re doing this as a way to protect themselves from being hurt.
Like we all do.
And even as I watch them act so different to what I know of them to be, I still care deeply for them. Like brothers, and like old friends. But our relationship got poisoned yesterday.
Never planned on quitting, just find it hard as hell to commit.
–
Tom
Post by Tom DeLonge.
Tom DeLonge Leaves Blink-182
If you were alive Monday, you probably heard about the scandal involving Tom DeLonge quitting Blink-182.
It started when a press release from the band’s publicist was shared, and it was reported that Matt Skiba of the Alkaline Trio would replace DeLonge at the band’s performance at the Musink Music and Tattoo Festival.
Barker and Hoppus opened up in a recent Rolling Stones article about the tension between the band and DeLonge:
I think he’s just bummed because Mark and I were finally honest. We always covered up for him before. It was always, “We’re going to record an album,” then “Tom refuses to get into the studio without a record deal.” So everyone does hella amounts of work to get a record deal and now Tom isn’t part of Blink-182. It’s hard to cover for someone who’s disrespectful and ungrateful. You don’t even have the balls to call your bandmates and tell them you’re not going to record or do anything Blink-related. You have your manager do it. Everyone should know what the story is with him and it’s been years with it. When we did get back together after my plane crash, we only got back together, I don’t know, maybe because I almost died. But he didn’t even listen to mixes or masterings from that record. He didn’t even care about it. Why Blink even got back together in the first place is questionable.
According to the rest of Blink- 182, DeLonge was “disrespectful and ungrateful” and kept holding projects off. Both Hoppus and Barker approved the press release that was sent out Monday and in the end just want to continue the legacy of Blink- 182.
Hardcore fans of the band won’t be able to ignore that this feels a little like déjà vu from the last time the band went on indefinite hiatus almost exactly 10 years ago. Hopefully, the band will get everything worked out for the best, but in the meantime…rock on, I guess.
REVIEW: Blink 182’s “Boxing Day”
So…blink-182 has come out with a new song, “Boxing Day,” off of their new holiday EP, Dogs Eating Dogs. Always exciting news for me when there is a new blink song.
That being said, the song is pretty mundane. Not bad…just kind of forgettable.
It’s a song to drive and not pay attention to. A good background song – not powerful or groundbreaking. It desperately wants to be heartbreaking, but unfortunately, the most you can say is that it’s kind of a bummer. There is a dreary tone, and the emo kid in me is all about a downer Xmas song, but it just kind of drones on to the point where you find yourself thinking about your grocery list (or am I just really A.D.D.?).
I will say that I do think that it is more “blink-sounding” than most of Neighborhoods was, which bodes well for future releases. It looks like Mark and Tom have finally found their middle ground (hopefully…I don’t want to hear any more AVA-wannabe songs), and I am excited for what’s coming.
P.S. Really like Travis’ lil drum solo at 3:19. Might actually make the end my favorite part of the song. Go figure.
An evening with Blink-182

I just went to see blink-182 at Aaron’s Amphitheatre in Atlanta. This was an incredible show. I left right after my morning class and got there three hours before the gates were to open (‘cause I’m super cool like that and determined to get up to the front).
As soon as they opened the gates, I booked it to the stage—didn’t even stop to get a free spray-on blink tattoo (which I sincerely wanted to do). Dedication paid off. I got up to the very front on the rail and strategically positioned myself right in front of where I guessed that Mark would be, according to their previous stage set-ups. Made friends with the security guy, which paid off later when some kid (a.k.a. giant manboy) tried to rough me out of my spot and was promptly told to back off.
I’m not going to spend much time on Matt and Kim and My Chemical Romance (openers), because that’s not why I was there. I will say that Kim is frakking awesome and My Chemical Romance, despite the fact that I haven’t really listened to them much since high school, gave a great show and made me feel young..er…again.
Now for blink. They came out, and I lost it. No chance whatsoever of keeping my cool. They opened with “Feeling This,” and it was such a powerful start. Plus, I could not have been more in front of Mark. Success.
The rest of the setlist was a good mix of old and new. The new included “Up All Night” (which I screamed along to despite my personal distaste for it), “After Midnight,” “Heart’s All Gone,” and “Ghost on the Dancefloor.”
When they started to play “Heart’s All Gone,” Mark stopped and announced that they were filming their music video and would be playing through the song twice to get the footage. Win. Yes, I would like to be in a blink-182 video (fulfilling 15-year-old-me’s ultimate dream). No, I would not mind seeing one of my favorite songs from the new album played twice. Needless to say, I kind of freaked out a tad.
Other highlights of my show experience…Now, Mark had a Polaroid camera on stage, and he grabbed it at some point during the show to snap some photos. He went up to Travis while he was in the midst of some hardcore drumming and took a pic of him. He then went up to Tom and did the same. Guess who got the Polaroid of Travis? That’s right…me, and I shall treasure it forever.
Finally, at the very end of the show, after the encore of “Carousel” and “Dammit,” Mark decided to give me one last parting gift. In a diary-entry inspiring handoff (brief but glorious hand squeeze), Mark gave me his last pick. And that was it.








