Tag: black
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SXSW 2014: Black Taxi x Vinyl Video
We ran into our friends from Black Taxi at South by Southwest this year – in total honesty, I heard their music playing while I was outside conducting another interview, and once I wrapped that one up, I quickly ran to follow the sound and catch BT’s show at The Blind Pig.
After their show, we caught up with the guys and decided to do a quick impromptu interview to get the scoop on their new album (“guitar everywhere!”) , their new drummer and to find out if they actually went to that abandoned asylum we talked about after our last interview. Enjoy!
SXSW 2014: Black Lips x Vinyl Mag
Happy Birthday to me. I got the chance to wake up on my birthday at South by Southwest and drive straight to an interview with The Black Lips. Not a bad start to a day. We sat down at their hotel on the fourth day of SXSW to talk about BL’s latest album, Underneath the Rainbow, their Middle Eastern tour, their favorite Georgia venue and what’s next for the band.
VM: We’re really excited for Underneath the Rainbow; it comes out March 18th. How is different from your previous album releases?
Jared: It’s not really that different; it’s not really a radical departure. We have our sound and everything. We just keep recording songs; they’re just in different studios sometimes, but mostly the same process.
Cole: We’re just tightening up what we have always done.
VM: Who does all the writing?
Cole: We all do some.
VM: What was your inspiration for the album, or do you just write all the time?
Cole: We kind of just write all the time and let things gel together naturally.
VM: Tell us about your video for ‘Boys in the Woods.’
Jared: It was just a vision we had of a redneck odyssey in the woods. I guess it’s supposed to be about crankcuts and weirdos that live differently than most people.
VM: Where was it filmed?
Joe: Conley, Georgia.
Jared: I think it used to be a hospital or maybe a school. It’s like an abandoned place, and one of our friends has a horror studio there with props and everything. So, we had a lot of space to work with and sources.
VM: How many shows do you have at ‘South By’ this year?
Cole: Ten.
VM: It’s Friday; how many shows do you have left?
Jared: Five.
Joe: We have three tomorrow and actually three tonight, so six.
Cole: We have DJ gigs as well.
VM: So, 10 shows plus DJ gigs; that’s intense. When did you guys get in?
Jared: Tuesday night, or Tuesday afternoon.
VM: Who have you seen? Have you seen anybody good?
Jared: OFF! played before us, and we saw them.
Joe: We saw Perfect Pussy last night.
Cole: We saw Sean Lennon’s band, Ghost of the Saber Tooth Tiger [GOASTT].
Joe: We saw Natural Child, right?
Ian: Pretty much if they played before us, we watched them.
VM: So you’ve seen a lot! Was there anyone you really wanted to see this year?
Cole: No.
Jared: I personally gave up on trying to see shows a few years ago, because you get your hopes up about a show you probably won’t be able to go to. If I happen to be somewhere, then I’ll watch it; sometimes you get lucky.
Joe: I agree 100 percent.
Cole: I second that.
VM: So can we expect some typical Black Lips antics on stage?
Cole: You never know what you’ll get.
Jared: Depends on what’s in the water, and the mood, what time of day it is; you have to feel it out.
Ian: We’re like a Ferrari; the years might change, but we’re still fast and smooth.
VM: Well said. Tell us about your Middle Eastern tour.
Jared: Well, it was really unprecedented. We took the first step, and – to our knowledge, and no one has disputed this since – we were the first western band to do that full circuit. It sounds crazy. Like, we went going to Iraq and Egypt at this time when it looks crazy over there, but it really couldn’t have been more normal. The shows were really well attended, it was organized, and everyone was really nice to us. No running over borders in the middle of the night or riots or anything. It was just like your average tour. Actually, it was one of the more wholesome tours we’ve ever done. We had a lot of families there and a lot of little kids. We didn’t really party. It was very wholesome and special.
VM: So did you go on that tour intending to be the first, or did you find out later that that was the case?
Jared: Well, it was there, and we were like, ‘why not go play?’ We started meeting bands that were from around the region and different people, like filmmakers, and it just started to become more of a reality. So, we were like, ‘why not go there? We haven’t been.’
VM: Do you have any other places you want to go?
Jared: Malaysia, Indonesia…
Cole: Cuba.
Jared: I guess at some point, we’ll have to go to China. It’s hard to avoid.
VM: Do you want to go to China? You seem a little ‘meh.’
Jared: I’m sure it will be cool, but if I had to make a list of places, that’s not super high up.
VM: What would be your number one?
Cole: We wanted to go to Antarctica, but not anymore, because Metallica did it. We want to be the first in some things.
VM: What’s your favorite venue to play in Georgia?
Jared: If you could fill it up, I really like Variety Playhouse. Actually, now that they’ve redone the Georgia Theatre. I really like the Georgia Theatre.
VM: It’s awesome now! There’s no bad place as an audience member. Wherever you are, you can see the stage.
Jared: I’ll go ahead and say Georgia Theatre. There’s Nintendo backstage, restaurant and bar on the roof, and good sound.
Cole: Giant bands.
Ian: The food’s good.
VM: The food is good.
Cole: My dream is to play the Fox Theater in Atlanta. It’s gigantic! We’d have to be lucky enough to open for somebody, probably.
Jared: I think to put on a show there is just thousands and thousands of dollars.
VM: Bill Cody from Athens directed the documentary, ‘Kids Like You and Me,’ for your tour. How did you get connected with him, and why did you decide to do a documentary?
Jared: I can’t remember how we met him. I think he just started coming to our shows in L.A. Over the months and years, we found out he was a filmmaker, and I was a fan of ‘Athens, Georgia Inside Out.’ We would always talk sh*t about playing in Iraq but not in the green zone. He said, ‘well, I used to teach film there.’ So we were like, ‘well, if you actually have some contacts there…’ and he actually took it seriously. Three years later we were there with him, but it just started from that one little ‘I want to play in Iraq’ and snowballed from there.
VM: What is your favorite part about playing at ‘South By?’
Joe: Seeing friends.
VM: After ‘South By,’ what are your plans?
Jared: We’re hitting the road for a while. We’re going to the West coast from here, going to do a little circle up and down the coast and a little, quick dip into Canada, then the East coast, then Europe and a bunch of other stuff.
VM: Thanks for talking to us.
Jared: It was a pleasure.
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Exclusive Song Premiere: The Lovers Key – “Bright Eyes, Black Soul”
We’ve got another one for ya! To accompany our recent interview with The Lovers Key (made up of guitarist Christopher Moll and vocalist Maco Monthervil), we’ve also go an exclusive song premiere of their latest, “Bright Eyes, Black Soul.” Get an earload below.
Roky Erickson with Black Angels at Terminal West
My two roommates and I went to see Roky Erickson. We were anxious to see what kind of people would be at a show featuring Roky Erickson (obviously The Black Angels headlined). We walked in behind a middle-aged double date. One of the women was wearing gold metallic go-go boots. Of course, The Black Angels are a psychedelic-rock band, so I was expecting oddities like this one. It was a sold out show.
We walked in in the middle of Roky Erickson’s performance, and I cried a little on the inside. I wanted to see him walk on, but I can imagine it: probably simply and without acknowledging there was a crowd of Black Angel fans before him. Roky Erickson got his start in 1966 after co-founding The 13th Floor Elevators. Later in 1974, “Two Headed Dog (Red Temple Prayer)” debuted a more rock and roll side of Roky, as compared to his original psychedelic style. “Two Headed Dog” became a single, which he of course, featured at the show. I assumed he was the reason most of the older folks showed up. He wasn’t alone on stage, though. He was accompanied by three guitarists, a beautiful keyboardist and a drummer, all of which were young and healthy. Roky seemed out of place. He still has long hair, although more gray and he seemed to be looking at the guitarists at either side of him, looking for a nod of approval I was looking forward to seeing him by himself. I wanted to see him on a stool with a guitar singing, “I Love the Living You”. Roky is the epitome of raw, so much so that his acoustic songs become revelatory. He is the only artist that can bring tears to my eyes and yet sing so simply. Nonetheless, he was there, in the flesh, a legend. I was glad to know Roky existed outside of my head. He left as simply as I assume he came out.
Enough of my swooning over Roky Erickson. The crowd multiplied, along with random puffs of smoke overhead (“eh-hem”). There was still a varied age group. To be honest, I had never listened to Black Angels prior to this night. The stage was set with four stand-alone canvases and one large canvas backdrop. Projections splattered the stage with trippy colors and star images. The music played but no Black Angels. I could feel the excitement gathering, and the crowd grew louder, but still, no Black Angels. After two or three minutes of this titillation, they walked on. I was expecting a grand entrance, but I guess you don’t need that when you’re the Black Angels. The crowd went wild, as the cliché goes, and they began. The drummer, a shaggy haired girl that looked like she could stare anyone to death, played a heavy, slow beat. Then the vocalist broke in. This was literally a psychedelic experience – not just The Black Angels but the event as a whole. To my right was a young, sweet couple and to my left a guy that looked like Mick Jagger’s clone. I was still having post-Roky effects, and it was all too much. I wouldn’t have missed this show for the world. It was a once in a lifetime experience, and I shared it with two great people, and that is what makes a concert review-worthy.







