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10 Songs That Were Huge 10 Years Ago

Posted on April 23, 2015April 23, 2015 by Andrew Plaskowsky

Ten years ago, most college age students had just begun middle school. Meanwhile, Chris Brown started his career, Mariah Carey and Madonna came back better than ever, and Gwen Stefani gave the entire world a lesson in spelling. Check out 10 of the biggest songs from 10 years ago.

1. Mario – “Let Me Love You”

Mario’s biggest hit stateside “Let Me Love You” kicked off his sophomore album campaign right with a nine week run atop the Billboard Hot 100 chart. Maybe the song was so popular because it contained the keyboard riff from Tina Turner’s 1984 hit “What’s Love Got to Do with It,” or perhaps it was the cheesy video that took this gooey ode to a love interest straight into the hearts of millions.

2. 50 Cent feat. Olivia – “Candy Shop”

It’s a rare occurrence for a rap song to top the mainstream charts, but this Middle Eastern inspired midtempo track did it in roughly a month thanks to its hook. While the rap verses were mostly forgettable, the chorus of “I’ll take you to the candy shop / I’ll let you lick the lollipop” was a clever sexual innuendo that was later repeated in Lil Wayne’s 2008 “Lollipop” — a track that saw similar success to its predecessor.

3. Gwen Stefani – “Hollaback Girl”

This sly middle finger to Courtney Love’s remark about Stefani propelled her to the status of a pop “it girl” in 2005. It took just a single “uh-huh” to let everyone who it was. Add in the marching drum beat, a brass line and a bridge that taught everyone the right way to spell bananas and you’ve got the makings of a hit that’s still popular a decade later.

4. Mariah Carey – “We Belong Together”

Touted as Carey’s comeback single following several years of declining commercial success, “We Belong Together” proved she was still in the game. The song spent 14 non-consecutive weeks at #1, received two Grammy awards and broke radio records until “Blurred Lines” was released in 2013. This song is considered to be one of Carey’s signature songs and was labeled as “the song of the decade” by Billboard.

5. Kanye West feat. Jamie Foxx – “Gold Digger”

West’s song about women who are only with men for their money is still his biggest worldwide hit to date. Created back before his ego ballooned, this timeless track contains a Ray Charles sample and a relentless flow that doesn’t allow the listener a moment to breathe before going on to the next verse. Ten years later this song is still being covered by countless artists.

6. Chris Brown – “Run It!”

Chris Brown’s immensely catchy debut single “Run It!” began his troubled career by ingraining itself into the hearts of teenage girls. The video also showed him as a serious performer by allowing him to showcase his dancing abilities. The softer vocals of the song are a perfect contrast to the hard edged production on the song and are something Brown has yet to repeat on his five other albums.

7. Kelly Clarkson – “Since U Been Gone”

A departure from the fluffy R&B styled pop from her debut, Clarkson’s first taste of her sophomore effort Breakaway was noticeably more rock oriented than previous singles “Low” and “Miss Independent.” Her risky move paid off as the bitter “Since U Been Gone” remains one of Clarkson’s biggest tracks to date and is yet another reason why Clarkson’s career has lasted longer than most other American Idol winners.

8. Pussycat Dolls – “Don’t Cha”

It’s a surprise the internet wasn’t broken by the Pussycat Dolls “Don’t Cha” long before Kim Kardashian’s attempt with her oily seminude photoshoot. This siren song oozes sexuality as the Nicole Scherzinger led group taunts men to date women that look like them. The inclusion of Busta Rhymes in the video filled with scantily clad dancers pandered to nearly everyone and it paid off in the long run.

9. Madonna – “Hung Up”

Following the critical panning and commercial failure of American Life, Madonna harkened back to her disco roots with the Stuart Price produced “Hung Up.” This jarring electronic song put her name back in everyone’s mouth and sought to prove she was far from being over. Madonna’s reinvention brought her career full circle back to the clubs she started out at as the track peaked at #1 on Billboard’s Hot Club Play.

10. Ciara feat. Missy Elliott – “1, 2 Step”

Besides for being automatic, supersonic, hypnotic, and funky fresh, Ciara’s second single off her debut Goodies inspired a dance craze around the world. A Missy Elliott feature that encouraged women to shake it like Jell-O further propelled the song to success and it remains her biggest worldwide hit. The song made its way to the top of the pop chart ten years ago and sounds just as fresh today as it did upon its release.

Five Artists to Watch: Shaky Knees Edition

Posted on April 22, 2015April 22, 2015 by Andrew Plaskowsky

shakyknees

Shaky Knees Festival is fast-approaching.  Before you head out to Atlanta to check out the insane lineup May 8-10, be sure to get a jump on falling in love with these five killer acts.

Mac DeMarco (5/8)

Despite having three critically acclaimed albums under his belt, the Canadian born artist hasn’t had serious traction outside of college radio. His shows are quite a spectacle full of skits (and sometimes nudity) that contrasts the more serious tone of his music. With his first late night appearance behind him in March, hopefully DeMarco captures the attention of others, and there’s a chance to see this buzzed about artist at Shaky Knees.

Surfer Blood (5/8)

Shaky Knees is the perfect opening week for Surfer Blood, which will be releasing its album 1000 Palms on May 12. The band captured major attention in its outings at SXSW in 2010 and 2011 and opened up for headliners the Pixies on its Doolittle Lost Cities Tour. After performing on the festival circuit for several months, the band went into the studio and emerged with new material and a renewed interest in live performances once again.

Viet Cong (5/9)

This post-punk band made national news in March when its scheduled show at Oberlin College was cancelled by the promoter for the offensive nature of its name. This was spun into good publicity for the group, whose self-titled debut, a gloomy yet sparkling low-fi affair, shot back up into the charts. Go to hear an insane live version of the 11-minute behemoth “Death,” as well as songs from the more uptempo Cassette EP.

Palma Violets (5/9)

Pulling a complete 180 – no pun intended – Palma Violets resided in the British countryside while recording new record Danger in the Club, a more mature album about what it means to be British in America. Now trying to market the group in America, the band played multiple sets at SXSW and is booked to do a festival run around the US this summer. See what all the hype is about on Saturday, May 9.

The Mowgli’s (5/10)

Named after the character in Kipling’s The Jungle Book, all seven (seven!) members of The Mowgli’s exude the youthful exuberance of the group’s namesake. The music pops and rocks in all the right places, with repetitive soaring hooks and shouted harmonies. The band is possibly the most mainstream sounding act to play Shaky Knees, so expect them to leave an impression on the Top 40 airwaves soon.

Reptar share new video for “Amanda”

Posted on April 21, 2015April 21, 2015 by Kelsey Butterworth

(NOT FOR THOSE EASILY GROSSED OUT)

Reptar have shared the music video for their new single “Amanda,” and it’s (expectedly) a weird one. Two girls in white take turns putting weird fruit in each other’s mouths, and there’s some fun and casual waterboarding. It’s footage that could very well show up on your local public access station, placed there by local community college art kids. Given the song’s alluded-to themes about love and pain and long distance relationships, the vignettes seem to be commentaries on the small ways we hurt the ones we love the most.

“Amanda” recalls early Vampire Weekend, when they still had a massive hard-on for Graceland. It’s not as overloaded and excited a production as the first couple Reptar records – our boys have figured out how to get their ideas across while being economical with their sound. At first, vocals and xylophone reign; even when the smartly arranged horns come in, the room to breathe is refreshing and entrancing.

Lurid Glow is out now via Joyful Noise Recordings.

Sufjan Stevens: “Exploding Whale”

Posted on April 21, 2015April 22, 2015 by Kelsey Butterworth

In the ongoing tradition of employing grotesque imagery, Sufjan Stevens’ tour-only song “Exploding Whale” has been leaked online. Thanks to a Reddit user, and with permission from Stevens’ label Asthmatic Kitty Records, the plinky, wandering track is now available to us all. It’s more Kid A than the offerings on his most recent record Carrie & Lowell, drawing comparisons to his previous album The Age of Adz. Its last minute goes from lightly peppered synths to full on autotune, but the whole track is supremely pretty – yet still subdued and understated, as it never fully swells as grandiosely as it could.

As with Sufjan’s other work, he manages to make art school vagueness feel frighteningly personal and intimate. It’s unfortunately commonplace these days for songs to use a gracelessly hashtagged title, but Stevens seems unironic in his plea for us to embrace his “epic fail.” Between this and the song’s title, it’s a possible allusion to Twitter’s fail whale – and, more broadly, the attention span-less social age in which we live. This is most apparent at the song’s beginning, when Stevens sings, “I’m nobody’s friend / Loneliness rides in my bed / My misfortune / Give everything you’ve got / While the sun burns hot, my addiction / Spoils my affection for everything good.”

(It’s also worth mentioning the single’s ace artwork, featuring an as-of-yet unexploded mobster whale who’s probably about to utter the word “sweetheart.”)

SXSW 2015 with Fictionist

Posted on April 17, 2015April 17, 2015 by Rebecca Smith

Fictionist by Trevor Chrisensen

It’s no secret the music industry can be a fire-breathing beast; if you’re not careful, you could get burned. Fictionist of Provo, Utah is doing their best to make sure that doesn’t happen. After getting dropped from Atlantic Records last year, the band that consists of Stuart Maxfield (lead vocals, guitar) Robbie Connolly (lead vocals, bass), Brandon Kitterman (guitar, bass), and Aaron Anderson (drums) decided to release the self-titled album Fictionist. We caught up with them at SXSW 2015 for an impromptu interview about their journey and starting from scratch.

In 2010, Fictionist embarked on a journey that most musicians dream of by competing in Rolling Stone Magazines Do You Want To Be a Rock & Roll Star? contest and then soon after signing with Atlantic Records. But despite having all the ingredients to make an amazing record – including Grammy award winning producer Ron Aneillo, the historic Hollywood recording studio Sunset Sound Recorders, and even having one of Elvis’ guitars at their disposal – the boys of Fictionist chose not to release the album they recorded under Atlantic.

Stuart Maxfield explained, “It represents the challenging part of our lives, the timing wasn’t great for us. We made a record that neither Atlantic nor us loved, and it just really didn’t make sense to go forward at that point. It’s an album that the world will never hear. It’s a lot of work; it took a lot of time. It’s a bummer, but it’s okay, we’re glad, because it wasn’t the right record to release. Everything has to be right.”

Having been a band for six years but devoting a good chunk of that time recording and playing songs they weren’t passionate about, Fictionist is making the most of their independence. “The silver lining was that, after we got dropped, we were able to artistically do what we wanted to do, which was huge and good for the camaraderie of the band. That’s the breath of fresh air that created the Fictionist self-titled record,” Maxfield said.

On top of creating an independent record and touring with other Provo bands like Imagine Dragons and Neon Trees, the band has also shifted some of the lead vocals from Maxfield to Robbie Connolly, who coincidentally is Maxfield’s brother in-law. Connolly said, “We met at high school in Salt Lake City. I joined this project as a guitarist, but I kept writing songs and singing, so we got to a certain point where we were using some of those. At first, it was an experiment, but it worked out.”

Thrilled to be at South by Southwest for the first time in four years, Fictionist has been traveling non-stop since the album dropped last October. Aaron Anderson said, “We’ve been touring with Mates of State. Ever since the album came out, we’ve been to a lot of the bigger cities. We’re in the process of lining up some opening slots for the summer, but we can’t mention those yet!”

Fictionist has recently announced an east coast tour in August with COIN and Neon Trees (dates below).

Jun 18  Front Conference   Salt Lake City, UT
Jun 25  Utah Arts Festival   Salt Lake City, UT
Jun 27  Daybreak Music Festival   South Jordan, UT
Jul 09  Revolution  w/ Neon Trees, COIN   Fort Lauderdale, FL
Jul 10  The Beacham  w/ Neon Trees, COIN   Orlando, FL
Jul 11  State Theater  w/ Neon Trees, COIN   St Petersburg, FL
Jul 13  Center Stage  w/ Neon Trees, COIN   Atlanta, GA
Jul 14  The Cannery Ballroom  w/ Neon Trees   Nashville, TN
Jul 16  Newport Music Hall  w/ Neon Trees, COIN   Columbus, OH
Jul 17  House of Blues  w/ Neon Trees, COIN   Cleveland, OH
Jul 18  Rams Head Live  w/ Neon Trees, COIN   Baltimore, MD
Jul 20  9:30 Club  w/ Neon Trees, COIN   Washington, DC
Jul 21  The TLA  w/ Neon Trees, COIN   Philadelphia, PA
Jul 22  Irving Plaza  w/ Neon Trees, COIN   New York, NY
Jul 25  College Street Music Hall  w/ Neon Trees, COIN   New Haven, CT
Jul 26  Paradise Rock Club  w/ Neon Trees, COIN   Boston, MA

firekid at the 40 Watt 4.14.15

Posted on April 15, 2015April 15, 2015 by Kelsey Butterworth
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photo by Mayowa Amosu

Last night, the 40 Watt hosted two newfangled Americana bands, firekid and Delta Spirit. Despite a sparse crowd and little fanfare, firekid – a two-piece Nashville group – delivered an interesting and varied set of reimagined roots music. Initially, they seemed like a group in the vein of Shy Girls, mixing whispered vocals with plucked guitar and hip hop beats. But it soon became clear that they were aiming for something bigger and not heard before. Singer/guitarist/sampling maestro Dillon Hodges and drummer Josh Kleppin combine traditional bluegrass and tex mex guitar picking – very skilled picking at that – with the hip hop beats of today’s top 40. The masterful guitar playing should come as no surprise, as Hodges won the National Guitar Championship at the age of 17, making him the second youngest person to ever do so. He struck as a contemporary of our own Sam Burchfield. Both traffic in blue-eyed soul that has clearly been practiced and perfected, and both are unabashed fans of big, poppy choruses, back porch cred be damned.

Hodges grew up in Muscle Shoals, Alabama, which any music fan worth their salt knows as the birthplace of much of our favorite soul and southern oldies, a creative hotbed in the middle of nowhere. The highlight of the set was a “song about hipsters,” as Hodges introduced it (the heavily hipster Watt crowd was nonplussed), chronicling a metal band who traded in axes for banjos when the winds of changes shifted. “Everybody’s chasin’ the Americana dream,” he deadpanned, slyly knocking groups like Mumford & Sons, whose recent aesthetic change from suspenders to leather jackets proves Hodges’ point. But ironically, despite the Alabaman and Nashvillian ethos firekid so clearly possesses, one could easily lump them in with the very same bro country/brograss movements that irk them.

The song about hipsters even seemed to defend bro country at one point, noting that if Hank Williams is spinning in his grave, it’s not due to what’s happening in Nashville. Any way you slice it, roots music is going through growing pains and identity crises out the wazoo these days, and firekid are a perfect example. The group’s Nashville relocation, and its old and new ways of doing things, were on full display in their songs like “Getaway Car” and “Lay By Me”. The group even covered pop hits like “Bang Bang” and “FourFiveSeconds”, albeit a little less powerfully than the songs’ originally tigresses – if you’re gonna cover Ariana or Rihanna, you’ve gotta COMMIT. Songs where Hodges’ guitar playing was front and center were miles ahead of the sample- and synth-laden ones – it didn’t help that the 40 Watt’s continuing sound problems drowned out his vocals and overpowered the drums. Fortunately, as Hodges revealed in our recent firekid interview, their upcoming record will heavily showcase his flatpicking. But no matter where your chronological preferences lie, this is quite literally a band like no other.

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firekid x Vinyl Mag

Posted on April 14, 2015April 14, 2015 by Emily McBride

Firekid is the project of guitarist and singer Dillon Hodges (you may know him and the second youngest person ever to win the National Guitar Championship at the age of 17 #prodigy).

Since gaining recognition as a bluegrass artist, Dillon has transformed himself, taking on the moniker firekid and expanding his genre.  He has also signed with Atlantic Records and will be putting out his first full length album this spring.

We grabbed a few minutes with Dillon to talk about the recording process, summer touring, and of course, his upcoming album.  Check our interview below, and Athens readers, be sure to get over to the 40 Watt tonight to catch firekid opening for Delta Spirit.  Gonna be a great show.

Vinyl Mag: What made you decide to record in Muscle Shoals? How did it influence your sound?

Dillon Hodges: Muscle Shoals is my home. It’s where I grew up and where I’ve recorded ever record prior. It’s always been a part of who I am, and I didn’t want this new project to be missing that.

VM: Where does the name firekid come from? As a singer-songwriter, why not stick to your name?

DH: If the firekid project had been more singer-songwriter, I think I would’ve kept my name; but, when the tracks started to fall into place, it became apparent how much of a departure from previous works it was. The name sort of tells that story. It’s a rebirth.

VM: How did it feel getting signed to Atlantic? How did that come about?

DH: Being signed is a dream for most artists, but I couldn’t have imagined being associated with a legendary label like Atlantic. The history and romance between Muscle Shoals and Atlantic runs deep. The label is largely responsible for the putting the music of The Shoals on the map, and The Shoals is responsible for some of the greatest works the label ever put out.

VM: You’re playing at Hangout Fest in May. Are you excited to play a huge fest in your home state?

DH: Hangout has been on the bucket list. I’ve never been before, so it’ll be perfect to experience it for the first time also as a performing artist.

VM: Who are you most looking forward to seeing there?

DH: Tough call…definitely planning on seeing Foo Fighters, Beck, and Joey Bada$$.

VM: “Magic Mountain” is a strong departure from your “Dillon Hodges” sound – what inspired the new direction?

DH: The inspiration for the project definitely comes from a change in the songwriting style. The songs themselves were the inspiration for the sound. They dictated a lot of the production.

VM: How have followers reacted? The reviews have been fantastic (congrats!).

DH: Feedback from friends and fans has been encouraging. Much time and love has been poured over this project. Positive reviews were never the goal, but they can certainly let you know if you’re on to something.

VM: Do you have anything coming up for Record Store Day? Are you looking forward to any releases?

DH: Firekid doesn’t have anything coming out on RSD this year, but I’ll be picking up The Black Key & Junior Kimbrough record and J Dilla “Love.”

VM: Can you give us any info on your upcoming album?

DH: The record will be out in a couple months. Most of the content was recorded in Florence, AL. Overdubs took place in Silver Lake, Los Angeles. It’s a record driven by the songwriting; however, my flatpicking will be featured more on this record than any previous release.

VM: Are you releasing any more singles soon?

DH: We’ll be putting out a live EP in week or so!

VM: What is next for firekid?

DH: We are currently working on rolling out a ton of new online content. It’ll feature new music and live performances. We’re also excited to be continuing our tour. We’re constantly adding date, check out my page for updates!

*See you guys tonight at the 40 Watt!

Apr 14   40 Watt Club w/ Delta Spirit  Athens, GA Tickets
Apr 17   The Music Farm w/ Delta Spirit  Columbia, SC
Apr 22   Hal and Mal’s   Jackson, MS
Apr 23   Scruffy City Hall   Knoxville, TN
Apr 24   Bourgie Nights   Wilmington, NC
Apr 25   Isis Restaurant & Music Hall   Asheville, NC
May 13   Zanzabar   Louisville, KY
May 14   High Watt   Nashville, TN
May 15   Hangout Music Fest   Gulf Shores, AL
May 16   Hangout Music Fest   Gulf Shores, AL
May 17   Hangout Music Fest   Gulf Shores, AL

SXSW 2015: Colony House x Vinyl VIDEO

Posted on April 14, 2015April 22, 2015 by Emily McBride
@vinylmag Instagram: Thanks so much @colonyhouseband for chattin. You can borrow my mic any time
@vinylmag Instagram: Thanks so much @colonyhouseband for chattin. You can borrow my mic any time

Colony House is a Tennessee-based trio composed of Caleb Chapman (vocals), Will Chapman (drums), and Scott Mills (guitar).  Their debut album, When I Was Younger, has received critical acclaim (and has been playing on my Spotify for well over two months).

The guys sat down with us at South by Southwest this year to chat about recording their album, their most popular live songs, and unconventional songwriting methods.  Enjoy the Vinyl Video below, and also be sure to catch CH on tour (dates below)!

Upcoming Tour Dates

Apr. 23 – Tuscaloosa, AL @ Tuscaloosa Amphitheater with Need to Breathe
Apr. 24 – Fayetteville, AR @ Arkansas Music Pavilion with Need to Breathe
Apr. 25 – Kansas City, MO @ Crossroads with Need to Breathe
Apr. 28 – Houston, TX @ Bayou Music Center with Need to Breathe
Apr. 29 – Grand Prairie, TX @ Verizon Theatre at Grand Prairie with Need to Breathe
Apr. 30 – Oklahoma City, OK @ Bricktown Events Center with Need to Breathe
May 02 – Huber Heights, OH @ Music Center at the Heights with Need to Breathe
May 03 – Madison, WI @ Orpheum Theater with Need to Breathe
May 04 – Grand Rapids, MI @ DeVos Performance Hall with Need to Breathe
May 06 – Louisville, KY @ Iroquois Amphitheater with Need to Breathe
May 07 – Knoxville, TN @ Knoxville Coliseum with Need to Breathe
May 08 – Greenville, SC @ Bon Secours Wellness Arena with Need to Breathe
May 09 – Charlotte, NC @ Uptown Amphitheatre at NC Music Factory with Need to Breathe
May 13 – St. Petersburg, FL @ Jannus Live! with Need to Breathe
May 14 – St. Augustine, FL @ St. Augustine Amphitheatre with Need to Breathe
May 15 – Raleigh, NC @ The Red Hat Amphitheater with Need to Breathe
May 16 – Alpharetta, GA @ Verizon Wireless Amphitheatre with Need to Breathe

May 15-17  Gulf Shores, AL @ Hangout Festival

June 18-21  Dover, DE @ Firefly Music Festival

Jul. 09 – San Francisco, CA @ Nob Hill Masonic Center with Need to Breathe
Jul. 10 – Las Vegas, NV @ Mandalay Bay Beach with Need to Breathe
Jul. 12 – Los Angeles, CA @ Greek Theatre with Need to Breathe
Jul. 15 – Boise, ID @ Morrison Center for the Performing Arts with Need to Breathe
Jul. 17 – Portland, OR @ Oregon Zoo Amphitheater with Need to Breathe
Jul. 18 – Redmond, WA @ Marymoor Amphitheater with Need to Breathe
Jul. 21 – Morrison, CO @ Red Rocks Amphitheatre with Need to Breathe
Jul. 23 – Papillion, NE @ Sumter Amphitheater with Need to Breathe
Jul. 24 – Minneapolis, MN @ The Cabooze with Need to Breathe
Jul. 25 – Eureka, MO @ Six Flags St. Louis with Need to Breathe
Aug. 06 – Portsmouth, VA @ Ntelos Pavilion with Need to Breathe
Aug. 07 – Asbury Park, NJ @ Stone Pony Summerstage with Need to Breathe
Aug. 08 – Boston, MA @ Bank of America Pavilion with Need to Breathe
Aug. 10 – New York City, NY @ Terminal 5 with Need to Breathe
Aug. 11 – Vienna, Va @ Wolf Trap with Need to Breathe
Aug. 12 – Florence, SC @ Florence Civic Center with Need to Breathe
Aug. 14 – Nashville, TN @ Riverfront Park with Need to Breathe
Aug. 15 – Memphis, TN @ Levitt Shell at Overton Park (Moon River Fest) with Need to Breathe
Aug. 16 – Indianapolis, IN @ Farm Bureau Insurance Lawn @ White River State Park with Need to Breathe
Aug. 18 – Rochester Hills, MI @ Meadow Brook with Need to Breathe
Aug. 19 – Highland Park, IL @ Ravinia Festival with Need to Breathe

What To Buy For Record Store Day 2015

Posted on April 14, 2015April 14, 2015 by Kelsey Butterworth

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Record Store Day 2015, an annual event held on the third Saturday of April, is fast approaching. The holiday has grown each year since its 2007 inception, and some horrible folks are even starting things early by gouging prices on eBay. But do not lose heart, Young Waxhopper: this is a day meant to celebrate independent record stores, so to squash the scalpers, all you have to do is wait until April 18, then just show up.

Though the problematic aspects and downsides of Record Store Day – as well as the vinyl comeback at large – have been well-documented, it’s still fun for fans of analog (fanalogs?) to come together on common ground and jockey for position to snag the coolest ‘sclusie. Maybe that’s just my competitive streak talking, though. The full list of exclusive RSD releases can be found at the event’s website, but we have lovingly compiled some highlights you should be sure to obtain.

As always, don’t forget about the $1 used bins, the vanishing compact disc, or cassette tapes, apparently. You can also just use the day as an excuse to catch up your non-exclusive collection, which is a more impactful contribution to your brick and mortar’s bottom line.

Father John Misty

Father John Misty‘s latest record I Love You, Honeybear is a meta ode to his wife and soulmate, so his contribution is a fittingly heart-shaped red 7″ acoustic version of the album’s titular track.

St. Paul and the Broken Bones

Speaking of funkily shaped slabs of melodies, St. Paul and the Broken Bones are putting out a 12″ single of covers recorded live at the Alabama Theatre… and shaped like Alabama. It remains to be seen if either of these will play on the average turntable, but it would be really embarrassing for all involved parties if they didn’t.

The Pizza Underground

For some wonderful reason, The Pizza Underground is still definitely a thing, and have recorded classics like “Pizza Gal”, “I’m Waiting For Delivery Man”, and “Take A Bite of The Wild Slice” to vinyl for the first time.

RPM Turntable Baseball

Following in the footsteps of last year’s RPM football, this year we’ll get RPM Turntable Baseball. It’s a two player game which probably gets old real fast, but still, it’s vinyl baseball!!!!!

Lullaby Renditions of the Grateful Dead

As you may have caught on, this writer’s favorite part of RSD is the Camus-esque absurdity of it all. So next up is Lullaby Renditions of the Grateful Dead, whose cover features a baby version of the band’s distinguished cartoon bear. Aww!

The White Stripes

But there’s real music stuff happening too. 2013 RSD ambassador Jack White has offered up The White Stripes‘ Get Behind Me Satan for its first commercial vinyl release EVER. Jack White/Third Man Records obsessives rejoiced at this announcement, because until now it’s only been sold for $500 at the label’s Nashville storefront.

The Zombies

Emblematic 60s poppers The Zombies are still touring regularly, and now we’re being treated to their never-before-released follow up to Odessey And Oracle. This may be their Pinkerton, so prepare yourselves.

Midlake

Midlake are releasing live recordings from a hometown show in Denton, TX., and you should buy it because Midlake are great, and you don’t need much justification beyond that. (Although it also comes with DVD concert footage.)

Violent Femmes

Violent Femmes recently released “Love Love Love Love Love”, their first new music in 17 years; now it’ll be available on vinyl along with three other new & definitely not self-deprecating songs: “Happy New Year Next Year”, “Good At/For Nothing”, and “Fast Horses”.

Ryan Adams

It’s hard to keep an unreleased Ryan Adams track down, and even though his fans must be exhausted buying all this music, it’s hard for the dude to make bad music. The 12″ features an alt take of “Come Pick Me Up” and “When The Rope Gets Tight” from an upcoming deluxe reissue of Heartbreaker.

 

And now a word from Record Store Day 2015 Ambassador Dave Grohl:

Marina and the Diamonds x Vinyl VIDEO

Posted on April 10, 2015April 10, 2015 by Emily McBride

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It’s been three years since Marina and the Diamonds‘ last album, Electra Heart, and a lot has changed.  Her newest album, FROOT (released in full on March 13), is Marina’s first album written entirely on her own.  Her ability as a songwriter really shines through, further cementing the artist’s position as a true pop queen.

Marina is not to be underestimated.  Not your typical pop artist, she prefers her songs to deal with more than driving with the top down and partying ’til dawn, instead opting to tackle issues such as feminism, stereotypes, and even rape.  Her lyrics are thoughtful and empowering even at their most jarring, and her ability to address these heavy issues and blend them seamlessly with upbeat synth-pop melodies further proves that Marina is one of the most important pop artists out there today.  I mean, how often do you find wisdom in a pop album?

I grabbed a few minutes with Marina at South by Southwest this year to talk about her new album, the message in her song, “Savages,” and what’s next (we also spent some time geeking out over the fact that there in a In-N-Out Burger in Austin – seriously, I get excited for that every year!).  Check out our Vinyl VIDEO below, and be sure to catch Marina on tour (dates below)

APRIL

12 – Indio, CA – Coachella Valley Music & Arts Festival

13 – Las Vegas, NV – Pool At The Cosmopolitan

17 – San Francisco, CA – The Warfield – SOLD OUT

18 – San Diego, CA – North Park Theater – SOLD OUT

19 – Indio, CA – Coachella Valley Music & Arts Festival

MAY

22 – Boston, MA – Boston Calling Music Festival

26 – Pittsburgh, PA – Stage AE

27 – Indianapolis, IN – Egyptian Room

29 – Cincinnati, OH – Bogart’s

30 – Cleveland, OH – House of Blues

30 – Columbia, MD – Sweetlife

JUNE

2 – Detroit, MI – St. Andrews Hall

5 – New York, NY – Governors Ball NYC Music Festival

7 – Toronto, ON – Field Trip

JULY

31 – Montreal, QC – Osheaga Festival Musique et Arts

AUGUST

2 – Chicago, IL – Lollapalooza

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