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Coffee Break with Family and Friends

Posted on January 7, 2014January 7, 2014 by Sarah Rucker

I got to hang out with Family and Friends, a band from here in Athens, for a little coffee break at Two Story Coffeehouse to discuss the band and their brand new EP. Family and Friends began playing shows in Athens only in April of last year; by the end of the year, they had played the 40 Watt and the Georgia Theatre.  Songs of love and emotion come to life with the six-member band and their various talents and personalities. Maybe it’s the two drummers and the rock star violinists that make this band unique and successful. Maybe it’s the Kickstarter awards they gave out to people who helped fund their EP (personal haikus, dates with band members, etc.) Altogether, it is evident through the rapidly-growing number of fans that Family and Friends is something special.

The band is having an EP release show at the Georgia Theatre in Athens this Thursday Jan. 9, but they released one song early as a nice preview.

How did the band come together? You guys seem like an odd mix (in a good way!).

Ryan: Uh.. We came together –

Maria: Not at the hair salon.

[Group laughs since Ryan recently got a haircut, rugged mullet style]

Mike: Ryan and I decided we wanted to make a band when we were on a beach trip. So we started playing drums and guitar in our apartment basement. We knew what we wanted in a band, but we didn’t know how to get it exactly. We knew we wanted Tuna; I was working with him at the time. We also really wanted two drummers; I don’t know why Jamie wasn’t a part of this yet.

Tuna: He was taking a nap.

[Group laughs since Jamie missed the interview to get some beauty sleep]

Mike: We also wanted a violinist. [to Maria and Ryan: You guys met at Flicker, right?]

Maria: Yeah, he was playing a noise set, and I was like, ‘Yeah this is good!‘

Ryan: I was like, ‘Cool! You should play in my other band that’s not a noise band!’

Mike: We wanted an electric guitarist, and we had some people in mind. JP came to live with us and played for us, and [even then] we still had other people in mind. We never asked him to join.

Ryan: JP would sit in his room, open his door and play the guitar loud enough so we could hear it…so he [was basically telling] us ‘hey, I play guitar.’

Mike: We found out later from his girlfriend; she said, ‘You guys made him so sad.’

JP: It was a bummer! You guys were making awesome music and I was like, ‘I wanna make music with them!’

What’s been your favorite show or moment thus far?

Mike: I know one of my favorite moments was when we played “Rust and Bone” together, and it finally hit. We kept restructuring it, and then finally everyone had a part in it, and we played it altogether, and it worked.

Tuna: I really like that video we have of the first time we played “Rust and Bone” together.

Mike: When I knocked the mic over?

Tuna: Yeah, exactly. And you just shimmied over to the other one. We had been in that tiny practice space for so long, and for some reason it was taking way longer for me to figure out the songs…so when we finally played that warehouse show, and people were diggin’ it, it felt like months of work were paying off.

JP: I really loved the Halloween show.

JP: I don’t know…I can’t remember.. Were we really sloppy that night?

Maria: No! It was good!

Mike: Eh… [shrugs hesitantly]

Ryan: We all just dressed up like medieval [characters]. [To Maria: You were a friar, with a bald head and a fat stomach].

Tuna: I didn’t go to the costume fitting so…

Maria: Yeah! If you didn’t go to the costume fitting you were out of luck.

Tuna: So I was a princess in this tiny, purple dress that I couldn’t even get my arms into.

JP: Mike said, ‘I tried it on, and I fit in it,’ and I thought, ‘That doesn’t equate to Tuna.’

JP: And then Jamie was the jester, because he wasn’t there to try on stuff either.

Who does most of the song writing for y’all? Or is it a group effort?

Ryan: Mike comes in with the acoustic and the lyrics.

Tuna: I would say it starts with Mike and the drums, and then I just see where I can sit.

How are y’all feeling now that your EP is done and your Kickstarter was a success?

Mike: Terrified.

JP: There’s still a lot of work to be done.

Ryan: It’s scary, because it’s like, ‘Okay, here’s another share of your responsibility.’  But it’s good, because this is what I want to do.

JP: It’s extremely exciting, with the same thing [Tuna] was saying about the first show with all the months of practice finally paying off, to have our EP out and ready.  It feels like it’s paying off, and knowing that people have it and are listening to it is so exciting.

Tuna: For me, it was the longest recording process. We were recording from 10 p.m. to 10 a.m. And I would record my stuff [from] 10 a.m. right when we were about to leave. I would record my stuff and feel really discouraged about it and then listen to the recordings and everything was beautiful, because we were all delusional and going stir crazy. Then, when we got the recording, I was like, ‘Wow! These actually sound really good.’ Better than I thought it would.

Mike: I have a picture of Ryan sleeping in the studio every single day though.

JP: Everybody made fun of me, because I brought an air mattress every night.

Tuna: Yeah, no, everyone still makes fun of you for that.

JP: Yeah, they do, but that was a comfy air mattress!

Ryan: I was making fun of you, but then I slept on it one night, and I was like wow…

JP: You’re welcome!

What’s the EP’s name, and does it have any new songs on it?

Mike: Love You Mean It is the EP name.

Maria: It should’ve been L-U-V for “love.” It was misspelled.

Mike: It has a little bit of a new song, like a half. It’s like an interlude.

Ryan: It’s just like a little treat for the CD.

JP: Other than that, it’s like our main batch of songs.

Mike: Kinda like our greatest hits album.

Tuna: They’re the only songs we have recorded. So our greatest recorded hits.

Mike: I forgot about that…I always wanted to name the first album Greatest Hits.

Do you guys want to become a touring band or stay local to Georgia?

Mike: No, we definitely want to tour all over the world…world domination.

Morgan Delt: “Obstacle Eyes”

Posted on January 5, 2014January 28, 2014 by Mary Frances Dale

When Los Angeles based psychedelic singer-songwriter Morgan Delt released his latest single to accompany his debut self-titled album (coming January 28 via Trouble in Mind) and previously released as a limited edition cassette, you can only expect a song as mysterious as Delt. Operating off the grid, Delt is notoriously hard to find information about, only adding to his anachronistic brilliance.

His single, “Obstacle Eyes,” is a nod to sixties psychedelia with cascades of layered chords and twisty melodies anchored by Delt’s smoothly elusive vocals that lure the listener into a hazy drone of melodic repetition. With an instantly catchy hook, Delt creates a trippy fusion of druggy sixties rock with the ambient textures of Ariel Pink.

The song rambles back and forth like a tinkering old music box, igniting a thoughtful introspection that remains transfixed by an enigmatic forward and backward progression. This is a track that deserves your full attention, so sit back and let Delt transport you to a summery sixties acid trip on the California coast.

Take a listen here:

Talking Tunes with RAWards Brooklyn 2013 Winner Amplicity

Posted on December 27, 2013December 29, 2013 by Colby Pines

I recently got the chance to speak with Electronic Musician/Producer Amplicity. Known for his downtempo, melody-driven tracks, Amplicity was named Musician of the Year at the 2013 RAWards in Brooklyn, New York (yeah, he’s pretty legit). While the Pennsylvania native stays busy tracking tunes, producing with his friends at Highline Sounds and working as a web developer, Amplicity made time to talk with me about his music, family, RAWards, and the pains of overpriced drinks.

Vinyl Magazine: So, how’s it going?

Amplicity: Going pretty good. I’m in Brigantine, New Jersey kind of near Atlantic City doing some producing right now.

VM: Very cool. I’m going to start with a question that seems stereotypical, but I’m really curious about this. How’d you decide on the name Amplicity?

Amplicity: So, I produced for a while under Highline Sounds. My friends and I did hip-hop beats. Then I went to Penn State and after I graduated I started working on some solo projects that focused a lot on, like, downtempo-type beats. And I thought of it as amplified simplicity, because the stuff that I was doing was pretty simple. Simple, melodic concepts, but I like really loud stuff too and I have both of those things in my music, so that’s when I thought of amplified simplicity or… Amplicity.

VM: So, did you study music while you were at Penn State?

Amplicity: Nah, I studied Information Technology. I’m also a Web Developer.

VM: Do you feel like your studies at Penn State have influenced how you go about making your music at all?

Amplicity: Yeah, for sure. A lot of times I prefer to program and sequence stuff in rather than do it live. I mean I’ve had a vast musical background. I’ve played guitar, piano, drums, saxophone, clarinet, but I still like computers. I’ve been around computers for practically my entire life, so I really like programming things in and the whole act of sequencing, rather than playing stuff live to be honest.

VM: So when you go in to produce a song or create a remix is there one thing that you feel is most important?

Amplicity: Totally. Melody. The first thing I always think about when either doing an original or doing a remix or choosing something to sample is definitely the melody. There are a few different keys that I like more than others. I usually try to play around with more positive, feel-good keys, but the melody is by far the most important thing for me when starting a track.

VM: Yeah, even in a remix it seems like most people are still looking for a melody.

Amplicity: Exactly, and the original song is important too, but the first thing that I think about is definitely the melody.

VM: Who would you say are some of your influences? Musical and non-musical.

Amplicity: There’s a few. As far as musical goes Mr. Carmack is definitely one. He’s really innovative with the way he does drums, and his tracks in general are just really unique. I really like him a lot. Cashmere Cat is another one. He’s a big influence in the way that he puts tracks together. He’s another artist with a unique style of production as far as the way he uses vocal samples, melody, and drums. And then also my entire family is a huge influence. My family is very musical as well, so it’s always been a very common practice within my family.

VM: Did you grow up playing the clarinet and all of those other instruments because your family was so musically oriented?

Amplicity: Yeah, my father plays drums, my uncle plays guitar, my aunt sings, my grandpa played guitar, so music has always been a very common part of our family.

VM: That’s almost a full band. Are you guys going to get the family band back together over the holidays?

Amplicity: Yeah, that’s actually pretty funny, because they have a Christmas CD that they did a long time ago full of all our family stuff. Honestly, my dad is a big influence on me, because he’s into smooth jazz, and while I’m not a huge smooth jazz fan per say, I still have a lot of jazz influences in my tracks in the way that the rhythm and the melody are done. I always try to look for a lot of special aspects in music that help create that deep groove that jazz, swing, and all of those types of genres are known for.

VM: So were the family Christmas tunes any sort of influence on the “Merry Christmas” track that you recently dropped?

Amplicity: Well, not exactly. To be honest, I’ve always wanted to put out a Christmas track, and I actually sampled a track from the family CD a while ago, but I just couldn’t find a direction on it. But I’ve always wanted to do a Christmas track, because Christmas is a nice time of the year that I really enjoy. My music is very emotional and lovey and I feel like that’s pretty fitting with this time of year, so that’s why I did that track.

VM: I was wondering if you might talk with me about the RAWards?

Amplicity: Of course.

VM: How were they?

Amplicity: It was great. I got to play at Output Club in Brooklyn, which is one of my favorite places to play. It’s a pleasure playing there. The sound is always incredible. It’s built for electronic music. It’s got the Brooklyn crowd. So, I like that venue from the way it looks to the way it sounds, to the people that are there listening. It’s all so great… except for the drink prices.

VM: New York drink prices are unreal right?!

Amplicity: Yeah, they’re insane. I was in L.A. before this, and they’re pretty expensive there too, but New York takes the cake.

VM: You just need to come south for the reasonable drink prices.

Amplicity: I know, right? I really do.

VM: So, what was the application process like for the RAWards?

Amplcity: My friend actually copied me on an email and hooked me up with the person who was the director at the time for Brooklyn. I put my music online and they liked it, so I did the first showcase. After that they told me there was something for RAWards coming out where you had to have people vote, and I don’t really like bothering people with voting and all of that, because I’d rather just put out music. So I didn’t really promote for it at all, but I guess people liked my music elsewhere and voted, and that’s how I got into the showcase. After the showcase I cleaned up my profiles and put up my newest tracks. I did a Drake remix recently, so I put that up there along with my Ciara remix, and after that I got chosen to do the showcase, and then later I was chosen as Musician of the Year.

VM: That’s awesome!

Amplicity: Yeah, I guess a lot of random people really liked my music.

VM: That’s got to be a pretty good and validating feeling right?

Amplicity: Definitely validating. I’ve been making music for a while, and I’ve seen a lot of other people come up. It’s definitely one of the main things I focus on, but it’s just so tough to make money off of, so I just make music to make music and I don’t expect much out of it, so it’s really nice when people actually appreciate the tunes that I make.

VM: What do you feel like winning RAWards Brooklyn has meant to you?

Amplicity: It’s not as much what I’ve gotten out of it as it is just that validation that we were talking about. It’s nice to know people do like and listen to my music. It’s kind of like a milestone and a waypoint. I mean, I’m not really there yet, but I feel like I’m definitely on the right path since people like what I’m doing and voted. Which just gives me even more reason to continue making music. So, it has meant a lot to me honestly.

VM: What’s next?

Amplicity: Keep going. I have some stuff coming out soon with a vocalist that I’m really pumped about. I have another release with this label called Glitch Squad in Philadelphia, so I’m just really excited to keep releasing new stuff and continue finding new concepts. I was recently in the studio with some people that I really look up to and are really talented, and it’s motivational to see people who are just so good produce and make music. That inspires me a lot, because that’s all I’m trying to do is just make unique, new sounds, rhythms and melodies. There are a lot of new producers out there. Soundcloud is proof that there are millions, but to really stand out I think you have to create something new, different, and interesting. That’s what matters most to me as a musician and not just as a DJ or producer.

*Be on the lookout for more sweet sounds from Amplicity!

Sirah + Vinyl Mag

Posted on December 24, 2013December 27, 2013 by Emily McBride

I have a Christmas present for everyone. By now, if you’re a regular Vinyl Mag reader, you know we have a pretty big thing for Sirah.  We’ve already interviewed her TWICE in 2013 (it’s not our fault she’s so dang awesome…not to mention dang interesting), and now here’s our third.  Watch us get to know her a little better, talking about trends she hates, making peanut butter sandwiches, thrift shopping, and, of course, what’s next for her music!  Enjoy (and Happy Holidays and stuff)!

Shaky Knees Festival 2014 dates announced

Posted on December 20, 2013December 20, 2013 by Vinyl Mag

It’s back! The sophomore year of Shaky Knees Music Fest is under way!  Not only have they relocated to Atlantic Station, but they have also expanded — damn straight — this festival is now three days long.

Early bird tickets are currently on sale.  Three-Day passes are currently $99, and VIP three-Day passes are currently $350.  VIP includes access to viewing areas and lounge, complimentary food and beverage, and more.

Full festival lineup will be revealed Wednesday, January 15th.  Pre-sale tickets go on sale Thursday, the 16th.  In order to receive the pre-sale password, you must be signed up to the Shaky Knees mailing list.  Tickets will go on sale to the general public on January 17th.

Vinyl Mag’s Best of 2013

Posted on December 17, 2013December 17, 2013 by Vinyl Mag

It’s that time of year again! The time to reflect on what a success (or trainwreck) your past 12 months have been, as well as the time to pretend like next year is the time that things are going to be totally different.

And for us over at Vinyl Mag, it’s also the time to make lists for you guys – so here they are…lists of the best things to come out of 2013, as told by the fabulous Vinyl staffers. Enjoy!

Best Albums

  • Sunbather by Deafheaven (Lucas Carver)

  • A Is For Alpine by Alpine (Carly Snidemiller)

  • “Kevin Devine’s Bulldozer…no, Bubblegum…they’re both so good!” (Sarah Rucker)

  • Pure Heroine by Lorde (Jackie Citero and Katelyn Stanitzke)

  • Because The Internet by Childish Gambino (Colby Pines)

  • Silence Yourself by Savages (Kate Foster)

  • Yeezus by Kanye West (Kate Foster)

  • Talon Of The Hawk by The Front Bottoms (Emily McBride)

  • After The Dream You Are Awake by pacificUV (Chris Hunkele)

Best Film

  • Lords of Salem (Nikki Smith)
  • Frances Ha and From Up on Poppy Hill (Lucas Carver)
  • We’re The Millers (Carly Snidemiller and Katelyn Stanitzke)
  • This Is The End (Sarah Rucker)
  • “I’m throwing a prediction out here…the yet to be seen The Wolf of Wall Street.” (Jackie Citero)
  • The Kings of Summer (Colby Pines)
  • The Great Gatsby (Kate Foster)
  • “Yet another prediction…I’m going with American Hustle. Everything Jennifer Lawrence touches is gold. If I could, I would nominate the hours of YouTube footage I’ve seen of her interviews.” (Emily McBride)
  • Gravity (Chris Hunkele)

Best Concert/Show/Festival

  • George Clinton and Parliament Funkadelic (Nikki Smith)
  • The Chariot‘s last show at The 7 Venue (Lucas Carver’s)
  • Local Natives (Carly Snidemiller)
  • The Stuffing in Atlanta (Sarah Rucker)
  • ” The Best Festival Musically was Lock’n; the Best Whole Festival Experience was Hulaween.” (Jackie Citero)
  • Washed Out at the Georgia Theatre (Colby Pines)
  • Bonnaroo 2013 (Katelyn Stanitzke)
  • “Music Midtown, hands down. Yeah Yeah Yeahs, Arctic Monkeys, Black Lips, Phoenix, and Cake all in my hometown? Pinch me.” (Kate Foster)
  • South by Southwest 2013 (Emily McBride)
  • “Diarrhea Planet‘s epic day show on the last day of South by Southwest and Jimmy Eat World at the Georgia Theatre.” (Chris Hunkele)

Best Beauty/Fashion Moment 

  • “Any fashion models that wore black. Excuse my ignorance.” (Lucas Carver)
  • “Jennifer Lawrence’s new hair.  Actually, Jennifer Lawrence all the time.” (Carly Snidemiller)
  • “Bottega Veneta’s Fall 2013 show.  Totally 50s-chic without looking a big outdated, and the makeup and hair was to die for.” (Kate Foster)
  • “Robin Thicke trying to be Michael Keaton in Beetlejuice at the MTV VMA’s” (Chris Hunkele)

Best New Gadget

  • The Pebble Smart Watch (Lucas Carver)
  • “I still don’t have a smart phone, so those look petty rad as the years go on.” (Sarah Rucker)
  • The Bose QuietComfort 20i Acoustic Noise Cancelling Headphones…good for long flights, escaping the world, and listening to your music in peace.” (Jackie Citero)
  • “I’ve finally got tablet lust, and I’d kill for a Barnes and Noble Nook HD+ this year.” (Kate Foster)
  • “My laser tape measure.  It rides shotgun everywhere I go.” (Chris Hunkele)

Best Book Read

  • The Heart is a Lonely Hunter by Carson McCullers (Nikki Smith)
  • Punk Rock Jesus by Sean Murphy (Lucas Carver)
  • The Cuckoo’s Calling by Robert Galbraith (Jackie Citero)
  • Looking for Alaska by John Green (Colby Pines)
  • “The Defining Decade by Meg Jay. I know it sounds cheesy, but this book has made me feel SO much better about navigating the rocky terrain that is my 20s.” (Kate Foster)
  • I Was Told There’d Be Cake by Sloane Crosley (Emily McBride)
  • Invisible Cities by Italo Calvino (Chris Hunkele)

Best Black Friday/Cyber Monday Purchase

  • New winter coat (Nikki Smith)
  • Xenoblade Chronicles for 40 dollars (Lucas Carver)
  • Mud on DVD for four dollars (Colby Pines)
  • New sweaters (Katelyn Stanitzke)
  • “A bunch of itty bitty beauty goodies from Sephora.” (Kate Foster)
  • Chick-Fil-A sandwich with no pickles (Chris Hunkele)

Best Thing Learned from Pinterest

  • “How to make my own guitar cables.” (Lucas Carver)
  • “I’ve gotten some pretty killer recipes from Pinterest over the year, but probably the best thing I’ve learned this year were ideas that inspired a Couple’s Tailgate shower I threw this past fall for one of my best friends who is getting married next May.” (Jackie Citero)
  • “Using a mixture of olive oil and caster oil as a face wash — sounds gross, but it’s amazing.” (Kate Foster)
  • It’s a lot like Halo in that it takes hours of your life that you can never get back.” (Chris Hunkele)

Best Trip Taken

  • Gloucester, Mass. (Nikki Smith)
  • “I’m poor. I can’t travel.” (Lucas Carver)
  • “Best trip this year was my road trip with two friends from college to St. Augustine to cover Mumford & Son’s Gentlemen of the Road Stopover for Vinyl Mag.” (Jackie Citero)
  • Ketchikan, Alaska. “Got to camp, fish, hipline, and see black bears eat salmon…not the best trip for the salmon.” (Colby Pines)
  • Valencia, Spain and Florence, Italy (Katelyn Stanitzke)
  • “I spent the summer in New York City interning for Marie Claire- my dream since I was nine came through!” (Kate Foster)
  • Austin, TX to South by Southwest (Emily McBride and Chris Hunkele)

Best Moment at Vinyl Mag

  • “Becoming an intern!” (Nikki Smith)
  • “When I first met with Emily, and we bonded over Title Fight and I knew that it was the right place.” (Lucas Carver)
  • “At The Stuffing, I was able to bring up Vinyl Mag when I met Kevin Devine, so I had something to talk about and not just be my awkward self.  It was a great moment for everyone involved.” (Sarah Rucker)
  • “Best Vinyl moment is when I went to Louisville, KY to cover Forecastle.  It was the first festival I covered with the official press pass and all, and being able to photograph some of my favorite bands was incredible.” (Jackie Citero)
  • “Writing my first review on Sleigh Bells!” (Colby Pines)
  • “Taking Instagram pics for the Vinyl account at the Empire of the Sun show.  Luke Steele put his mic up to me so I could sing with him!” (Kate Foster)
  • “Absolutely every single moment of South by Southwest.” (Emily McBride)
  • “Filming and hanging out after my first interview with Ginger & the Ghost at South by Southwest.” (Chris Hunkele)

Resolutions

  • “Trying to find a girlfriend!” (Lucas Carver)
  • “Procrastinate less” (Katelyn Stanitzke)
  • “Resolutions are a bunch of bull. Be grateful for what you have, and if you need to make a change, believe that you can do it any day of the year!” (Kate Foster)

Most Excited For in 2014

  • “Turning 21!” (Nikki Smith)
  • The Wind Rises, Miyizaki’s last film 🙁 (Lucas Carver)
  • “I’m planning on taking a semester off to check some long overdue things off my to-do/bucket list – like catching up on sleep from the last 19 years – so I’m just stoked about that” (Sarah Rucker)
  • “Pretty pumped for House of Cards to come back” (Colby Pines)
  • Bonnaroo 2014 (Katelyn Stanitzke)
  • The Pixies/Cults show in February. “I might actually faint” (Kate Foster)
  • “FIFA World Cup!” (Chris Hunkele)
  • “More great things to come for Vinyl!  Stay tuned!” (Emily McBride)

Finally, we all know that Breaking Bad just all-out wins 2013. All of it. Goes to Breaking Bad.

 

Guerilla Toss share video for “Pink Elephant,” new album out now

Posted on December 16, 2013June 5, 2014 by Vinyl Mag

Last week Boston art-rock band Guerilla Toss released their new album Gay Disco digitally through experimental cassette/record label. The vinyl drops December 17th.

Today the band shares the video for their song “Pink Elephant” (below).

CYMBALS debuts “Winter ’98” from upcoming LP

Posted on December 16, 2013June 5, 2014 by Vinyl Mag

CYMBALS have today shared the opening track from their new album The Age Of Fracture (coming February 4). “Winter ’98” is available to stream now below.

CYMBALS TOUR DATES:

 

04 Feb – Electrowerkz, London

06 Feb – Limelight, Belfast

07 Feb – Workman’s Club, Dublin

08 Feb – Cyprus Avenue, Cork

 

Gloom Balloon shares “Summer Buzz and Summer Fervor” video

Posted on December 16, 2013December 16, 2013 by Vinyl Mag

Gloom Balloon is the debut solo project by Patrick Tape Fleming, the founder of indie rock band The Poison Control Center.  GB just released a video for “Summer Buzz and Summer Fervor” — July in Christmas, anyone?

The Wild Feathers + Vinyl Mag

Posted on December 16, 2013 by Emily McBride

The Wild Feathers decided to grace Athens with their presence, so I scooped up the opportunity to grab an interview with them at the beloved 40 Watt.

You should know this band.  Their song “The Ceiling” recently won the SiriusXM Best of 2013 Listener Poll for The Spectrum Best Song Discovery.  They have already toured with Willie Nelson and ZZ Ward, both BEFORE even releasing their debut full-length.  These Nashville-based folkies are ones to look out for, and when you do, you’ll be an insta-fan.  Like me.

Everyone should be sure to grab TWF’s self-titled debut out now.  And keep an eye on their tour dates here.  You’re gonna wanna see them live.

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