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Caro Malphrus

Review: CLOUDLAND: ‘Where We Meet’

Posted on July 16, 2021July 25, 2021 by Caro Malphrus

As the clock strikes midnight, CLOUDLAND, based out of Athens, Georgia, celebrates the release their debut album, Where We Meet. The four-piece rock group is made up of members: vocalist Zach King, Karmen Smith on drums, guitarist Aidan Hill and Hogan Heim on bass.

Left to right: Aidan Hill, Hogan Heim, Zach King and Karmen Smith

The ten-track album was written over the last year and a half, handing us the means to cope with the solitude we have all felt recently but also the relationships we have curated and reinforced, stronger than ever before.

“Sunday Afternoon” eases us into this significant milestone of CLOUDLAND’s —acoustic guitars extend their reach to greet us, vocal harmonies enticing us to stay. Truly depicting of a Sunday afternoon with a hint of what’s to come in the week. And just like a Monday, “Overthinking” wakes us up from our breezy, Sunday haze. “Thinking straight is something I can’t do… while my mind’s on you.” This track stuck out the most to me with a chorus that you just have to loudly sing along to in the car, and the sweet innocence of being absolutely enthralled by another is something that should be cherished. This came out to be one of my favorite tracks from the album; it offered enough in the instrumentals — the punchy guitars, the drums backing up the energy of the song, and the catchy vocals. Personally and a little surprisingly, I found the titular track, “Where We Meet”, to be one of the lesser hits off the freshman album. It reminded me a bit too much of my own youth group days, but that’s trauma to unpack another time.

Next up is the recently released single, “St. Elmo” — the band writes, “It’s about having someone by your side that can take all the confusion of self doubt away by just holding your hand.” Along with track two, “Overthinking,” this is an automatic add to any roadtrip playlist, from Chattanooga to St. Elmo to North Shore. “Lights” is next, a track that gives me hints of nostalgia for the nights I never lived, the memories I haven’t yet created, within in the coming-of-age film I never will star in. Midway, the album is struck by what seems like the tail end of an alien invasion dream, the piano keys of “Sunday Evening” waking you up from your feverish illusion. Continuing on, a track that hit a little too close to home is “Walking Away.” King asks, “Did a dream just die?” A question we might never get the answer if we quit pursuing. But, as a response, “Coming Back,” the moody guitars and instrumentals echo the lyrics, the two deep in conversation. Taking a different approach, “Restless” shows a much more emotionally vulnerable and softer side of the band featuring higher pitched vocals, an entrancing guitar progression, and soft drumming. “I am restless inside of myself. I’m always trying to be something else.” “Perfect Timing” brings it home with bursts of energy we almost forgot existed, closing the album out with a lulling trickle of shoegazy guitar and whispers of harmonies.

Where We Meet is available for listen on all streaming platforms, and Georgia fans, keep an eye out for CLOUDLAND’s show dates in Atlanta and Athens.

Recommended for fans of Moon Taxi, Bad Suns, and Hippo Campus.

Tracklist:

  1. Sunday Morning
  2. Overthinking
  3. Where We Meet
  4. St. Elmo
  5. Lights
  6. Sunday Evening
  7. Walking Away
  8. Coming Back
  9. Restless
  10. Perfect Timing

REVIEW: DoFlame’s “Bat House”

Posted on May 7, 2021May 6, 2021 by Caro Malphrus

18-year-old DoFlame made his debut just a few weeks ago with single “Bat House.” If I could describe this track in a just one sentence, I’d say, “90s nu trash is back, baby.” But, we have the privilege of free speech, so let’s continue.

I can’t say I expected a 2003 baby to make his debut with such a clash with clangs of 90s alt nostalgia, electronic switches on high and etchings of modern rap weaved throughout. “Bat House” perfectly encompasses teenage rage in a way that is so digestible; loud, angry, demanding of your attention, and they want it now. With an equally chaotic music video, this single is out to break some necks.

Upon some primary research, DoFlame, or Mateo Naranjo, and peers are working on collective OFFLEASH Worldwide, site featuring the “Bat House” video with flaming handheld camcorders surrounding the now old-school video player. Still so new, this group’s progression is something to keep an eye on.

DoFlame’s “Bat House” is available to listen on Youtube and Spotify.

2021.5 Staff Picks Playlist

Posted on April 30, 2021October 7, 2021 by Caro Malphrus

Hey there Vinyl Mag subscribers, long time no talk. To reign in the 2021 VM revival, consider this the first half of 2021’s staff top picks. 2020 and 2021 have definitely been a whirlwind, might I call them… “unprecedented times” (okay, I’m sorry… I won’t say it again). However, that can’t stop the jams from jamming, speakers from blaring. We hope you enjoy our staff playlist!

Acemoma – “A Future”

Bobby Kid – “Blue”

THE BLOSSOM – “CLOVES”

Courting – “Grand National”

Dayglow – “Close to You”

Elori Saxl – “Memory of Blue”

Japanese Breakfast – “Be Sweet”

Matt Ox – “Infinity”

Shungudzo – “There’s only so much a soul can take”

Sorry – “Cigarette Packet”

Sorry – “Don’t Be Scared”

Taylor Swift – Fearless (Taylor’s Version)

(Editor’s Note: Yes, the whole thing. I’m not sorry.)

REVIEW: Bobby Kid – “Blue/Dissonance”

Posted on April 30, 2021May 1, 2021 by Caro Malphrus
(Starting from the left: Phillip Hess on bass, drummer Brian Lester, singer/songwriter Anna Lester, Taylor Neal, producer and on lead guitar. Photo by Tenny Rudolph.)

Who am I, and who are you? Growth. Fear. Changes. The nostalgia of it all. Who are we if I am no longer who I used to be? We desperately cling on to our past in hopes of using it as a band-aid, a short term justification, to heal what we face now. And most of the time, that just isn’t enough.

Hailing out of sleepy Jacksonville, Florida, Bobby Kid has finally come back to wake up out of our 2020 depression slumber. Bobby Kid officially grouped in 2017, and in 2018, they dropped their debut album, Peach, perfectly encapsulating our feelings of childhood, the longing to reconnect with your roots after you’ve gone too far, and first heartbreak. “Blue/Dissonance,” a two-track EP, was released in late March 2021, now available on streaming platforms and for purchase on Bandcamp.

I don’t want to be funny.

I don’t want to be pretty.

I don’t want to be cool.

I just want to be you.

With a whisper, “Blue” subtly demands your attention. “Eat my words, see how they taste,” singer-songwriter Anna Lester pleads through her lyrics. She questions the perception of ourselves made by others, the impact that their supposed-innocuous presence has on our self worth. We can ask ourselves a thousand times on how to become the person that everyone expects us to be, and to stay, and never know the answer. And that’s okay. With a crash, the whisper breaks into a harmonious strew of instruments. I’m a lot… I’m a lot. To close, Lester backs away from her contemplating lyrics, accompanied with evocative instrumentals, to let out distressed wails, bringing the song to a close. The final calm after the storm.

But my insides are turning out towards the sun,

And I feel like I must be the only one.

And I’m crying, lord, I’m crying.

The next song on the long awaited EP is titled, “Dissonance.” Dissonance is defined as the clash of two unharmonious elements, often coupled with your mental state as “cognitive dissonance,” where your actions and your thoughts fail to align. This track immortalizes the feeling of floating through daily life yet failing to recognize the improvements we make in our lives. Recognizing we are worthy is the biggest accomplishment, and we consistently strive hard to achieve it. There’s a lot to love about this track: the soft harmonious vocals, the twinkly, sway-worthy drum work, and the rhythmic guitars. This is definitely one of those tracks where it makes you float around the solo cup-ridden kitchen one moment but have you crying in the house show’s bathroom the next.

Fans of Julien Baker, Phoebe Bridgers and Lunar Vacation can find comfort in Bobby Kid’s words and melodies as we navigate the confusing phenomena understanding who we truly are, imposter syndrome aside. Breaking your heart and mending it all at once is something Bobby Kid has always done right, and we are excited to see what comes of this quick impression of tasty tunes.

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