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The Babies share video for “Mess Me Around”

Posted on April 18, 2013October 9, 2013 by Vinyl Mag

The Babies share their newest video for “Mess Me Around”:

They also announced a summer 2013 tour:

Apr 19 – Somerville, MA – Starlab
Apr 20 – Middletown, CT – Wesleyan University
Apr 21 – Winooski, VT – Monkey House
Apr 22 – Montreal, QC – Il Motore
Apr 23 – Toronto, ON – Silver Dollar
Apr 24 – Chicago, IL – Schubas
Apr 25 – Columbus, OH – Rumba Cafe
Apr 26 – Baltimore, MD – Golden West
Apr 27 – Brooklyn, NY – Glasslands
May 03 – Albany, NY – Valentines
May 04 – Bennington, VT – Bennington College Sunfest
May 25 – PRIMAVERA SOUND FESTIVAL
May 26 – Grenoble – Le Ciel
May 27 – Strasbourg – Le Troc Cafe
May 28 – Paris – Le Point FMR
May 29 – Nantes – Stereolux
May 30 – Limoges – La Fourmi
May 31 – Switzerland Lausanne – Le Romandie Club
June 1 – Italy Modena – Mattatoio, carpi (modena)
June 2 – Switzerland Luzern – Radio 3Fach Voliere Bar
June 3 – Germany Munich – Kafe Kult
June 4 – Austria Vienna – Arena
June 5 – Czech Republic Prague – K4
June 6 – Germany Dresden – Ostpol
June 7 – Germany Berlin – Monarch
June 8 – Sweden Malmo – Debaser
June 9 – Stockholm – Debaser
June 10 – Gothenburg – Roda Sten
June 12 – Denmark Copenhagen – Huset-KBH
June 13 – Germany Hamburg – Astra Stube
June 14 – Germany King Georg
June 15 – Holland Utectht – Ekko
June 16 – Holland Amsterdam – Paradiso
June 17 – Belgium Kortrijk De Kreun
June 18 – Holland Groningen – Vera
June 19 – Bristol – Start the Bus
June 20 – London – Lexington
June 21 – York – The Duchess
June 22 – Brighton – Greenstore

SHOW REVIEW: Crystal Castles at the Tabernacle

Posted on April 18, 2013October 9, 2013 by Kate Foster

A threesome of musicians swarmed the Tabernacle stage, awash in black, taking their places before a massive, eerie depiction of a cloaked figure embracing a naked human form. The waifish, platinum blonde front woman, Alice Glass, took a drag from her cigarette as the heavy beats reverberated around the room.

Crystal Castles provided an incredibly contradictory show in the best way on April 17. Though Glass and crew entered the stage to a near riot – the audience had waited over an hour for Crystal Castles to come on – the stall proved to be entirely worth it. Opening with “Plague”, the first track off their new album, (III), it was quickly clear that this set would be all about digital, electric glamour with a wash of old-school punk ideals.

Soon enough, the trio – consisting of founding members Glass and producer Ethan Kath, and touring drummer Christopher Chartrand – dove into tunes from their previous album, including “Baptism” and “Suffocation”. This is when things became truly rock ‘n roll. Between Kath’s impressive electronic instrumentals and Chartrand’s mind-blowing drum solos, Glass struggled to pull away from a security guard and crowd surf several times, and even began taking massive swigs of whiskey and spitting it over audience members.

We were most thrilled when we heard the first few beats of some of our old Crystal Castles favorites: “Crimewave”, “Alice Practice”, and a portion of “Vanished”, to name a few. By this point, Glass knew she held the crowd in the palm of her hand. She stood before thousands of energized fans, slugging from that same bottle of whiskey and twirling the microphone in her hand, as if teasing us to beg for more.

And “more” is what we got: among the trio’s encore songs was “Not in Love”, their undeniably catchy cover featuring Robert Smith. While we danced nonstop for the last minutes of the show, we couldn’t help but think how in love we were with Crystal Castles’ live performance.

Youth Lagoon premieres music video for “Mute”

Posted on April 16, 2013October 9, 2013 by Vinyl Mag

Youth Lagoon released the new music video for “Mute” from Wondrous Bughouse.

Tour Dates:

04/16 San Diego, CA – The Irenic %
04/17 Los Angeles, CA – El Rey %
04/18 Santa Barbara, CA – Soho Restaurant & Music Club
04/19 Indio, CA – Coachella – 2pm – Mojave Tent
04/21 Phoenix, AZ – Crescent Ballroom +
04/22 Tucson, AZ – Club Congress +
04/24 Austin, TX – Mohawk ^
04/25 Dallas, TX – The Loft ^
04/26 Houston, TX – Fitzgerald’s ^
04/27 New Orleans, LA – One Eyed Jacks ^
04/28 Birmingham, AL – The Bottletree ^
04/30 Orlando, FL – The Social ^
05/01 Atlanta, GA – Terminal West ^
05/02 Nashville, TN – Mercy Lounge ^
05/03 Asheville, NC – The Grey Eagle #^
05/04 Carrboro, NC – Cat’s Cradle ^
05/06 Hoboken, NJ – Maxwell’s ^
05/07 Northampton, MA – Pearl St. ^
05/08 Hamden, CT – Spaceland Ballroom ^
05/10 Philadelphia, PA – Union Transfer ^
05/11 Columbia, MD – Sweet Life Festival
05/13 Toronto, ON – Great Hall ^
05/14 Columbus, OH – A&R Bar ^
05/15 Chicago, IL – Metro ^
05/16 Madison, WI – Majestic Theater ^
05/17 Minneapolis, MN – Fine Line ^
05/18 Seattle, WA – Seattle University ^
05/21 Eugene, OR – WOW Hall
05/22 Portland, OR – Wonder Ballroom
05/23 Vancouver, BC – Venue
05/24 George, WA Sasquatch! Fest
05/26 Boston, MA – Boston Calling Festival
06/05 Brooklyn, NY – Barclays Center *
* = w/ The National
# = w/ Jackson Scott
% = w/ Lady Lazarus
+ = w/ Best Dog Award
^ = w/ Majical Cloudz

SHOW REVIEW: 2013 NCAA Big Dance Concert Series

Posted on April 14, 2013October 9, 2013 by Jacklyn Citero

The NCAA came to Atlanta last weekend and in addition to basketball fanatics a like, the  sporting event brought with it The Big Dance concert series. High profile and sought after artists such as Muse, Dave Matthews Band, and Sting headlined the Saturday and Sunday shows in Centennial Olympic Park.

Saturday’s Coke Zero Countdown show kicked off that afternoon with the Athens’ favorite Yacht Rock Revue. Following our favorite ‘70s tribute band, was Macklemore & Ryan Lewis. In addition to making thrift stores popular as ever, Macklemore & Ryan Lewis proved their worthiness in the music spotlight not just by singing about poppin’ tags. The duo started us off with their song “Ten Thousand Hours” later followed by Macklemore (aka Ben Haggerty) draped in his now famous fur coat enthralling the audience with their chart topping hit “Thrift Shop.” That afternoon the crowd was also treated to the fan favorite “Same Love” and the recent hit single “Can’t Hold Us.”

In his hometown glory, Ludacris took the stage after Macklemore and Ryan Lewis. His charisma was the highlight of his performance (as if you have seen Ludacris perform before, you’ve seen it all) before. If his set at the Coke Zero Countdown happened your first time seeing Luda in action, it was a memorable performance as he broke out all the old favorites such as “Welcome to Atlanta,” “Act A Fool,” “Money Maker,” and “Roll Out”. Flo-Rida’s set followed.

The most anticipated act of the evening was of course the infamous MUSE. No surprise that they were headliners due to the NCAA using their chart topping hit “Madness” as the theme for this year’s March Madness. Although they gave us this single early on in their set, they were able to jam pack what seemed to be any song everyone hoped to hear from them into their hour long performance. Their stage presence was electric, captivating, and powerful. So powerful in fact that during “Follow Me” they blew the power (or perhaps just the mix board generator lost power). Following the 20 minutes of silence they continued on and Saturday in Centennial Park ended on a high and ever memorable note.

Sunday was the last day of the music festival and an early arrival to the park proved to be crucial in order to see the headliner of the Capital One Jamfest Dave Matthews Band. Before the park hit its limit of the 30,000 capacity and a small riot outside the park ensued later that day, Blind Pilot started the concert early that day followed by the ever loved Grace Potter & The Nocturnals. In her staple sparkling ensemble and spunky stage attitude she enchanted the audience with her ballads of “Stars” and my personal all time favorite “Apologies,” and then amped up the energy with the sounds of her single “Paris” and “Medicine.”

Sting took the stage next mixing in some Police favorites along with some of his top hits. He opened his set with “If I Ever Lose My Faith in You” and then into “Demolition Man.” A Few songs later the audience was singing a long with “Fields of Gold,” “Message in a Bottle,” and “De Do Do Do, De Da Da Da.” He closed out his set with “Roxanne” and soon encored with favorites of “Desert Rose” and “Every Breath You Take.”

Dave Matthews Band closed out the music festival and they did so with an energy that reminded me of their Central Park show in 2003. The Jamfest show from last weekend was reminiscent of this throwback due to both shows having the same opener “Don’t Drink the Water,” or perhaps DMB is just as good as they ever were. Their set was an all night jam fest that included crowd favorites of “Crush,” “Jimi Thing,” “Mercy,” and the ever loved “#41”. DMB brought the pure heat with their encore of “Two Step.” Whether you were in the front row or standing outside on the sidewalk after being shut out, anyone in the area of Centennial Park that night heard something special, and I couldn’t think of any better way to end this music, and basketball, filled weekend.

King Tuff pushes back album release and announces world tour

Posted on April 10, 2013October 9, 2013 by Vinyl Mag

King Tuff announced the unfortunate push back of his new album, Was Dead, to May 28,2013. However, he did release a track from the album, “Dancing On You”, that can be streamed below!

KING TUFF TOUR DATES
Fri. April 12 – Palm Springs, CA @ Ace Hotel
Wed. April 17 – Pomona, CA @ The Glasshouse w/ Dinosaur Jr.
Wed. April 24 – Sydney, AU @ Godgod Small Club
Thu. April 25 – Melbourne, AU @ Bermuda Float
Fri. April 26 – Brisbane, AU @ Primitive Room
Sat. April 27 – Adelaide, AU @ Tuxedo Cat
Mon. April 29 – Auckland, NZ @ King’s Arms
Tue. April 30 – Wellington, NZ @ Bar Bodega
Fri. May 10 – Cardiff, Wales, UK @ Clwb Ifor Bach
Sat. May 11 – South Yorkshire, UK @ Bowery Sheffield
Sun. May 12 – Glasgow, UK @ Broadcast
Mon. May 13 – Leeds, UK @ Brudenell Social
Tue. May 14 – Birmingham, UK @ Hare & Hound
Wed. May 15 – London, UK @ Birthdays
Fri. May 17 – Athens, GR @ Plissken Festival
Sat. May 18 – Utrecht, NL @ Le Guess Who Festival
Mon. May 20 – Berlin, DE @ FESTAAL
Tue. May 21 – Offenbach, DE @ Hafen 2
Wed. May 22 – Lyon, FR @ Sonic
Thu. May 23 – Nîmes, FR @ Paloma
Fri. May 24 – Barcelona, ES @ Primavera Sound Festival
Sun. May 26 – Toulouse, FR @ Le Saint Des Seins
Tue. May 28 – Zurich, CH @ Mascotte
Wed. May 29 – Luzern, CH @ Sedel
Thu. May 29 – Ravenna, IT @ Hana-Bi
Fri. May 31 – Rome, IT @ Muzak
Fri. Aug. 2 – Happy Valley, OR @ Pickathon Festival
Sat. Aug. 3 – Happy Valley, OR @ Pickathon Festival
Sun. Aug. 4 – Happy Valley, OR @ Pickathon Festival

REVIEW: Deadstring Brothers’ Cannery Row

Posted on April 10, 2013October 9, 2013 by Kate Foster

Close your eyes and envision this: members from Ryan Adams’ The Cardinals, Willie Nelson’s band, Whitey Morgan and the 78s, and Poco get together to make an album. You’re probably drooling by now, right? Now, open your eyes, grab your keys, and go out and buy Deadstring Brothers’ newest album, Cannery Row. You’re welcome.

From the very first track, “Like A California Wildfire”, frontman Kurt Marschke’s voice paired with some very alt-country instrumentals draw undeniable comparisons to the Rolling Stones circa Exile On Main Street. Yeah, heavy compliment, but this is one group that’s earned it – by the time you get to the album’s title track, you’re hooked. “Cannery Row” is a slow, mournful tune that reveals Ryan Adams backbone whilst keeping a very “Wild Horses”, Rolling Stones sound. The female vocals really make this track pop, though – they’re a much-needed calm before the fun, danceable, country storm that is “Lucille’s Honky Tonk”. Trust us, you’ll suddenly feel like you’re in a saloon in the old west as you move and step to “I can hear her when she sings, and the beauty that it brings. Yeah, we’re swinging down at Lucille’s Honky Tonk.”

As you approach the end of Cannery Row, you’ll be struck by how White Stripes-esque “Talkin’ To A Man In Montana” sounds instrumentally.  It’s the perfect hit of country rock as the female vocals return once again to add dimension to the song. The record ends with “Song For Bobbie Jo”, a measured yet complex ballad in which Marschke croons, “I’m comin’ home for good, I’m comin’ down like no one ever should,” before escalating to nearly yelling, “You know, there’s times when I might need a friend.”

Cannery Row shares its title with a 1945 John Steinbeck novel set in California. Why is this even relevant? Well, yes, the album and the novel are both reminiscent of a very country-influenced era and region. More notable, though, is that, like Steinbeck’s novel, this Deadstring Brothers masterpiece will be put down in the books as irrefutably timeless.

Woods announces Spring/Summer tour and cover The Kinks

Posted on April 10, 2013October 9, 2013 by Vinyl Mag

Woods release their cover of The Kinks “God’s Children” that can be streamed below:

They also announced new spring/summer tour with dates to follow:

Thu-May-9     Les Nuits de Botanique – Brussels (B)
Fri-May-10    Vera – Groningen (NL)
Sat-May-11    Pop Revo – Aarhus (DK)
Sun-May-12    Pustervik – Gothenburg (S)
Mon-May-13    Debaser – Stockholm (S)
Tues-May-14   Debaser – Malmö (S)
Weds-May-15   Stengade – Copenhagen (DK)
Thu-May-16    Comet Club – Berlin (D)
Sat-May-18    The Great Escape @ Pavilion Theatre(Uncut Stage)- Brighton (UK)
Sun-May-19    The Lexington – London (UK)
Mon-May-20    Indiestad @ Paradiso – Amsterdam (NL)
Tues-May-21   Le Point Ephemere – Paris (F)
Weds-May-22   Le Saint des Seins – Toulouse (F)
Thu-May-23    Primavera Sound – Barcelona (ES)
Sat-Jul-13    Boston, MA            TT The Bears *
Sun-Jul-14    Portland, ME            Space 538 *
Mon-Jul-15    Burlington, VT        Signal Kitchen *
Tue-Jul-16    Montreal, QC        Il Motore *
Wed-Jul-17    Toronto, ON            Horseshoe Tavern *
Thu-Jul-18    Cleveland, OH        Beachland Tavern
Fri-Jul-19    Chicago, IL            Pitchfork Music Festival
Mon-Jul-22    Louisville, KY        Zanzabar *
Tue-Jul-23    Charlottesville, VA    Twisted Branch Tea Bazaar *
Wed-Jul-24    Philadelphia, PA        Morgan’s Pier *
Thu-Jul-25    Baltimore, MD        Ottobar *
Sat-Jul-27    New York, NY        Bowery Ballroom #
Fri-Aug-16    La Route Du Rock Festival – St. Malo (F)
Sun-Aug-18    Greenman Festival – Powys (UK)* = w/ Parquet Courts
# = w/ Alex Bleeker and The Freaks

Review: Luke Winslow-King’s ‘The Coming Tide’

Posted on April 9, 2013April 16, 2014 by Kate Foster

Thank God for Luke Winslow-King. In a musical era in which simple beats and perverse lyrics reign supreme, and enjoying quality music puts you in the minority, Winslow-King brings back a feeling long forgotten: the way your hips can’t help but sway in an almost instinctive way when early 20th century jazz blares from your speakers.

This pretty-boy moved to New Orleans by chance in 2001, a fact that is quite tangible when you listen to his newest release, The Coming Tide. Jazz, Delta blues, Southern gospel, and folk collide in this 11-track masterpiece, which combines both earth-shaking LWK originals and creatively reworked covers.

The first track on the album, “The Coming Tide”, ardently displays Winslow-King’s talent in working with an undeniably gospel slide guitar. In addition, fellow singer Esther Rose’s harmonies add the final, perfecting touch to the track and the rest of the album – it’s as if you don’t even realize the music is missing something until her Lucinda Williams-esque voice leaks into the mix. “Let ‘em Talk” is another of our favorites. The sweet, melodious trumpets are the ideal contrast to LWK’s defiant words: “Let ‘em talk, I don’t mind. Don’t make a difference to me.”

You can almost taste Winslow-King’s and Rose’s affection for New Orleans in the Ida Cox cover, “I’ve Got the Blues for Rampart Street” – it’s an homage to their beloved town in both lyrics and musical style, from start to finish. Just a few tracks later, we hear the duo’s soft, breezy take on love with “I Know She’ll Do Right By Me”. Listeners are immediately transported to a more classically romantic era as Winslow-King croons about his favorite girl, who is “so fair, treats me right, she gets home by the end of the night.”

The Coming Tide concludes valiantly with a cover of the 1960s track made famous by George Harrison, “I’ve Got My Mind Set On You”. It’s classic yet entirely reworked and inspired, much like Luke Winslow-King as a musical force.

EXCLUSIVE: Fletcher premieres new album ‘Open Arms’

Posted on April 8, 2013October 8, 2013 by Vinyl Mag

Check out the exclusive premiere of three-piece new age alt-rock band Fletcher‘s second EP, Open Arms, out tomorrow!  And you’re welcome.

BAMBARA shares second single off DREAMVIOLENCE LP

Posted on April 1, 2013October 8, 2013 by Vinyl Mag

BAMBARA released “Nail Polish,” the second single from their first full-length album DREAMVIOLENCE, and can be streamed on Noisey.

A digital copy DREAMVIOLENCE will be available April 30 and will be released on white vinyl in June.

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