Tag: Silversun Pickups
Warning: Attempt to read property "post_id" on null in /dom375187/wp-content/plugins/enhanced-category-pages/classes/ecp/Enhanced_Category.php on line 143
Warning: Undefined array key 0 in /dom375187/wp-content/plugins/enhanced-category-pages/classes/ecp/Enhanced_Category.php on line 232
Silversun Pickups x Vinyl Mag
For more than three years, Silversun Pickups fans waited patiently for new music. Since the release of Better Nature, Brian Aubert, Nikki Monninger, Christopher Guanlao and Joe Lester, have been busy promoting the album, touring, and running their own label.
Following their Hangout 2016 performance, we sat down with drummer Christopher Guanlao to chat about the latest album and the future of the band.
Vinyl Mag: How are you doing post-Hangout?
Christopher Guanlao: I’m recovering a little bit, we played on Friday and I ended up staying the rest of the weekend with my girlfriend and my sister and my niece, we made it a little mini-vacation. So I’m kind of recovering from that. It’s a great festival.
VM: Have you been before?
CG: No, this was my first time. And I didn’t really know anything about it until late last year when we got booked onto it. I kind of heard something about it but once we got booked to do the festival I did a little research, and I was like wow, it’s on the beach. It’s pretty insane.
VM: Were you able to catch anyone else’s set while you were there, did you have any favorites?
CG: Yeah, I saw a lot of my friends bands that have been touring this year, it was a little bit of a reunion because a couple months ago we did this co-headlining tour with Cage the Elephant, Foals and Bear Hands, and they were all there so it was really nice to see them all. All three of them were on Saturday. We just came back from a tour with Foals. I saw Courtney Barnett again, I saw her at Coachella and was just blown away. And she’s got a great band, I love her band. I saw Leon Bridges, I was really amazed by Leon Bridges and he’s really amazing. I didn’t really know anything about it but I checked out his set and he was great.
VM: Now you said you just came off a couple weeks on tour and I know you’ve got some tour dates coming up, with Joywave and with Bear Hands and then some festival dates, are there any shows or festivals in particular you’re looking forward to playing?
CG: Yeah, definitely. I always love Lollapalooza, so we’re really excited about that and we also love Osheaga in Montreal. Speaking of great festivals, that’s a really great one. And we’ve only played it once, so this is our second time and we’re really excited about that. And we love Joywave, we’ve been with them for the last three weeks and they’ve been amazing. And Bear Hands, we go way back so we’re keeping it in the family apparently.
VM: Well you guys have a busy summer coming up, and I wanted to get into the latest album and some of the songs. I read that this album was more of capturing the band at that specific point in time, it was more of a current album, not so nostalgic. So are there any themes on the album in particular that pop out to you that were pretty much paralleling what was going on in real life with the band?
CG: Well specifically, I definitely agree with what you just said. As nostalgic as Neck of the Woods was, this is very current for us. I think we just have a lot of life things happening. Like Ryan was having a kid, having a boy, and Nikki was having twins, and it’s kind of a weird circle of life thing. Specifically for “Circadian Rhythm,” which Nikki wrote about a friend of ours that passed away. And so I think it meant a lot to us that we were able to get that song on the record and it became a single, that felt really good. And not to get too corny, but it was like all of that stuff was happening while we were recording. So that’s a really sad thing but there were also good things that were going on as well. And it kind of paralleled to our band, the progression of our band. From the beginning to where we are now, we’ve had a lot of ups and downs, we’ve walked through a lot of things. When people bring up the fact that we’ve been together for 15-16 years, it’s just mind boggling because it doesn’t feel like that. But it has been a good chunk of time. When we started the band we were best friends, and then we became a little bit like business partners and kind of lost the friendship a little bit. And then we went through all of that and we came out of it and were actually closer, and we’re more like family now than just friends. So I think it ended up coming out, subconsciously in the album. And like I said with Ryan and Nikki having families, we had a lot of those things come together in the past couple of years and I think that kind of solidified us as families more than just a band. And I think a lot of that speaks to writing to Better Nature.
VM: Listening to the album and reading the lyrics, I just think all of the songs have beautiful imagery, and one song that sticks out to me is “Pins and Needles,” and I could be totally off and totally misinterpreting this wrong, but for me I think that song is very about beginning again, and moving on after the end of something. But what was the inspiration behind that song?
CG: Well pretty much that. It’s about letting go of things and starting fresh, starting new. I don’t necessarily know the exact picking, because Ryan wrote that song. But it’s definitely that. I think Neck of the Woods was so, holding on to the past, that I think we wanted to get away from that a bit.
VM: And as a whole, what does the album mean to you?
CG: Really that, I really do kind of feel like we’re in a new chapter of our career as a band. I think that we’ve gone over to the next level, not necessarily of fame, but of personal being. And I think that’s part of the title Better Nature, let’s focus on our “better nature” and take what we’ve learned, and try to have our better nature shine out. More than the negatives or the bad things about us and try to better ourselves. And I think that’s something we became more aware of now, and because we were able to figure out and go through the difficult times that a lot of bands go through and often can’t get past it, or end up breaking up. Not being creative anymore, and we’re really fortunate that, I feel we’ve gone past that. And this record kind of feels like that. It’s not like each album that we have is a chapter, but I definitely think this record would be a different chapter if we had a big book, autobiography. Better Nature would definitely be a different chapter.
VM: This album was a debut release on the new label, New Machine Recordings, how has that entire process been for you guys, doing everything solo from your former label?
CG: It’s great. The freedom that we have to decide how we want to promote things, where we want to spend our money, all of that’s really cool. It is a little bit more stressful because now we have discussions with our record label about tour budgets and less accessible options, because we’re on the record label we don’t get tour support anymore. We were talking this week about an upcoming European tour that we might potentially do and we were talking more about management and we were kind of stressing out about it a little bit. And finally our manager sat me down and was like look, remember when you were on a record label and you didn’t really care about the numbers because you figured you would recoup it all anyway? What’s the difference between now and then? And I was like you’re right. At the end of the day the whole idea is that we will recoup It somewhere else. So it’s stuff like that. Things I didn’t necessarily think of before and now all of a sudden I kind of obsess about but at the end of the day it’s okay. And we’re lucky that we can play shows and that people come. And we can make some money that way.
VM: What does the future look like right now for New Machine?
CG: Well right now we’re touring for Better Nature, and we’re pretty much booked the rest of the year. And we’re having a great time, we’re all kind of re-energized and are really appreciating the shows that we’ve been playing. And the crowd. But after that we’re going to go back and try to do another record. We’ve got some projects that are coming up in the next couple months, but I’m not sure I can talk about it yet. But it’s good stuff, we’re venturing into new territory and we’re excited about that.
Rundown Recap: Shaky Knees 2016

It has long been known that spring officially begins in the South the weekend of The Masters tournament in Augusta. The ‘tradition unlike any other’ offers new beginnings with each dirt cheap pimento cheese sandwich and $3 domestic draught. However there’s a growing argument that spring doesn’t quite get rolling until Shaky Knees takes over whichever plot of Atlanta real estate its founders find suitable.
In four short years, this festival has risen to the top of the region’s music scene by offering up 3+ days of consistently solid lineups. Like most festivals, Shaky Knees offers full weekend passes, single day tickets and VIP treatment, but the biggest coup here is the late night sets at local clubs throughout the city. After each headliner finishes pouring it on at the Peachtree Stage, music spills over into some of Atlanta’s most happening spots including Terminal West, The Masquerade, Variety Playhouse, Center Stage, and The Earl. The late night sets allow further examination of a day’s new find or simply a chance for non festival-goers to see a huge act in an intimate setting. It’s the perfect ending to a sunny spring day.
Though in it’s fourth year, the festival has yet to find a permanent home and I can’t figure out why the festival keeps jumping around…Are the coordinators trying out every venue until they find one that sticks, or do they just keep getting kicked out for noise complaints? I know the Old Fourth Ward Park and Atlantic Station were too small, but I thought Central Park was a great host last year. The sports fields and parking lots provided plenty of room to spread out and shade trees were plentiful. This year’s installment was housed in Centennial Olympic Park and and on the lawn in front of the Georgia Dome. Atlanta’s Olympic memorial handled the large crowds well but didn’t provide much in the way of sun relief. Drinks were easy to get, restroom facilities were clean, and food options were great. I especially admired the incorporation of local restaurants into the various food courts. Food trucks were again front and center but one could also snag a BBQ sandwich from Fox Bros or a burger from the Grindhouse tent. Nice touch. I do wish festivals would take a page out of Augusta National’s book and stop charging $7 for a Dos Equis…but I digress.
Overall it was a well coordinated endeavor, aside from the pedestrian bridge over Marietta Street connecting the Peachtree, Ponce de Leon, and Buford Highway Stages to Boulevard and Piedmont in front of the Dome. At peak times the bridge became a log jam and forced 10-15 minute wait times to get to the other side of the park. Next time just pay whatever the city wants to shut down two blocks of traffic…
Now here’s a rundown of our favorite (and not so favorite) acts from this year’s fest:
The Front Bottoms
The hot afternoon sun didn’t stop the crowd from enthusiastically singing along to the catchy tunes of “Au Revoir (Adios)” and “The Beers.” With their earnest lyrics and witty banter in between each song, catching The Front Bottoms was like catching up with old friends over a few cold beers. – Camren Skelton
Craig Finn
Finn’s laid-back, confident style and thoughtful lyrics made for a performance that was more introspective than other acts of the weekend. Although taking in Finn as a solo act is different than hearing him with The Hold Steady, the performance is still just as captivating and intense. – Camren Skelton
Beach Slang
Although they were playing an early set, I was impressed at the large, engaged crowd these punky newcomers attracted. After taking requests from the crowd and making jokes throughout, Beach Slang put on an entertaining show that kept the crowd singing along until the very end. – Camren Skelton
Wolf Alice
Heading over to the main stages, I was able to catch British alt rockers Wolf Alice, and they did not disappoint. As people made their way into the gates, they trickled into the area around the stage, just as enthralled in the band’s folk/grunge/electronic elements as I was. Despite the hot Atlanta sun, the band brought a big crowd and put on a performance that was a favorite of the weekend. – Camren Skelton
Barns Courtney
The acoustic set Courtney delivered made for a performance that was unlike any other I saw throughout the weekend. Although he was standing on stage alone with his guitar, he filled the stage with a big sound and proved that he earned his spot on our Artists to Watch list. – Camren Skelton
Hop Along
This freak-folk/grunge-pop outfit from Philadelphia absolutely blew me away. Emotive vocals, angsty lyrics, and intricate guitar licks fuel their heavy pop sound. I love how lead singer Frances Quinlan’s voice perambulates the spectrum of screech-scream to delicate whisper through each song.
Catchy, painful, even epic at times. The soundtrack to your next breakup. – Chris Hunkele
Day Wave
If Weezer, Washed Out, and Real Estate were puréed in a blender, you’d end up with the smooth synth sounds of Day Wave.
Soundtrack to your next road trip. – Chris Hunkele
Baskery
Sirens, man…These Swedish sisters were everything of which Circe warned Odysseus. The self-proclaimed “banjo punks” commanded the stage with infectious, foot-stomping energy. It was impossible to look away as they flawlessly harmonized their way through the mid-afternoon Atlanta heat.
Your girlfriend’s favorite band, your new guilty pleasure. – Chris Hunkele
Silversun Pickups
Holy Crap! – who thought shoegaze could be so intense? The plan was to watch through “Lazy Eye” and head over to see Huey Lewis & the News, but an hour later I found myself trying to shake Brian and Nikki’s fuzzy guitar tones from my ears. I never expected a performance that good. – Chris Hunkele
The Decemberists
The unexpected dig of Silversun’s set made me late for The Decemberists, which honestly wasn’t a bad thing – ’twas damn near impossible to slide into melancholy after such an energetic performance. It was kind of a bummer as I was really looking forward to seeing the Portlanders for the first time, but my gut tells me they’re the kind of band that requires four walls to really lock you in. – Chris Hunkele
My Morning Jacket
I made my way over to the big stage (aka Peachtree) looking to get sucked into an epic Jim James performance, but all I saw were a lot of theatrics. I was hoping to hear something to make me fall in love with MMJ again, but the half a dozen or so songs I stuck around for only served as affirmation that my ears will never hear anything the way they first heard 2005’s Z. – Chris Hunkele
Murder By Death
The second night of Shaky wrapped up with a late night Murder By Death set that absolutely rocked. As tired as I was, it’s never hard to get in the mood to belt out “Lost River” or “I Came Around”. I Scooped up these tickets the day it was announced and am really glad I was able to power through to the 1am start time. – Chris Hunkele
Parquet Courts
These guys rip. Saw ’em at the 40 Watt last year and was curious to see how their sound would translate to the great outdoors. I definitely recommend seeing them in a club, but if all you have is a festival chance, get there early and try to move up front. – Chris Hunkele
Nothing
I was so looking forward to this I sat through their sound check. The heaviness of their new record was replicated on stage, but the vocals were…well…just bad honestly. Almost cringeworthy. Though they did do a pretty sick cover of Radiohead’s “Creep”. – Chris Hunkele
Deftones
Completely blown away by Chino and the boys. Any heaviness or on point vocals I was hoping to get from Nothing, I received tenfold from Deftones. If this year’s Shaky Knees was an episode of Supermarket Sweep, their set would’ve been the Farmer John golden wrapped hams. – Chris Hunkele
Silversun Pickups: Better Nature
Silversun Pickups stand true to their signature indie rock sound. In their 5th full-length album, Better Nature, synth pop beats and ambient melodies contrast with rock riffs. Front man, Brian Aubert’s, androgynous vocals harmonize with back up vocalist, Nikki Monninger for a lingering, airy effect. The soft vocals alleviate the subtle guitar distortions. Aubert describes the album as “its own quantum universe. It’s kind of unstable.” Since their start in 2005 with Pikul and Carnavas, Silversun Pickups has been one of those hidden gems of a band. It wasn’t until Swoon in 2009 that Silversun Pickups came to define a part of my own personal history. With classical violin melodies and raw rock riffs, the contrast gave the album an eerie, but catchy tone.
Better Nature leans more towards the rock-pop sound but still utilizes the atmospheric sounds prevalent in previous albums. Better Nature opens with “Cradle (Better Nature),” a rhythmic, synth-laced track with repetitive, riot-like lyrics. “Pins and Needles” follows as one of the more popular tracks. With an ambient opening, the track immediately cuts to a sonorous riff. “Nightlight” follows the same format with the transition from a quiet, slow opening to Silversun Pickup’s signature deep rock rhythm. The album really makes use of echoed background shouting which gives it that pop feel but pulls back from being too electronic with the raw guitar melodies. “The Wild Kind” finishes up the album with a synthesizer opening and an upbeat melody.
Perhaps Aubert has a point calling the album its own unstable entity, but the Silversun Pickup succeed in taking their music slightly into a different direction than usual. They straddle the line between indie-rock and synthetic pop without giving either genre too much credit. In that way, the album and the general sound of Silversun Pickup is original in its own way.
3/5




