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Tag: savannah stopover


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Savannah Stopover 2018 Spotlight: Wild Child

Posted on March 20, 2018March 21, 2018 by Anna Lee
Photo Credit: Sean Daigle
Photo Credit: Sean Daigle

Indie pop band Wild Child has grown a lot since Alexander Beggins and Kelsey Wilson initially formed the group seven years ago. What started as a duo with a ukulele and violin has now turned into a seven-piece mini orchestra. In the wake of their fourth studio album, Expectations, I sat down for a Q&A interview with Beggins and Wilson at Savannah Stopover Music Festival to talk growth, inspiration, and the songwriting process.

VM: How did you two go about meeting everyone else and recruiting the other members of your band?

KW: I mean, we’ve gone through a few different lineups actually in the past couple years, especially with drummers and bass players. It’s kind of always been just whatever friends we have around us that want to play with us. This lineup we have now actually feels like Wild Child. It’s the dream team.

VM: Yeah, I feel like Wild Child has definitely grown a lot.

KW: It has. We’ve added guitar, a trombone, and we used to only have horns for the bigger Texas shows, but now we have a brass section. We didn’t even have a bass player for the first two years. We’ve just been slowly getting bigger and bigger.

VM: So let’s talk about your new album, Expectations. I know you’ve said your previous album, Fools, was kind of your breakup album, so where would you say Expectations falls on that spectrum? Is there a way to define it?

AB: Well, it’s kind of the closest thing to opening up a page in our journals and what’s going on at the time. With this one, there’s a little bit of duality in the title. The expectations of being our fourth record and wanting it to do well, and the kind of precedence we set for ourselves, and expectations of the relationships we’ve been in and out of the past couple of years.

KW:  This one is—as much as we did write a lot just in and out of relationships—this one felt a lot more like just us, you know? Just us singing about who we are, really, and what we’ve learned so far. This is kind of like, we even wrote songs all together as a band in the studio for the first time. We haven’t done that before on any record.

VM: I know you’ve said in the past that the two of you write the skeleton of the song and then let the band add to it. So did you kind of change the songwriting process for this album and use a different method?

KW: Yeah, on this one Alexander came forward with more full songs, and then I came forward with full songs, and then some of the songs we wrote together as a band. It was a lot more collaborative.

AB: It’s kind of like the nature, the beast of this record was just write when we can. Because we were touring a lot at the time it was kind of like we were writing songs during soundchecks and writing songs in the van. It wasn’t like, “okay, today’s going to be a writing day!” There were a couple of writing retreats that we did, but for the most part we kind of would just write whenever it was convenient. And that kind of created a different kind of atmosphere.

KW: And normally we wrote when we needed to. Like, something would be happening, and we’d be like okay, let’s get together, drink some wine, and let’s write a song about it.

AB: And we kind of took our time with this record. We were like whenever it’s done, it’s done.

VM: Did you guys have a definite idea of how you wanted this album to sound, or did you just kind of let it happen how it happened?

KW: We usually just let it happen. With this one, we were working with so many different producers, and we love and respect all of them so much that we kind of left a lot of room for them to steer us. We finished the writing of the songs, but we thought when it comes to the speed, the arrangement and the vibe, we just wanted to see what the producers each had to say…they each kind of picked the songs they wanted to do, so they had ideas. So we just kind of let it ride. Initially, we were just going to release like a song a month for a year and just not do a record, ‘cause records are kind of dying, and it’s really heartbreaking. It’s all about Spotify singles now.

VM: Yeah, and you guys did release a lot of singles leading up to this album.

AB: We kind of “hybrid-ed” the idea in anticipation of this record.

VM: I feel like that’s true what you said about records dying. It’s not like many people go to record stores and buy the physical album when it’s released anymore.

AB: Yeah, it’s like you release an album when it comes out, and everyone’s stoked for like, two weeks. Then it’s over, you know? It’s done and out there in the world. So, we released singles in pairs for like three months before the record dropped. Which I thought was cool, because it kind of created some hype around it.

KW: Yeah, and we did music videos for like half the record.

VM: Do you guys have a favorite music video from Expectations?

KW: The “Think It Over” one we just did was so much fun. Literally it was just absolutely only our friends and family dressed up. We built a club in a giant empty warehouse in one day. It was just a garage, basically.

AB: Yeah, in that one we just got to have fun. Sometimes you make a video for you. We had this idea and we were like, let’s just ride with this as far as we can. The director is our homie and he knew the vibe that we wanted to try and communicate.

VM: [How has] your sound has evolved since your, slower original songs?

AB: I think that we…when we started we were just naive babies trying to make music, and I think we’ve gotten better.

KW: Yeah, we didn’t really know what we were doing. It’s always been good for us though, because we’re not limited to the rules of music. We didn’t know shit about anything, so we were just like, “I guess that sounds good I don’t know!” So we’ve just gotten better over the years about knowing what sounds good.

Wild Child is on tour now in support of Expectations, with shows across the US and in Europe. They played at Savannah Stopover at the historic Trinity United Methodist Church.

 

Savannah Stopover 2018 Spotlight: Cicada Rhythm

Posted on March 9, 2018March 19, 2018 by Anna Lee

cicada

Approaching Savannah Stopover Music Festival, I sat down with local Athens, Georgia band, Cicada Rhythm. The couple’s unique sound captures the essence of modern folk music, and they bring a chemistry with them that is evident both on and off stage. I met Andrea DeMarcus and Dave Kirslis at Normaltown Hall in Athens while they were working on an upcoming music video to talk Georgia roots, being in a band with someone you love, and beekeeping. Check out the interview below.

VM: You are both from Georgia, born and raised. How has the South, and Georgia specifically, influenced your sound?

Dave: I really started getting into music when I was living in North Georgia, and at that time it was a lot of traditional music- just banjo picking. And I always found it interesting, but I never was drawn to playing like that. Later I moved to Atlanta and that’s where I really started kind of getting myself into the music scene there. There was an Atlanta blues scene at Northside Tavern and some guys named Nate Nelson, and I guess The Wood Brothers were in Atlanta. Those guys, we would just pretty much try to go see them whenever we could. That’s what got me into music. Then we came to Athens and kind of fell in love with everybody here.

Andrea: And everybody’s a musician here.

Dave: Yeah!

Andrea: It’s great.

Dave: It’s really cool; Athens is, you know. I always say here it’s more of a mission than a competition. Everyone’s just here to help each other out and push each other forward, it’s just – it’s an inspiring place, definitely.

Andrea: I would say I kind of got into music through my dad. He’s a very avid music lover and we listened to The Beatles growing up and stuff. But, we had a great orchestra, the ASO in Atlanta, so when I started playing bass, I started taking [lessons] from the principle bassist in the ASO, and it was a great orchestra and he was great. It’s just a really like, Atlanta has a really strong group of players and it might not be as conducive and connected as Athens is for like smaller groups and more creative, younger people and stuff, but Atlanta does have a lot of great players. And so that’s kind of how I was introduced to the music scene. And then when I moved here…I really realized that music could be anything that you want it to be, and that helped me to write music, and create, and hookup with this guy. So yeah, I think in Georgia, it’s always been full of music. We’re really lucky to be from here, definitely.

VM: So what’s the songwriting process like for y’all? Do you both contribute to the process?

Andrea: Yeah, well we usually start out with an idea and maybe we’ve completed the song…there’s probably been maybe two or three songs that we’ve truly collaborated 50/50, but the rest of them, you know, it’s kind of your thing. And maybe I’ll need help with the chorus, or an outro, or a bridge or something, and he’ll help me with that and vice versa. But, we’re pretty much sole songwriters.

Dave: We help each other finish them sometimes.

VM: So is that kind of the same way y’all decide who’s going to sing which song? 

Andrea: Yeah basically whoever writes whatever song sings it.

Dave: For the most part yeah.

Andrea: I’ve kind of always wanted to write a song for him to sing.

Dave: Likewise!

Andrea: But it hasn’t happened yet so we’ll see. Maybe one of the oldies of your songs I’ll take over that you don’t want to play anymore.

Dave: Sure!

VM: Cicada Rhythm has a very unique sound, kind of a modern take on folk music, and it’s very distinct. Are there any certain artists that have influenced your music directly?

Andrea: Definitely. Like Dave was saying before, The Wood Brothers are a super big influence. I really love the string work in Nickel Creek and The Beatles. String work in rock music is one of my favorite things and obviously I’m a string player so, but to put that on top of the song already, is, I don’t know, I just love that so much…I’d also have to say Gillian Welch, like she’s the ultimate songwriter for me…the way that she makes you feel is how I would want to make somebody feel.

Dave: Yeah you know for me…so much different stuff…so I just try to be a sponge, you know? And just soak it all in. But my dad was really into jazz…my mom was an Irish immigrant- she was really into Johnny Cash and Ray Charles and Willie Nelson so she was kind of giving me a foundation of really American music. But, really everything, but most particularly the people I mentioned are just the local artists in Atlanta.

VM: So how did y’all initially form and come up with the name Cicada Rhythm?

Andrea: Well, I moved to Athens in 2010, and I kind of was trying to get away from music. Dave and I were friends, but he lived in Atlanta at the time and he called me and said, “Why aren’t you in a band? Athens is full of bands; you need to be in a band. You know you can’t just not play music.” And I tried playing in a couple bands and they just did not fit right. And Dave was like, “Well why don’t you just play with me?” So we started learning each other’s songs and we really felt like it was working well, so we booked a show and we weren’t prepared, but they liked it. I guess before the show we were like, crap we need to have a name before the show! So we kept texting each other words or suggestions. It took us about a week to come up with it. I came up with Cicada Village and he was like “Oh I like that! What about Rhythm Wild?” and I was like, oh that’s pretty cool. So we kind of just compromised and mashed them together. We pretty much were on a deadline, but we wanted to pick something that sounded like southern.

VM: So I know when you both met, Andrea you were at Julliard, and Dave, you were hopping trains?

Dave: I was hopping trains for a while. I was really into it. I was reading about the Great Depression and it was my senior year of high school and my friend and I were broke.

Andrea: Wait I thought you were in college?

Dave: Well I started thinking about it in high school, then I graduated and was a poor college student and couldn’t really go anywhere for vacation. So we thought that would be a nice way to check out America. We would ride around the South. A lot of times we would ride down to Athens, coincidentally, and then ride back to Atlanta. And I hopped off one day when I was riding back from Athens to Atlanta, and I called my friend who she was with at the time, and they came and picked us up. And, it wasn’t love at first sight-

Andrea: He was very dirty!

Dave: Yeah, you get extremely dirty in boxcars cause they’re just, you know…but, that’s how we first met! We stayed friends for a long time, and then eventually it became more.

VM: So Andrea, you were at Julliard at the time?

Andrea: When we met, yeah. I think it must have been my junior year, or my sophomore year maybe. I was always calling their house because my boyfriend at the time wouldn’t answer his phone, and Dave would always pick up. Yeah it was a landline, and Dave would pick up, and we would chat. I would always be like “Where’s David?” and he’d be like, “I don’t know, but we can talk!”

Dave: [laughs] Yeah, then I stole her! A couple of years later, but yeah.

VM: Yeah it sounds like you had these motives for awhile?

Dave: I always admired Andrea…

Andrea: I wasn’t his type!

Dave: I didn’t consider it. And then I guess we were both single and playing music together and for a while I was trying to keep it professional.

Andrea: Yeah e wanted to keep it professional.

Dave: Yeah, but that lasted like two weeks. But here we are! We’re getting married in October!

VM: How long have y’all been engaged?

Dave: We got engaged in May.

VM: So how does that work being in a relationship and then also being in a band together? Is it hard to separate the two?

Dave: We actually separate it pretty well. Like, people will email us and expect us to talk to each other about it, but we don’t, and that’s actually sometimes an issue. If people don’t text both of us we won’t even talk about it. Cause we do so much Cicada on the road and behind the scenes here, so when we’re with each other we just try to be with each other. But, it’s been easy. But there have been battles too,

Andrea: Yeah, I mean it’s definitely…at this point it’s easy, it’s like second nature, but there was a time when we were writing songs and we just weren’t in agreement of how the song should go, or if we should play this song, and we’d have fights about ‘I like this song I think it’s good we should play it!’ and ‘I don’t think it’s good we shouldn’t play it!’ And it would hurt our feelings, cause songs are a part of you, you know, like they’re little parts of you, and if somebody you love rejects them, it hurts. But we’ve, I mean we’ve gotten past that now. If it works, it works. If it doesn’t, we move on.

Dave: Our tastes have kind of molded together in a way, with most things.

Andrea: Yeah.

VM: When you both aren’t playing music, what do you do in your spare time?

Dave: I mean we love nature and we love our dogs. I do a lot of working on the house. We have a little farmhouse just outside of Athens, and I’m always working on it, or trying to improve the yard, things like that.

Andrea: We also try to spend time with our families. We’ve got family in Atlanta, so it makes it easy to go over there.

Dave: I’m hoping to get into beekeeping this year! We’ll see. I’ve got a bunch of beehives…

Andrea: [laughs] He keeps saying that for like three years.
Dave: I know, but each year I get closer and closer!

Andrea: That would be really cool. It would be nice to have the honey! I don’t know about all the bees. Apparently they have facial recognition.

Dave: Yeah, they can recognize your face! I’ve been reading a lot about them and they’re just absolutely incredible.

VM: So, how are y’all gearing up for Savannah Stopover and SXSW? Are y’all getting excited!

Andrea: Yeah!

Dave: We’ve mainly just been working really hard on our two upcoming music videos, so I haven’t really had a chance to think about it. But I am excited cause we really like Savannah Stopover it’s really great.

Andrea: Yeah I love Savannah Stopover- it’s a great town. Everything’s really walkable, the food is really good…they also treat artists very well.

Dave: Austin’s gonna be really awesome too [for SXSW]. We love just going out towards the West- it’s a different world out there. I’m excited for both Savannah Stopover and South by Southwest.

Cicada Rhythm is played Savannah Stopover Friday, March 9th as part of the New West Records 20th Anniversary Showcase. The two have a busy few months ahead of them between touring, shooting music videos, and prepping for the release of their forthcoming album, Everywhere I Go, out April 27 on New West Records.

Savannah Stopover Artists to Watch

Posted on February 28, 2018February 28, 2018 by Anna Lee

 

Savannah Stopover is something of a hidden gem as far as music festivals go. Located in Savannah, Georgia, the three-day festival boasts a packed lineup of up-and-coming artists of all backgrounds and genres. Throughout the weekend, shows take place in small to mid-sized venues across Savannah’s historic district, establishing an intimacy that is rare among festivals today. This year will mark Savannah Stopover’s eighth year running, with no shortage of diverse talent. With March 8 just around the corner, here’s a list of the top 15 must-see artists at this year’s Savannah Stopover Music Festival.

15. Wild Moccasins

There’s something infectious about the unique, eclectic look and sound of Wild Moccasins. With a strong female lead vocalist and vintage beats, their sound is reminiscent of ‘80s pop. Known for their creative costume design and infectious stage presence, they’re sure to put on a good show.

14. John Stickley Trio

If you’re looking for good ol’ bluegrass music you can dance to, look no further than the John Stickley Trio. These extremely skilled musicians take their audience on a musical journey with their flawless technique and exploratory jams. Their sound should fit in perfectly with the rustic, coastal scene of Savannah, Georgia.

13. The Vegabonds

Part Americana, part rock ‘n roll, The Vegabonds seem to be gaining more and more momentum each day. The band has grown a great deal since their start in the college circuit back in 2009. Now with three European tours under their belt, The Vegabonds don’t appear to be slowing down anytime soon.

12. David Barbe & Inward Dream Ebb

College professor by day, punk-rock lead singer by night, David Barbe does it all. Rooted in Athens, Georgia, Barbe has successfully embedded himself deep within Athens’ vibrant music scene. His band’s sound is a product of the evolution of punk and rock throughout the years, bringing with it a sound that doesn’t quite conform to any one genre.

11. KOLARS

KOLARS is a two member band consisting of Rob Kolar and Lauren Brown. The combination of Kolar’s vocals (think David Bowie meets The Killers) and Brown’s innovative performance drumming makes for a strange and wonderful chemistry. KOLARS is a prime example of the extensive musical variety that can be found at Savannah Stopover.

10. Acid Dad

Acid Dad’s sound is reminiscent of something you might hear in an underground club twenty years ago, and don’t get me wrong, that’s a good thing. Their ‘we don’t give a damn’ attitude and punk meets hard-rock sound gives them an appearance of self assurance and decisiveness that is often hard to come by in new talent, putting them at number ten on my list of must-see artists.

9. Lola Marsh

Savannah Stopover’s lineup this year is seeing a plethora of strong female vocalists, and Lola Marsh is no exception. Since their impressive self-released EP in 2016, the duo has seen a quick rise in popularity with tours across the US and Europe. Consisting of singer Yael Shoshana Cohen and guitarist Gil Landau, the duo has developed a strong fanbase thanks to their unique, upbeat sound.

8. Stoop Kids

There’s nothing like the infectious energy of bands who look like they’re having a genuinely great time with each other on stage, and that’s exactly the kind of vibe Stoop Kids gives off. The New Orleans-born quintet delivers an updated version of classic sounds found in New Orleans’ rich culture, from hip-hop, to jazz, to rock.

https://www.youtube.com/watch?v=aIKe2aEnCp4

7. Future Generations

Indie pop band Future Generations has really taken off since their debut album in 2016. The album has seen millions of streams on Spotify and the group has been regularly touring across the US. Their music is reminiscent of bands like STRFKR, Moon Taxi and Portugal. The Man, with an alt-indie sound that is popular among most audiences today.

https://www.youtube.com/watch?v=Y-syx-QNrX0

6. The Bones of J.R. Jones

The Bones of J.R. Jones is the one-man blues and roots act of New York native Jonathon Linaberry. It’s hard not to admire Linaberry’s extensive skills as he does percussion, vocals and a combination of either guitar or banjo, with an occasional harmonica all at once. If not for his musical ability, it’s worth seeing The Bones of J.R. Jones just to witness the passion in his performance.

5. Larkin Poe

This sister duo is keeping the spirit of old school music alive with their soulful, gritty rock ‘n roll sound. Originally from Georgia and now living in Nashville, Rebecca and Megan Lovell draw inspiration from their southern roots, and after growing up in the same household, they’ve developed an undeniable chemistry in their music.

4. Nikki Lane

I just can’t get over how many great female artists are blessing Savannah Stopover this year! Americana wonder Nikki Lane is a bad**s southern woman with her own personal style and distinctive vocals. Her set is definitely worth making it to.

3. of Montreal

It’s hard to describe the art of Kevin Barnes, the mastermind behind of Montreal. With his extended club mix 80’s pop sound, drag looks and out-of-this world performances and music videos, Barnes is making a serious impression on today’s music scene. With a look similar to Andy Warhol and a self-proclaimed paranoia of big government, Barnes seems to have an artistic complexity within himself that is evident in his music.

2. Cicada Rhythm

These folk/americana Athens locals bring a soulful sound that’s largely uncommon today, along with sincere, impassioned performances. The chilling harmonies of Andrea DeMarcus and Dave Kirslis put them high on my list of must-see artists, and once you see them live, you’ll understand why their sound is so hypnotic.

1. Wild Child

What started as the brainchild of Kelsey Wilson and Alexander Biggins in Austin, Texas has blossomed into a seven-piece indie-pop band complete with ukelele, violin, cello, trumpet, harmonica, drums, guitar and keyboard. With four studio albums under their belt and multiple worldwide tours, the band has gained a solid, steady momentum and developed a devoted fanbase. Their newest album, ‘Expectations,’ exemplifies a mature, confident sound as the artists drew from inspirations all over the world while writing the music while on tour. It’s hard not to smile while watching the band’s undeniable chemistry unfold as they grin cheek-to-cheek while performing.

Top 5 Shows at Savannah Stopover 2015

Posted on March 13, 2015March 13, 2015 by Michelle King

In our Stopover preview, we highlighted a bunch of locals acts worth making a point to check out.  A number of them managed to stand out from the pack, even within the mix of touring acts. Cusses, Crazy Bag Lady, and Boy Harsher all pulled decidedly large crowds and delivered truly epic performances. The Furious Hooves label showcase was a hit as well, with fantastic performances from the likes of Black Water Choir, Heavy Boots, and Blackrune. But discounting those acts we’ve already spoken about, here are our top five picks from the weekend… some more expected than others.

The Prettiots

NYC-based all-girl trio The Prettiots play sweet and innocent-sounding art pop tunes about boys and heartbreak. With a drummer that looks straight-up like a baby doll and lead singer Kay Goldberg crooning away with her ukelele, it couldn’t get much sugary and cute, but they do it so damn well. All the members are under 25, and that may account for why Goldberg has such a fresh memory of all the boys that she dated in high school. They played an early evening set at Hang Fire Bar on Friday to a modest crowd, but no doubt these girls have bigger crowds and bigger stages in the near future.

Penicillin Baby

There will always be something to be said for some good rock music. And people will always appreciate it. Take note of Penicillin Baby, an up and coming group out of Nashville that push the boundaries of rock n roll with their fuzzed out psych pop tunes. Their energetic performance at Ampersand Friday evening was as crowded as I’ve ever seen the place, and speaks to the truth of my earlier statement. Grunge rock, surf rock, cosmic rock… call it what you will. We’ll just call it good.

Generationals

With arguably the most hype leading into Stopover weekend, New Orleans electopop duo Generationals put on a fitting showing late Friday night at Club One. The perfect spot for a dance party, this venue is a gay club every other weekend of the year, and boasts an impressive light rig, massive disco ball, and sizeable dance floor to hold the feet of a bunch of jazzed up festival attendees enjoying the hits like “Gold Silver Diamond”. Generationals put out their fourth LP on Polyvinyl last fall to a wave of success and they’re not ready to slow down just yet.

San Fermin

San Fermin’s performance in Trinity United Methodist Church Saturday evening was both energetic and serene. With a big stage and an even bigger arena to fill, the Brooklyn-based chamber pop group brought out all the horns, strings, and sireny vocals to have folks both glued to their seats in the pews and dancing dancing in front of the altar. The group is helmed by classically trained composer Ellis Ludwig-Leone but the impressive vocals of Allen Tate and Charlene Kay take center stage in beautiful ballads like the glorious cut “Sonsick” off their debut self-titled album. We eagerly await the follow-up.

French Horn Rebellion

French Horn Rebellion’s set at Hang Fire Bar was perfectly placed and timed for a dance party, and that’s just how it turned out. Where the “cool kids” would hang out on a Saturday night anyway, and being one of the last shows of the weekend, out-of-towners and locals alike were able to let loose, down maybe one too many drinks, and soak in the lush and danceable tunes coming from the tiny stage in the corner. The NYC-based duo have been cranking out remixes for the likes of Beyonce, Savoir Adore, and Sleigh Bells while collaborating on original tracks with Haerts, JD Samson, Ghost Beach, and plenty more. According to their Twitter, “We used to play French horn. Now we make hot dance beats.”

 

10 Local Acts to See at Savannah Stopover 2015

Posted on February 27, 2015March 13, 2015 by Michelle King

savstop

In it’s fifth year of operation, Savannah Stopover is quickly growing into one of the more respected and well-known festivals in the southeast, having played host to acts such as Grimes, Future Islands, The War on Drugs, Wye Oak, Small Black, Diarrhea Planet, St. Lucia, Haerts, Mac Demarco, and oh so many more since it’s inception. This year is no exception, boasting headliners ASTR, San Fermin, Generationals, Computer Magic, Lee Bains, and French Horn Rebellion, amongst plenty other noteworthy acts.

But, being a new transplant to Savannah and having had the opportunity to dig into the incredibly vibrant music scene here, I’d like to lend a preview of some of the standout local acts on this year’s lineup. Keep these folks on your radar; things are bubbling and brewing here in Savannah, and my money’s on a number of these acts to break out on the national level sooner than later.

You can view the full schedule here, and tickets are still available for purchase here.

Triathlon

Triathlon might just be the next “big thing” to come out of Savannah. Having just released a new album Lo-Tide on Broken Circles Records and with an official acceptance to SXSW 2015, keep your ears out for their self-described “Motown surf sounds with a twist of experimental sketchyness.”

See them: Friday March 6, 2015 11:00pm – 12:00am

Ampersand (All Ages until 10pm) (36 Martin Luther King Jr. Blvd. Savannah Ga 31401)

 

Boy Harsher

Think a more gritty, experimental Crystal Castles. Gus Muller puts to work an array of electronics creating sounds both eerie and danceable while Jae Matthews delivers intense vocal performances ranging from whispered storytelling to shouting chants.

See them: Saturday March 7, 2015 10:00pm – 11:00pm

Club One (21+) (1 Jefferson St. Savannah Ga 31401)

 

Cusses

The senior-figure in this group of mostly new artists, Cusses have been stalwarts of the Savannah rock scene since 2009. They are preparing the release of a new full-length Golden Rat, the follow-up to their debut self-titled LP, with an EP release scheduled for May 5. They’re playing Saturday night at the Jinx with Diarrhea Planet; expect it to be crowded.

See them: Saturday March 7, 2015 11:00pm – 12:00am

The Jinx (21+) (127 W. Congress St. Savannah Ga 31401)

 

Crazy Bag Lady

The first time I saw Crazy Bag Lady, I was standing in the back of the crowd tweeting a photo I had just taken of frontman Josh Sterno hanging from the rafters of the building when I suddenly found myself being boa-constrictor-style wrapped with his microphone cord as he stomped in circles around me; obviously a statement for me to get off my damn phone. This could stand alone as a description of what to expect at a CBL show, but the more this group plays, the more their music is catching up with their antics, blending classic punk rock with new noise and an experimental approach.

See them: Friday March 6, 2015 10:30pm – 11:30pm

The Jinx (21+) (127 W. Congress St. Savannah Ga 31401)

 

Coeds

All the things one can love about rock n roll and power pop are encapsulated in this fairly young but incredibly talented band who since the release of their debut EP Homecoming in 2014, have steadily grown to be one of the more established acts in the Savannah scene due both to their veteran lineup and incredibly energetic performances.

See them: Friday March 6, 2015 5:00pm – 6:00pm

Hang Fire (21+) (37 Whitaker St. Savannah Ga 31401)

 

Sunglow

The solo project of Crazy Bag Lady drummer Daniel Lynch, Sunglow offers experimental electronic music that teeters between danceable pop and otherworldly weirdness. His newest album Nothing Doing is out on local label Furious Hooves.

See him: Thursday March 5, 2015 10:30pm – 11:30pm

Club One (21+) (1 Jefferson St. Savannah Ga 31401)

 

Nightingale News

With a long history as a touring bassist for many nationally established acts, Nightingale News is the passion-filled solo project of Athens, GA transplant Coy Campbell. His new album Bell Rope is his first declaration as an unchaperoned songwriter and a powerful statement to his independent abilities.

See them: Thursday March 5, 2015 9:30pm – 10:30pm

Congress St. Social Club (All Ages until 10pm) (411 W. Congress St Savannah Ga 31401)

 

Blackrune

“Think of it as a spiritual supergroup of drone sending you into your mind’s eye for a discussion of reincarnation,” as described in the band bio. Blackrune at it’s core is the trio of Chris Goggans, Matt McCullough, and PM Goerner, but expect a special performance with a slew of other local talent stepping up to fill out the Blackrune Circle Esoteric Orchestra.

See them: Saturday March 7, 2015 6:00pm – 7:00pm

Ampersand (All Ages until 10pm) (36 Martin Luther King Jr. Blvd. Savannah Ga 31401)

 

Curb Dog

Curb Dog are a brand new group consisting of frontman/guitarist Max Buckner, bassist Coy Campbell (Nightingale News), guitarist James Chapman, and drummer Luis Salazar. Campbell refers to their sound as “rock n roll with a pop spine” with some recollections of Dinosaur Jr. and Real Estate to be heard in their sometimes-shiny-sometimes-crunchy guitar rock sound.

See them: Saturday March 7, 2015 3:00pm – 4:00pm

Ampersand (All Ages until 10pm) (36 Martin Luther King Jr. Blvd. Savannah Ga 31401)

 

Heavy Boots

Rachael Perisho of mumbledust finds a solo outlet in her ambient, minimal folk project Heavy Boots. With Triathlon backing her in live performances as of late, expect a fuller sound with Perisho’s hauntingly beautiful vocal presence still taking center stage.

See them: Saturday March 7, 2015 4:00pm – 5:00pm

Ampersand (All Ages until 10pm) (36 Martin Luther King Jr. Blvd. Savannah Ga 31401)

 

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