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Tag: punk


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Punk’s (fortunately) Not Dead: Monsoon as a Riveting Reminder at Chase Fest

Posted on May 21, 2021July 11, 2021 by Zeina Khalife

Is there a name for the feeling of suddenly becoming consumed by an energy you’re seeing or experiencing for the first time? When in the presence of some force that’s bigger than you, bigger than any one person could be? Something transformative, some naturally explosive potential, that you feel everyone else needs to be in on or else they’re brutally missing out? Perhaps this feeling comes fairly often to impassioned music fans, and even more narrowly to frequented concert goers. It comes to me most especially as I’m first discovering an artist, or art, in real-time. All I know is that if there were a name for this distinct feeling, then I’d use it quite precisely to describe my experience at Chase Fest the other weekend.

Chase Fest was a wonderfully DIY arrangement of four artists playing outside a warehouse at Chase Park, with the night’s lineup featuring Henry Toland, Heffner, Fishbug, and Monsoon. Everything about the evening felt dynamic, metamorphic, and revitalizing, with all credit due to the intensity that the bands brought. Needless to say, the feeling noted earlier would only amplify as the performances continued through the night.

All were exhilarating live acts relentlessly erupting with raw talent, but the closing act, Monsoon, left an effortless impression on the crowd and vitality of the festival. Monsoon are a punk three-piece as well as a tremendous volume of energy beaming out of Athens, GA; with Sienna Chadler on guitar and vocals, Joey Kegel on drums, and Roan O’Reilly on bass. Perfectly encapsulating the spirit of the evening mini-fest with their high energy songs, their performance was a stark, inconceivably stimulating reminder of the kind of fiery energy I’d felt missing from life alongside the prolonged void of live music.

Aside the near-instant elation, thrill, and passion felt just by once again being immersed in a semi-‘normal’ musical atmosphere, I was also completely staggered by the sheer talent of Monsoon and the intoxicating energy that they casted over the crowd. Shortly into the start of their set was a prompt opening of the pit, and the near-forgotten punk tradition of moshing ensued till the show’s close. Being able to once again be consumed by the enriching energy of a pit played a huge role in affecting Chase Fest into this wildly collective hysteria that I felt infinitely lucky to be a part of.

Monsoon’s sound is fervidly punk, yet striking in its diverse styles and exotic lyrical quirks. Tracks like “Speakeasy” and “Miss Cadillac” off 2015 debut album Ride a Rolla flaunt their capacity for genre fluidity and transcendence within the realms of punk and rock, whereas “Dead,” “Monsoon,” and “Tuck Me In” exhibit a dual ability to merge with the sounds of more commercially refined punk. Upon hearing Ride a Rolla for the first time, I couldn’t help but feel immediately drawn to the music’s unique, comparable distinction to 80s & 90s era primal punk. I found Monsoon’s organic styles to range from Ramones-esque, classically uncut NYC punk to the socially stimulating, riveting riotgrrrl energy of Bratmobile and the Raincoats. And with the electrifying force of a female-led punk rocker, Monsoon are en route to what feels like a resurrection of authentic femme punk.

Stylistically straightforward, fast-tempo’d, and delightfully hardcore, Monsoon is surely on the come-up with an already released collection of diverse, energizing tunes. Through songs like “Geriatric” and “Intro,” we hear dynamic punk versatility, and an exciting glimpse into what could be next through Monsoon’s stylistic development, as we anticipate the release of their new record. If you’re probing for that distinct feeling of abundant and infinite potential, stream Monsoon’s Ride a Rolla, and stay closely tuned for future album and show announcements!

Check out their music, available on Bandcamp and all other major streaming platforms. Also, check out all the entrancing moments captured by talented photographer Kyler Vollmar–link to the show’s digitals, as well as the rest of his lively, visionary projects at https://teethinabag.com/work!

Black Lips at the 40 Watt

Posted on September 21, 2015September 21, 2015 by Nikki Smith

The line to the 40 Watt curved down Pulaski Street as people waited for the doors to open. Those who RSVP’d ahead of time were sent to a Red Bull Sound Select representative and given free chocolate chips cookies and foam black lips. Once inside, Muuy Biien performed an enthusiastic show and set the hardcore, punk mood for the rest of the night. Front man, Josh Evans brought the energy and the fun with his animated dance moves. After Muuy Biien, people migrated to the bar or outside for a cigarette. Even the boys of Muuy Biien made their way to ground level as fellow Black Lips fans. We weren’t outside for more than 30 minutes before my friend points out Black Lips’ singer, Cole, and the band’s female saxophonist walking by. It was an occurrence that seemed so surreal at the time, to be that close to performers dressed in their punk garb and makeup. Shaky Knees was a completely different experience; fans leaned over metal gates and bodyguards in order to reach for the Black Lips. The 40 Watt is much more intimate, eliminating the barrier between the audience and the performers. It’s not uncommon to see band members mingling among the audience with a PBR in hand or partaking in the chaos that is the mosh pit.

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Finally, the seemingly misplaced 50’s standby music abruptly transitions to the rough and raw guitar sounds of Black Lips. Opening with “Family Tree,” the band wastes no time in amping up the energy. Cole gracefully trust falls onto a tightly packed group of audience members, and is just as gracefully placed back on stage. I vigorously nodded my head and bounced in the back of the crowd. The band recently included a female saxophonist that brings a new layer to the band’s sound. Although she is only present for a few songs, her power gives the songs new life. Its no secret that punk-rock shows can be overwhelming; one doesn’t come to a punk-rock show to sit in the back and not get pushed around. I think the genre is successful in generating an energetic crowd; as long as the performers are screaming into the mic and jumping around on stage, the audience is bound to follow. The genre gets back what it puts in. Have you ever been to a rock concert and not been able to dance? It’s hard. I think the same concept goes for any genre, but the punk-rock genre is all about creating chaos and instilling a rebellious mindset in its listeners.IMG_20150918_000012

It wasn’t long before I saw my girlfriend crowd surfing a few bodies in front of me. She was so close to the stage that I think Cole looked her square in the face. A few girls gabbed back in forth in front of me, a few even checking updates from Instagram as the band played “Boys in the Woods.” I couldn’t go to a Black Lips show at the 40 Watt and remain in the safe section. People started to filter out of the crowd, making their way to the calmness of the bar. The aggressive moshing and flying toilet paper rolls were too much to handle, but I grabbed my friend by the hand and pushed our way closer, eventually reuniting with my crowd surfing friend. I knew the concert was coming to an end, and I also knew I would regret it if I didn’t enter the ominous mosh pit. I asked my crowd surfing friend to come with me, which she agreed to without hesitation. As we pushed our way into the pit, the temperature immediately climbed 10 degrees and the humidity was enough to stifle my breath. Once in the center of the pit, my legs and arms became pinned to my body. It took all the power I had to pull an arm up for defense. I finally got my head up enough to see Jared’s sweaty, red face and the veins popping out of his neck as he belted out “Bad Kids.” In a blur, I see a guy jumping off the stage, and it’s my job to catch him. Immediately the impact takes my friend and I to the floor. I was surprised to feel people reaching for me, helping me up. It wasn’t long before the weight of so many bodies took its toll, and just as I felt a crushing sensation in my chest and a tingling in my face, I moshed my way out of the pit.

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Just as Black Lips ended, the crowd chanted for an encore, and the band willingly obliged. I discovered I’m not much of a mosher, but I was proud of myself for taking a chance. Their recorded songs definitely have a cleaner quality, but there’s something about the rawness of a blood-curdling scream and the feedback of a guitar that gets to the heart of the audience member, physically. If you’re heart isn’t racing at a Black Lips concert, you’re either in the bathroom or passed out.

Dead Ellington’s Refuse EP proves punk is still alive

Posted on September 5, 2012October 7, 2013 by

Alright, kids- we are taking it back a little bit and proving punk is not dead but still alive and kicking just as much as Henry Rollins. I present to you as evidence a punk band on the rise called Dead Ellington out of Boston, MA.  Their EP entitled Refuse dropped this past May and was recorded in Asbury Park, NJ with Pete Steinkopf of The Bouncing Souls. The Refuse EP is Dead Ellington’s third release (the first of a three-part series).  The group has the classic feel of 80s and 90s skate-punk complete with poppy snare, super toned distorted bass, great guitar riffs, and angsty vocals. Their first song, “The Question,” is reminiscent of older Rise Against. The next song, “College Credit,” is extremely catchy, with the chorus chanting “Are you like your friends, are you like your friends?”  It’s definitely my favorite song off of the EP.  Another great song is “Miracle,” with its slightly calmer tune and chorus of “I wish I was a f*cking miracle, a shooting star, I wish I was, I wish I was”.

A little background on the band- Dead Ellington recorded their first full-length album in 2011 titled Refuse Rethink Rebuild.  It was recorded/produced by Big D and the Kid’s Table’s Steve Foote and mastered by Stephen Egerton of Descendents fame.  The album hit number 19 on the CMJ Top 200 Chart.  DE have played alongside Big D and the Kid’s Table, The Lawrence Arms, and The Loved Ones. Twice they have been a part of Vans Warped Tour and played many of Boston’s premiere rock clubs. Dead Ellington is here to put the message back in music, to raise awareness, and to question. They are Refusers.  They are Rethinkers.  They are Rebuilders.

Give them a listen, and be sure to check out our interview with them!  I recommend this band to anyone that likes skate punk, or older pioneer punk in general.  They are worth it!

Members:

Sal Ellington – Vocals, Acoustic, Samples

Jason Caira – Vocals, Lead Guitar

James Sullivan – Rhythm Guitar

Brandon Phillips – Bass Guitar

Craig Stanton – Drums

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