indie pop – Vinyl Mag

Review: Sarah Kinsley: ‘Ascension’

Posted on July 2, 2023July 2, 2023 by Buket Urgen

Ascension is the latest EP from rising star Sarah Kinsley. Kinsley first rose to prominence with her viral hit “The King”, which introduced audiences to her talented musicianship, soulful voice and melancholic aura. Kinsley, 22, is young but her self-written songs showcase the craftsmanship of a well-seasoned artist, which is somewhat of a rarity amongst the current class of rising stars, who (on average) prefer to focus on marketability rather than artistry.

Kinsley, who produces her own songs, creates an alluring sonic landscape on Ascension with her knack for finding chaos and beauty in the mundane. On TikTok, she shares bits of her process which show her using a glass bottle on her guitar and hitting random object in her apartment as pieces to her songs. She says what enthralls her the most is “sounds that are individually really bizarre” and how “their essence amongst the collective creates a sonic environment that is so captivating.”

Ascension opens up with “Oh No Darling!”, which is a song Kinsley coins as “sarcastic” and “mean” but also “silly”. She grapples with age, growing up and being stuck in the past. Kinsley creates an endless melody, subverting expectations of classic pop. It’s hard to predict where the song is going, without an arc and a natural conclusion, the listener expects more.

The second track, “Black Horse”, tackles the dichotomy of sanity versus insanity. The pre-chorus builds with layers upon layers of vocals, giving a rich texture to the song, which Kinsley points to as one of her proudest moments on the record.

On the title-track, Kinsley leans into her classically trained roots, incorporating strings into her execution. Oft deemed “too emotional”, Kinsley was chastised for being unwilling to conform to the rigidity of classical music, but now she embraces it. She adorns her songs with classical elements, such as strings in the background, which give her indie pop a timeless quality.

As an early single, “Lovegod” is a standout song on the EP with biting lyrics like “singing holy praises to an indifferent god”. It’s snarky, clever and dreamy. A wistful anthem for the lonely. She packages it all off with “Sliver of Time”, where you can hear uncanny hints of Mitski and Lana Del Rey, both of whom she often draws comparisons to in the comments section of her videos. Regardless, Kinsley remains a wholly original and gifted writer/producer.

Savannah Stopover Artists to Watch

Posted on February 28, 2018February 28, 2018 by Anna Lee

Savannah Stopover is something of a hidden gem as far as music festivals go. Located in Savannah, Georgia, the three-day festival boasts a packed lineup of up-and-coming artists of all backgrounds and genres. Throughout the weekend, shows take place in small to mid-sized venues across Savannah’s historic district, establishing an intimacy that is rare among festivals today. This year will mark Savannah Stopover’s eighth year running, with no shortage of diverse talent. With March 8 just around the corner, here’s a list of the top 15 must-see artists at this year’s Savannah Stopover Music Festival.

15. Wild Moccasins

There’s something infectious about the unique, eclectic look and sound of Wild Moccasins. With a strong female lead vocalist and vintage beats, their sound is reminiscent of ‘80s pop. Known for their creative costume design and infectious stage presence, they’re sure to put on a good show.

14. John Stickley Trio

If you’re looking for good ol’ bluegrass music you can dance to, look no further than the John Stickley Trio. These extremely skilled musicians take their audience on a musical journey with their flawless technique and exploratory jams. Their sound should fit in perfectly with the rustic, coastal scene of Savannah, Georgia.

13. The Vegabonds

Part Americana, part rock ‘n roll, The Vegabonds seem to be gaining more and more momentum each day. The band has grown a great deal since their start in the college circuit back in 2009. Now with three European tours under their belt, The Vegabonds don’t appear to be slowing down anytime soon.

12. David Barbe & Inward Dream Ebb

College professor by day, punk-rock lead singer by night, David Barbe does it all. Rooted in Athens, Georgia, Barbe has successfully embedded himself deep within Athens’ vibrant music scene. His band’s sound is a product of the evolution of punk and rock throughout the years, bringing with it a sound that doesn’t quite conform to any one genre.

11. KOLARS

KOLARS is a two member band consisting of Rob Kolar and Lauren Brown. The combination of Kolar’s vocals (think David Bowie meets The Killers) and Brown’s innovative performance drumming makes for a strange and wonderful chemistry. KOLARS is a prime example of the extensive musical variety that can be found at Savannah Stopover.

10. Acid Dad

Acid Dad’s sound is reminiscent of something you might hear in an underground club twenty years ago, and don’t get me wrong, that’s a good thing. Their ‘we don’t give a damn’ attitude and punk meets hard-rock sound gives them an appearance of self assurance and decisiveness that is often hard to come by in new talent, putting them at number ten on my list of must-see artists.

9. Lola Marsh

Savannah Stopover’s lineup this year is seeing a plethora of strong female vocalists, and Lola Marsh is no exception. Since their impressive self-released EP in 2016, the duo has seen a quick rise in popularity with tours across the US and Europe. Consisting of singer Yael Shoshana Cohen and guitarist Gil Landau, the duo has developed a strong fanbase thanks to their unique, upbeat sound.

8. Stoop Kids

There’s nothing like the infectious energy of bands who look like they’re having a genuinely great time with each other on stage, and that’s exactly the kind of vibe Stoop Kids gives off. The New Orleans-born quintet delivers an updated version of classic sounds found in New Orleans’ rich culture, from hip-hop, to jazz, to rock.

https://www.youtube.com/watch?v=aIKe2aEnCp4

7. Future Generations

Indie pop band Future Generations has really taken off since their debut album in 2016. The album has seen millions of streams on Spotify and the group has been regularly touring across the US. Their music is reminiscent of bands like STRFKR, Moon Taxi and Portugal. The Man, with an alt-indie sound that is popular among most audiences today.

https://www.youtube.com/watch?v=Y-syx-QNrX0

6. The Bones of J.R. Jones

The Bones of J.R. Jones is the one-man blues and roots act of New York native Jonathon Linaberry. It’s hard not to admire Linaberry’s extensive skills as he does percussion, vocals and a combination of either guitar or banjo, with an occasional harmonica all at once. If not for his musical ability, it’s worth seeing The Bones of J.R. Jones just to witness the passion in his performance.

5. Larkin Poe

This sister duo is keeping the spirit of old school music alive with their soulful, gritty rock ‘n roll sound. Originally from Georgia and now living in Nashville, Rebecca and Megan Lovell draw inspiration from their southern roots, and after growing up in the same household, they’ve developed an undeniable chemistry in their music.

4. Nikki Lane

I just can’t get over how many great female artists are blessing Savannah Stopover this year! Americana wonder Nikki Lane is a bad**s southern woman with her own personal style and distinctive vocals. Her set is definitely worth making it to.

3. of Montreal

It’s hard to describe the art of Kevin Barnes, the mastermind behind of Montreal. With his extended club mix 80’s pop sound, drag looks and out-of-this world performances and music videos, Barnes is making a serious impression on today’s music scene. With a look similar to Andy Warhol and a self-proclaimed paranoia of big government, Barnes seems to have an artistic complexity within himself that is evident in his music.

2. Cicada Rhythm

These folk/americana Athens locals bring a soulful sound that’s largely uncommon today, along with sincere, impassioned performances. The chilling harmonies of Andrea DeMarcus and Dave Kirslis put them high on my list of must-see artists, and once you see them live, you’ll understand why their sound is so hypnotic.

1. Wild Child

What started as the brainchild of Kelsey Wilson and Alexander Biggins in Austin, Texas has blossomed into a seven-piece indie-pop band complete with ukelele, violin, cello, trumpet, harmonica, drums, guitar and keyboard. With four studio albums under their belt and multiple worldwide tours, the band has gained a solid, steady momentum and developed a devoted fanbase. Their newest album, ‘Expectations,’ exemplifies a mature, confident sound as the artists drew from inspirations all over the world while writing the music while on tour. It’s hard not to smile while watching the band’s undeniable chemistry unfold as they grin cheek-to-cheek while performing.

Penny Lame: ‘Penny Lame’

Posted on November 5, 2015January 1, 2016 by Maria Lewczyk

Girl-pop is getting a makeover. Athens singer and songwriter Jianna Justice is cultivating a sound that stands entirely on its own, starting with her act Penny Lame. With only two EPs and eleven songs total, Justice hits all the right notes with a sweet voice, minimalistic and upbeat. Penny Lame, released on Nov. 4, 2015, is already a must-listen for those of any age. The tropes of teenage troubles combined with elements of sarcasm and deprecation reflect a very honest image of millennials growing up in a college town surrounded by people that may or may not be growing up with them.

Starting off with the light “Party Song”, Justice says all the things that everyone has been thinking but not saying out loud. The combination of simple pop guitar riffs and lyrics like “I’m the saddest girl at this party” set the tone for the rest of the album: sad acceptance for how things are, with resilient optimism for better things to come.

“Boys & Girls” shows playful comparisons between girls and boys, that create interesting back and forth dialogue between expectations and cold realities of young romance (or lack thereof), while being put down by the even harder reality: “that’s just how it is, cause boys and girls are just kids”.

Sounding like a stripped down Radiator Hospital, Justice is a venus of the avenue with “Penny Lame”, a personal favorite from the EP. With soft backing vocals accompanying the initial lyrics, “Penny Lame” stands out for the growing genre of girl-pop.

“Night Swimming” brings a slower and darker angle towards the pop, then “Slushies In a Target Parking Lot” picks up the pace and offers flutters of the ‘what if’s. To end the EP, “Scumbag City” is refreshing and honest. Billy and Joey do sound like scumbags, and are pretty much relatable to most of the ex-partners we’ve all had.

Without gushing on too much about how great this release is, a quick summary: Penny Lame shows the best and worst of being a teenager or young adult, while navigating that line between growing up and staying young. Penny Lame strikes a chord not just because it’s catchy as hell, but because it’s chronicling a place we’ve all been.

Penny Lame can be found on Bandcamp here: http://pennylame.bandcamp.com/releases