for fans of – Vinyl Mag

This edition of FFO is for fans of 80s rock, in all of its heavy eyeliner and spandex glory. For those who truly believe that love is a battlefield, but one that’s worth it because sometimes two people just belong together. For those who sang into hair brushes, possibly rocking a feather boa, and eventually running late for the day—you know who you are. Embrace it.

This edition is, of course, for fans of the queen of 80s pop rock—none other than Pat Benatar.

After releasing her debut album In the Heat of the Night in 1979, Benatar went on to have two multi-platinum, and five platinum, albums. She put out single after single of musical gold, with hits like “Heartbreaker,” “Shadows of the Night,” and of course, “Love Is a Battlefield.” Much of her most recognizable work is from the early stages of her career, and though Benatar has released a handful of singles since the early 2000s, nothing compares to her releases of the 80s. Nothing, that was, until now.

You’re a fan of Pat Benatar? You should consider checking out upcoming dynamic duo, Bat Fangs.

The duo, composed of Ex Hex bassist Betsy Wright and drummer Laura King (Flesh Wounds/Cold Cream), formed in 2016 and released its debut self-titled album in 2018—a release that’s already making waves. Coming off a tour with Superchunk, these two already well-established musicians focus on what they describe as “acid-soaked 80s hard rock for the living and the dead.” But somehow, it sounds a whole lot like Pat Benatar.

First, to look at the songwriting.

Both have themes of love and heartbreak… as does basically every songwriter, ever. However, these two go about it in a really fun, girl-power kind of way. In a we’re-melodramatic-but-it’s-cool kind of way.

Benatar was the queen of employing incredibly cheesy lines that went over well due to her confident delivery—her way of really singing with conviction. Some lines from “Love Is a Battlefield” are downright embarrassing to speak aloud (see: “We are young/ Heartache to heartache we stand/ No promises, no demands/ Love is a battlefield”), but this 80s rocker had no problem bringing the track to a peak at number five on Billboard’s Hot 100 chart. She was able to make embarrassingly dramatic, over exaggerated depictions of relationships totally rock ‘n roll.

Bat Fangs—though maybe not quite as dramatic—have a similar style of delivery. In “Rock the Reaper,” lines like “Be the runaway/ Be the underdog/ Gonna sing about heartbreak, baby/ Gonna sing along?” totally embody the same crazy-kids-navigating-love theme. Further, the group’s fearlessly catchy delivery practically begs for a sing-along, just as their predecessor.

As far as actual vocal delivery, it can be a bit shocking to hear the similarities between the two vocalists—Wright and Benatar. Both pack a punch vocally, and employ a seriously theatrical tone. It’s hard to explain, but you know that thing that Benatar had going on where it kind of sounded like she was whining/groaning/about to cry basically all the time, but it was entirely on purpose? Wright has that figured out as well, and it’s awesome.

As far as instrumentation goes, Bat Fangs generally sticks to steady, driving percussion and is totally riff based. This is obvious in tracks like “Turn It Up” and “Rock the Reaper,” but the list goes on. Benatar, barring those times where she was more heavily pop-influenced, generally does the same. Further, when Benatar is more heavily riff-based… it sounds a lot like what Bat Fangs is putting out now.

For example, let’s look at one of the craziest comparisons I’ve found. Listen to Pat Benatar’s “Hit Me With Your Best Shot,” and then put on Bat Fangs’ “Boys of Summer.” Hear any similarities?

Something that might stick out is the tail end of the main riff in Benatar’s track—you know, that little riff that’s non-essential in the way that it’s one of the most recognizable riffs in her career? Yeah, that one. It’s one of those moments of guitar mastery that you just have to sing along to, as if somehow your vocals can imitate the six strings.

That riff is basically in Bat Fangs’ “Boys of Summer,” interspersed throughout the track. Listen to both once and it’s hard to miss. Now, I’m going to guess that’s an intentional throwback to the 80s rock goddess and not an unintentional slip up, and if so, it’s a clear indicator that the group is drawing influence from Benatar.

Lastly, it’s important to point out that while both teeter on the line between pop and hard rock, Bat Fangs are certainly not a carbon copy of Benatar. This comparison isn’t one of exact replication, but instead of taking the foundation laid by Benatar and building on that.

The duo adds an interesting layer to Benatar in that they’re really ripping, no holds barred, into a messier realm of rock ‘n roll. They have a garage-rock fuzz factor going on that wasn’t so present in their predecessor’s music (that was definitely more pop-leaning), giving the duo a grittier sound overall. Further, Bat Fangs music is generally simpler, and a bit less cinematic, than Benatar’s—further supporting the group’s heavier punk influence.

So for fans of Pat Benatar, looking for a natural progression building on the foundations already laid by the 80s rocker? It’s time to check out Bat Fangs.

One of the biggest issues with good ‘ole, classic rock ‘n’ roll is just that… it’s old. Many bands, understandably, faded as new music graced us all. For the few that still push on, new music is seldom found and often represents various passion projects (see: The Rolling Stones: Blue & Lonesome—despite how amazing the release was, it still wasn’t an album of originals.)

Luckily, there are, in fact, a few up-and-comers that not only appreciate the musical greats of the 20^th century, but are also clearly, actively, trying to continue the steps taken by those that came before.

Enter the “throwback” of today’s focus: the legendary Led Zeppelin.

From it’s start as a super group by The Yardbird’s own Jimmy Page in 1968, Led Zeppelin followed a storied path marked by enormous successes. The group’s enormous popularity—in the early-to-mid ’70s it was easily one of the largest live-draws around the world—came from its successful integration of blues, folk and middle eastern influences. However, this quick ascent was marred with scandal leading to an early disbandment in 1980. Following that, there has been little to no hope of new music for fans of this legendary group, despite the handful of reunion shows over the years.

So, you’re a fan of the ‘Zep? You should consider checking out Michigan rockers, Greta Van Fleet.

The foursome—three of which are brothers—seemed to be just out of high school when they came tearing out of Frankenmuth (a town that couldn’t be less rock ‘n’ roll if it tried, just give “Bronner’s” a quick google) in 2012, unleashing their almost nostalgic music mastery out into the world.

Honestly, the most shocking part of it all is the rate at which the group has risen. After just releasing it’s first double EP on November 10, following it’s very first studio release only a handful of months before, the group has already embarked on nationwide tours and garnered a cult following—and not just in the “CHRISTmas Wonderland” (literally how Bronner’s is advertised).

Even better than the group’s humble start and quick ascent is its clear ties back to Led Zeppelin. GVF basically feels like listening to the ‘Zep… if the latter were born in the late ’90s, grew up in a world where pop-music ruled our culture and began traveling the world while still in high school.

But don’t just take my word for it. Let’s take a look at the bands.

Upon first hearing a GVF track, say, “Highway Tune,” it takes literally 15 seconds to hear a wail so reminiscent of Robert Plant it’s equally frightening awesome. The group’s front man, Josh Kiszka, has mastered the almost alarm-like war cry previously found by Plant on tracks like Zeppelin’s “Immigrant Song.” But that’s not all. In continuing with “Highway Tune,” other similarities are easily traced, such as the dramatic waiver used by both frontmen and their often quick, almost flippant, delivery. Both vocalists are gritty, both have ridiculous ranges and both are beyond talented.

Continuing to lyricism, it’s easy to see GVF taking notes from the greats, stylistically at least, in the track “Safari Song.” Kiszka repeatedly questions, “Hey mama/ What you gonna do/ With all that love in/ Your heart?” and his vocabulary should sound quite familiar to any Zeppelin fan. See “Black Dog,” in which Plant rushes out: “Hey, hey mama said the way you move/ Gon’ make you sweat, gon’ make you groove.” The younger band’s lyrics are nostalgic, and truly feel like they were born of a wilder era.

Taking a turn to the instrumentation, both bands focus on highlighting talented lead guitars—Jimmy Page in the 70’s and Jake Kiszka now. Both bands leave plenty of space for the all-too-essential guitar solo, and both instrumentalists draw heavily on the blues. Neither guitarist feels rushed in execution, and Kiszka is clearly comfortable marinating in the drawn-out, funky delivery that is almost a defining characteristic of Page’s style.

Finally: a quick look at composition. For example, both bands have mastered the art of using backing vocals to create an almost haunting atmosphere for the lead to exist in. Further, both bands tend to keep listeners on their toes using a variety of techniques to do so from switching keys, hopping between acoustic and electric instrumentations and changing up the rhythm often. Even more than just using these techniques, both bands have been known to layer a couple of them to really prevent settling into a track too much.

So, to put it simply. For fans of Led Zeppelin, hungry for more? Look no further than Greta Van Fleet.

Tag: for fans of

For Fans of Pat Benatar? Check Out Bat Fangs

For Fans of Led Zeppelin? Check Out Greta Van Fleet