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Hiding Places, Out of Hiding: “Homework”

Hiding Places are one of many bands emerging through the bustling post-pandemic creative scene, escaping from an isolation that long limited the ignition of projects in-the-making. Though most of us spent apocalypse-times contemplating survival, it’s quite refreshing to remember how isolation drove many to cultivate time and energy towards their art. I saw this vitality at work amongst musical friends, and more-so those that spend their free time playing around in elaborately concocted home-studios—a fateful reality for the making of Hiding Places. Embracing the gradual return to live music with the release of a new single and mini-tour announcement, Hiding Places are just starting out with already a whole lot to offer, ever-present in the impressions of “Homework.”
The indie four-piece release their debut song today, only a few days after a fun first show at Flicker Bar in Athens on Wednesday. The single showcases their music as a blend of classic indie rock and psych dreampop, drawing upon the melodic affinities of Soccer Mommy, Snail Mail, and Japanese Breakfast. Originating between the creative hotspots of Athens, GA and Asheville, NC, the group are reflective of their influences, yet organic in their delivery of nostalgic indie. The single was mixed and produced by guitarist Nicholas Byrne, whose range of talent is evident between his present band and experimental solo project, Arts + Crafts—a diverse collection of vibrant electronica that is also available on all streaming platforms (check it out!).
Although the band self-identifies their sound as “indie alt-country”, what “Homework” translates to is a slow-build of meditative, entrancing vocals matched by waves of floaty instrumentation. Harmonious layers of swirling guitar surround the space of the single, with a presence so immense and dominating it supersedes the chorus. Serving as a transitory daze between verses, the guitar & echoing ooh’s quickly effect the song into what feels like a psychedelic whirlwind (a comforting familiarity). The serene coordination between the two invokes a feeling both uplifting and reflective. Cyclical drums and bass shy in the background, complimenting the vocals/guitar and helping to cast you adrift the song’s contemplative dreamscape.

“Homework” is one of those songs whose instrumentals alone intuitively drive the volume up, and with such a pacifying voice, the varied potential of the band is eminent. Although hardly “alt-country”, the song invites an emotive yet heavy sound—similar in feeling to that of Melody’s Echo Chamber—a style the band has already proven to naturally embody. Between this and their future releases, which may dabble more in the realms of alt folk and country, I’m personally loving the psychedelic nature of “Homework” and am super stoked to hear how their music evolves from it. If you too are impressed by the band’s first release, you’ll be happy to know that they’ve recently finished recording a full-length album here in Athens, and plan to release the record both digitally and on pressed vinyl this fall.
Check out their bandcamp, & to stay tuned into their upcoming shows + new music announcements, do hit up @hidingplacesband on instagram!
Artist to Watch: Molly Burch

Like a well-maintained and beautifully hand carved wooden sculpture, Molly Burch’s music has a sort of softly natural, matte glow to it. Influenced by the music of her childhood spent growing up in LA, her early country influenced songwriting and equally paisley patterned arrangements have caught the ear of record labels, including Captured Tracks (who released her debut album Please Be Mine) and many publications, ourselves included.
Her voice, which some would compare to Angel Olsen, has a well-trained crushed velvety texture that sets it apart from many other vocalists in her field. Having gone to school for jazz singing, her emotive vocalizations lend itself to the cinematic or melodramatic nature of her band’s music. That being said, there’s a gentle sentiment of something that isn’t quite like full on naivety there, but more like a gentle innocence behind her croons.
Currently on the road supporting Alex Cameron on the tour for his new album, I got on the phone with Molly to have a quiet conversation to get to know her better both as a songwriter and as a person.
VM: After reading your bio, I saw that you did your growing up in LA, but then went to school in Asheville and then moved to Austin, correct?
MB: Yeah. I graduated High School in LA, was born and raised there, and then I spend one year in New York at Sarah Lawrence College and then decided to transfer to UNC Asheville, because my mom had moved to North Carolina, so that made the most sense at the time. I graduated there then spent a year out of college in Asheville feeling pretty lost, so I just moved to Austin on a whim.
VM: I can definitely relate to that. Would you ever move back to Asheville or NYC?
MB: Uh, I don’t know. No. I wouldn’t want to live in New York. I’ve actually just recently moved to an even smaller place in Austin. We live right outside of Austin. So I’m sure as I get older and also with playing music and touring I’ve been more attracted to like smaller cities, smaller towns. I guess I don’t know. We recently just went to Asheville on tour, and it was really lovely. I really do miss a lot of it, but I don’t know; I don’t think I would want to move back anytime soon.
VM: Austin is really cool. There are a lot of really cool weird places to go. Do you have any specific places you like to go to when you just want to chill out or have an escape within the city limits?
MB: Sure. Right now we live a little outside of Austin, so I feel like that, plus being on tour for more of this year makes me feel a little disconnected from Austin but let me try to think of where I’d go; I’m very much a homebody. A really nice bar to go get a drink is this place called Kinda Tropical. And there ‘s a little coffee shop on the east side called Bliss Coffee that one of my good friends runs, and the thing is a little Air Stream with a really nice outdoor patio. It’s really gorgeous.
So after taking a few listens to Please Be Mine, I immediately thought Nashville. There’s a very old school country vibe to it. Were there any artists from Nashville that you were listening to while you were writing those songs, or that you grew up listening to?
MB: Not really. These songs are like a collection of the first songs I’ve ever written, because that sort of just came later for me. I wasn’t comfortable writing before these songs. That style is just what comes natural to me. I went to school for jazz, and I would listen to older country music, but I don’t feel up to date on current country or Nashville music. Classic sounds for sure. And I wasn’t really listening to anything at the time, since I wrote the songs over a period of a couple of years.
VM: So it’s much more holistic. So, when you write songs, do you prefer to write alone, or do you have a favorite houseplant that you sit next to, or do you have a pet? Or do you like to write with your friends?
MB: I do have a cat, and I do have a lot of houseplants, but I feel like it’s different every time when I’ve been in different homes over the past couple of years. I definitely need to be fully alone. I don’t like to write anything if there are people at the house, or if my boyfriend is there. What I usually do is, I’ll write the song and get it fully done, and I’ll show it to Dailey—who’s my boyfriend and lead guitarist—and we try it together, and we figure out at that point if we like it or if I need to work on it more. Then we bring it to a band.
VM: So you’re signed to Captured Tracks records. What’s your experience being signed to a label like for your first record? Is it really laissez faire, or have they been very involved in the album process for you?
MB: They’ve been sort of involved, but in that sense they’re really supportive. They really support and believe in the artists they have. Going into signing with them and not knowing anything about labels, I sent them a cold demo submission. I have definitely learned a lot pretty quickly signing with them and not being used to it. It’s been a lot of new things signing with them and releasing my first album. They’re wonderful, and I feel extremely lucky. They’re really open, supportive, and they make me feel like I have tons of freedom. They’re just really cool people in general.
VM: So, have you been listening to any other artists right now? Has anyone excited you or just drawn your attention?
MB: I’ve been listening to a lot of Alex Cameron every day.
VM: Since you’ve been on tour with them?
MB: And my friend and ex-band mate Katie Schaffer and her boyfriend Shane just released a new album. Their band is called Olden Yoke. Also some friends of mine just released an album. They’re called Loma, and I’m excited for that. And my friend Jeff Williamson also has an album coming out.
VM: Well, thanks so much for talking with us! Do you have any other miscellaneous shout-outs that you before we wrap up here?
MB: I have one more friend, I just remembered [laughs]. This girl who lives in New York named Nadia but who records under the name Nadine just released her first album.
Check out Molly’s album Please Be Mine here and on all streaming platforms and follow her on Facebook.
Savannah Stopover 2018 Spotlight: Cicada Rhythm
Approaching Savannah Stopover Music Festival, I sat down with local Athens, Georgia band, Cicada Rhythm. The couple’s unique sound captures the essence of modern folk music, and they bring a chemistry with them that is evident both on and off stage. I met Andrea DeMarcus and Dave Kirslis at Normaltown Hall in Athens while they were working on an upcoming music video to talk Georgia roots, being in a band with someone you love, and beekeeping. Check out the interview below.
VM: You are both from Georgia, born and raised. How has the South, and Georgia specifically, influenced your sound?
Dave: I really started getting into music when I was living in North Georgia, and at that time it was a lot of traditional music- just banjo picking. And I always found it interesting, but I never was drawn to playing like that. Later I moved to Atlanta and that’s where I really started kind of getting myself into the music scene there. There was an Atlanta blues scene at Northside Tavern and some guys named Nate Nelson, and I guess The Wood Brothers were in Atlanta. Those guys, we would just pretty much try to go see them whenever we could. That’s what got me into music. Then we came to Athens and kind of fell in love with everybody here.
Andrea: And everybody’s a musician here.
Dave: Yeah!
Andrea: It’s great.
Dave: It’s really cool; Athens is, you know. I always say here it’s more of a mission than a competition. Everyone’s just here to help each other out and push each other forward, it’s just – it’s an inspiring place, definitely.
Andrea: I would say I kind of got into music through my dad. He’s a very avid music lover and we listened to The Beatles growing up and stuff. But, we had a great orchestra, the ASO in Atlanta, so when I started playing bass, I started taking [lessons] from the principle bassist in the ASO, and it was a great orchestra and he was great. It’s just a really like, Atlanta has a really strong group of players and it might not be as conducive and connected as Athens is for like smaller groups and more creative, younger people and stuff, but Atlanta does have a lot of great players. And so that’s kind of how I was introduced to the music scene. And then when I moved here…I really realized that music could be anything that you want it to be, and that helped me to write music, and create, and hookup with this guy. So yeah, I think in Georgia, it’s always been full of music. We’re really lucky to be from here, definitely.
VM: So what’s the songwriting process like for y’all? Do you both contribute to the process?
Andrea: Yeah, well we usually start out with an idea and maybe we’ve completed the song…there’s probably been maybe two or three songs that we’ve truly collaborated 50/50, but the rest of them, you know, it’s kind of your thing. And maybe I’ll need help with the chorus, or an outro, or a bridge or something, and he’ll help me with that and vice versa. But, we’re pretty much sole songwriters.
Dave: We help each other finish them sometimes.
VM: So is that kind of the same way y’all decide who’s going to sing which song?
Andrea: Yeah basically whoever writes whatever song sings it.
Dave: For the most part yeah.
Andrea: I’ve kind of always wanted to write a song for him to sing.
Dave: Likewise!
Andrea: But it hasn’t happened yet so we’ll see. Maybe one of the oldies of your songs I’ll take over that you don’t want to play anymore.
Dave: Sure!
VM: Cicada Rhythm has a very unique sound, kind of a modern take on folk music, and it’s very distinct. Are there any certain artists that have influenced your music directly?
Andrea: Definitely. Like Dave was saying before, The Wood Brothers are a super big influence. I really love the string work in Nickel Creek and The Beatles. String work in rock music is one of my favorite things and obviously I’m a string player so, but to put that on top of the song already, is, I don’t know, I just love that so much…I’d also have to say Gillian Welch, like she’s the ultimate songwriter for me…the way that she makes you feel is how I would want to make somebody feel.
Dave: Yeah you know for me…so much different stuff…so I just try to be a sponge, you know? And just soak it all in. But my dad was really into jazz…my mom was an Irish immigrant- she was really into Johnny Cash and Ray Charles and Willie Nelson so she was kind of giving me a foundation of really American music. But, really everything, but most particularly the people I mentioned are just the local artists in Atlanta.
VM: So how did y’all initially form and come up with the name Cicada Rhythm?
Andrea: Well, I moved to Athens in 2010, and I kind of was trying to get away from music. Dave and I were friends, but he lived in Atlanta at the time and he called me and said, “Why aren’t you in a band? Athens is full of bands; you need to be in a band. You know you can’t just not play music.” And I tried playing in a couple bands and they just did not fit right. And Dave was like, “Well why don’t you just play with me?” So we started learning each other’s songs and we really felt like it was working well, so we booked a show and we weren’t prepared, but they liked it. I guess before the show we were like, crap we need to have a name before the show! So we kept texting each other words or suggestions. It took us about a week to come up with it. I came up with Cicada Village and he was like “Oh I like that! What about Rhythm Wild?” and I was like, oh that’s pretty cool. So we kind of just compromised and mashed them together. We pretty much were on a deadline, but we wanted to pick something that sounded like southern.
VM: So I know when you both met, Andrea you were at Julliard, and Dave, you were hopping trains?
Dave: I was hopping trains for a while. I was really into it. I was reading about the Great Depression and it was my senior year of high school and my friend and I were broke.
Andrea: Wait I thought you were in college?
Dave: Well I started thinking about it in high school, then I graduated and was a poor college student and couldn’t really go anywhere for vacation. So we thought that would be a nice way to check out America. We would ride around the South. A lot of times we would ride down to Athens, coincidentally, and then ride back to Atlanta. And I hopped off one day when I was riding back from Athens to Atlanta, and I called my friend who she was with at the time, and they came and picked us up. And, it wasn’t love at first sight-
Andrea: He was very dirty!
Dave: Yeah, you get extremely dirty in boxcars cause they’re just, you know…but, that’s how we first met! We stayed friends for a long time, and then eventually it became more.
VM: So Andrea, you were at Julliard at the time?
Andrea: When we met, yeah. I think it must have been my junior year, or my sophomore year maybe. I was always calling their house because my boyfriend at the time wouldn’t answer his phone, and Dave would always pick up. Yeah it was a landline, and Dave would pick up, and we would chat. I would always be like “Where’s David?” and he’d be like, “I don’t know, but we can talk!”
Dave: [laughs] Yeah, then I stole her! A couple of years later, but yeah.
VM: Yeah it sounds like you had these motives for awhile?
Dave: I always admired Andrea…
Andrea: I wasn’t his type!
Dave: I didn’t consider it. And then I guess we were both single and playing music together and for a while I was trying to keep it professional.
Andrea: Yeah e wanted to keep it professional.
Dave: Yeah, but that lasted like two weeks. But here we are! We’re getting married in October!
VM: How long have y’all been engaged?
Dave: We got engaged in May.
VM: So how does that work being in a relationship and then also being in a band together? Is it hard to separate the two?
Dave: We actually separate it pretty well. Like, people will email us and expect us to talk to each other about it, but we don’t, and that’s actually sometimes an issue. If people don’t text both of us we won’t even talk about it. Cause we do so much Cicada on the road and behind the scenes here, so when we’re with each other we just try to be with each other. But, it’s been easy. But there have been battles too,
Andrea: Yeah, I mean it’s definitely…at this point it’s easy, it’s like second nature, but there was a time when we were writing songs and we just weren’t in agreement of how the song should go, or if we should play this song, and we’d have fights about ‘I like this song I think it’s good we should play it!’ and ‘I don’t think it’s good we shouldn’t play it!’ And it would hurt our feelings, cause songs are a part of you, you know, like they’re little parts of you, and if somebody you love rejects them, it hurts. But we’ve, I mean we’ve gotten past that now. If it works, it works. If it doesn’t, we move on.
Dave: Our tastes have kind of molded together in a way, with most things.
Andrea: Yeah.
VM: When you both aren’t playing music, what do you do in your spare time?
Dave: I mean we love nature and we love our dogs. I do a lot of working on the house. We have a little farmhouse just outside of Athens, and I’m always working on it, or trying to improve the yard, things like that.
Andrea: We also try to spend time with our families. We’ve got family in Atlanta, so it makes it easy to go over there.
Dave: I’m hoping to get into beekeeping this year! We’ll see. I’ve got a bunch of beehives…
Andrea: [laughs] He keeps saying that for like three years.
Dave: I know, but each year I get closer and closer!
Andrea: That would be really cool. It would be nice to have the honey! I don’t know about all the bees. Apparently they have facial recognition.
Dave: Yeah, they can recognize your face! I’ve been reading a lot about them and they’re just absolutely incredible.
VM: So, how are y’all gearing up for Savannah Stopover and SXSW? Are y’all getting excited!
Andrea: Yeah!
Dave: We’ve mainly just been working really hard on our two upcoming music videos, so I haven’t really had a chance to think about it. But I am excited cause we really like Savannah Stopover it’s really great.
Andrea: Yeah I love Savannah Stopover- it’s a great town. Everything’s really walkable, the food is really good…they also treat artists very well.
Dave: Austin’s gonna be really awesome too [for SXSW]. We love just going out towards the West- it’s a different world out there. I’m excited for both Savannah Stopover and South by Southwest.
Cicada Rhythm is played Savannah Stopover Friday, March 9th as part of the New West Records 20th Anniversary Showcase. The two have a busy few months ahead of them between touring, shooting music videos, and prepping for the release of their forthcoming album, Everywhere I Go, out April 27 on New West Records.
10 Songs That Were Huge 10 Years Ago
Ten years ago, most college age students had just begun middle school. Meanwhile, Chris Brown started his career, Mariah Carey and Madonna came back better than ever, and Gwen Stefani gave the entire world a lesson in spelling. Check out 10 of the biggest songs from 10 years ago.
1. Mario – “Let Me Love You”
Mario’s biggest hit stateside “Let Me Love You” kicked off his sophomore album campaign right with a nine week run atop the Billboard Hot 100 chart. Maybe the song was so popular because it contained the keyboard riff from Tina Turner’s 1984 hit “What’s Love Got to Do with It,” or perhaps it was the cheesy video that took this gooey ode to a love interest straight into the hearts of millions.
2. 50 Cent feat. Olivia – “Candy Shop”
It’s a rare occurrence for a rap song to top the mainstream charts, but this Middle Eastern inspired midtempo track did it in roughly a month thanks to its hook. While the rap verses were mostly forgettable, the chorus of “I’ll take you to the candy shop / I’ll let you lick the lollipop” was a clever sexual innuendo that was later repeated in Lil Wayne’s 2008 “Lollipop” — a track that saw similar success to its predecessor.
3. Gwen Stefani – “Hollaback Girl”
This sly middle finger to Courtney Love’s remark about Stefani propelled her to the status of a pop “it girl” in 2005. It took just a single “uh-huh” to let everyone who it was. Add in the marching drum beat, a brass line and a bridge that taught everyone the right way to spell bananas and you’ve got the makings of a hit that’s still popular a decade later.
4. Mariah Carey – “We Belong Together”
Touted as Carey’s comeback single following several years of declining commercial success, “We Belong Together” proved she was still in the game. The song spent 14 non-consecutive weeks at #1, received two Grammy awards and broke radio records until “Blurred Lines” was released in 2013. This song is considered to be one of Carey’s signature songs and was labeled as “the song of the decade” by Billboard.
5. Kanye West feat. Jamie Foxx – “Gold Digger”
West’s song about women who are only with men for their money is still his biggest worldwide hit to date. Created back before his ego ballooned, this timeless track contains a Ray Charles sample and a relentless flow that doesn’t allow the listener a moment to breathe before going on to the next verse. Ten years later this song is still being covered by countless artists.
6. Chris Brown – “Run It!”
Chris Brown’s immensely catchy debut single “Run It!” began his troubled career by ingraining itself into the hearts of teenage girls. The video also showed him as a serious performer by allowing him to showcase his dancing abilities. The softer vocals of the song are a perfect contrast to the hard edged production on the song and are something Brown has yet to repeat on his five other albums.
7. Kelly Clarkson – “Since U Been Gone”
A departure from the fluffy R&B styled pop from her debut, Clarkson’s first taste of her sophomore effort Breakaway was noticeably more rock oriented than previous singles “Low” and “Miss Independent.” Her risky move paid off as the bitter “Since U Been Gone” remains one of Clarkson’s biggest tracks to date and is yet another reason why Clarkson’s career has lasted longer than most other American Idol winners.
8. Pussycat Dolls – “Don’t Cha”
It’s a surprise the internet wasn’t broken by the Pussycat Dolls “Don’t Cha” long before Kim Kardashian’s attempt with her oily seminude photoshoot. This siren song oozes sexuality as the Nicole Scherzinger led group taunts men to date women that look like them. The inclusion of Busta Rhymes in the video filled with scantily clad dancers pandered to nearly everyone and it paid off in the long run.
9. Madonna – “Hung Up”
Following the critical panning and commercial failure of American Life, Madonna harkened back to her disco roots with the Stuart Price produced “Hung Up.” This jarring electronic song put her name back in everyone’s mouth and sought to prove she was far from being over. Madonna’s reinvention brought her career full circle back to the clubs she started out at as the track peaked at #1 on Billboard’s Hot Club Play.
10. Ciara feat. Missy Elliott – “1, 2 Step”
Besides for being automatic, supersonic, hypnotic, and funky fresh, Ciara’s second single off her debut Goodies inspired a dance craze around the world. A Missy Elliott feature that encouraged women to shake it like Jell-O further propelled the song to success and it remains her biggest worldwide hit. The song made its way to the top of the pop chart ten years ago and sounds just as fresh today as it did upon its release.
SXSW Recap: Females Shine at House of Vans
Checking the pages upon pages of lineups the morning of March 12th with coffee in hand, I found it. I found the one party that day not to be missed. It was taking place at the historic Mohawk in downtown Austin. Four amazing female acts played, and they were not there to mess around. Below is a short synopsis of each act.
Unfortunately, I was running behind and arrived late to this rising star’s set (in my defense, no one is ever on time during the chaos that is SXSW). But on the positive side, I did get to listen to the last half from behind a protruding wall partially blocking the overflowing room for which she was playing. The number of people willing to pack into that small room was a good indication of the huge amount of talent this petite blond possesses. Her country twang had an infectious edge reminiscent of the rich voice of Stevie Nix. As her set came to a close, I understood why so much hype surrounded this artist coming into the music week of South by, and she sure lived up to it.
Kelela:
Oh, Kelela. I could listen to this songstress’ lovely layered voice for hours on end. She is impressive pre-recorded but even more so live, her voice boasting such a range from full and rich bass notes to beautiful and airy falsettos. Unfortunately her set overlapped slightly with Lydia’s, so I only truly caught the tail end. The uniqueness of her sound, her breathtaking voice layered on top an eclectic mix of bass, drum, and electronic tones, especially rang out on “Cut 4 Me,” the title track of her 2013 LP.
Her avant-garde sound is difficult to pin point, which could be because of her out of place feelings as second generation Ethiopian Immigrant raised in the states. Yet her music reaps amazing benefits from this situation, breaking the confines of any particular genre.
Charli XCX:
Punk pop princess of the UK Charli XCX was next on the bill at the House of Vans – the performance I had been waiting for all day. Bounding onto the stage, she immediately began strutting around the stage like she owned it, throwing her wild black locks around as she danced. Known for her synthy pop beats with a dark side, the 21-year-old shined on slower track “Black Roses” and fist pumping crowd favorite “SuperLove.”
Not only did she sound fabulous, she looked the part as well donning a lovely vintage plaid dress and stunning the crowd with her intense stare and sassy red lips. She ended her high energy set with an appropriate cover of the famous tune “I Want Candy.” Needless to say, Charli XCX did not disappoint.
Dum Dum Girls:
If you are looking for a powerhouse all female rock band, then go see Dum Dum Girls live. In their 40 minute set, the four-woman group managed to kill all guys rock harder stereotypes. Dee Dee’s voice soared high above the dreamy psychedelic guitars, sounding especially ethereal on tracks “Coming Down” and “Lord Knows.” All four wore all black, fitting for the slight melancholy that melds into their music. Addictive 80s melodies are sprinkled into certain tracks, especially those off their 2014 album Too True such as “Rimbaud Eyes” that captivated the crowd. Although the Dum Dum Girls went last for the females that day at the Mohawk, they certainly weren’t the least.









