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Athfest 2014: Powerkompany x Vinyl Mag

Posted on June 27, 2014July 2, 2014 by Jasmin Nash

I got the chance to talk to Athens’ own Powerkompany during Saturday night’s portion of Athfest.  Guitarist/vocalist Marie Davon (Venice is Sinking) and guitarist/violinist Andrew Heaton (Packway Handle Band) sat down with me after their show at the World Famous to talk about the bands’ dynamic, where they’d like to see Powerkompany going, and their love for Athens.

Vinyl Mag: First off, I was trying to get into the World Famous in time to catch your set, and it was one in, one out. You had a packed house during Athfest!

Marie Davon: Oh, really?! It was so, so amazing in there. Really good energy.

VM: And the crowd definitely felt the same way! I was talking to the people around me, and they all said they had seen you before and were raving about your voice, Marie. They had all seen you play in Athens and Atlanta a few times before. So what’s it like playing during Athfest versus your own shows?

MD: It’s always different during Athfest. It feels like there’s more love. It feels like a family reunion. Every year, you get to see all of your friends, because usually they’re all touring or just being reclusive. That’s like us – very reclusive. We’re always either on tour or at our house.  Not to mention there are different people out, too – people that wouldn’t usually be out to see a show.

VM: I noticed you had a keyboardist. In the past it has just been the two of you performing. Are you guys trying to expand and create a different stage presence?

MD: I’m really into musicals and plays and stuff, and I have had the luxury over the past couple months to have the time to dedicate to live performances, so tonight was kind of a rehearsal for continuing on and doing more.

VM: I was also really impressed with your stage set up with the balloons and backdrop. They were all very beautiful and ethereal and tied into the beautiful vocals and violin the both of you were playing. Who has the creative direction in the band?

MD: I guess I am technically the creative director, the main song-writer. Andrew is my editor, producer. Because of the lack of band members right now, we have to somehow figure out a way to play with a drummer who doesn’t exist. So we both really get to experiment and play around. We’re actually scientists. We’re doing music because it is our passion now; it’s almost like a science. The old-fashioned kind of experimentation, making electricity and making things pop.

Andrew Heaton: What ends up happening is she writes the songs and then she brings it to me, and…I put it altogether and add the backing tracks.  She’s at the point. She’s at the front. She writes the songs, brings it to me. I will produce things that I think will work well both for the live set and when we’re recording. Sometimes those are similar, sometimes those are different, and then it will bounce back to her, and she decides how it will be expressed on stage visually.

VM: It’s refreshing seeing something different than the typical band set up.  Between the two of you and Jillian, the keyboardist, it kept my attention more than some of the other talent I have seen during Athfest, where a lot of the five-piece bands all sound pretty similar. You guys have a comfortable stage presence. Where are you trying to take the band from here? Are you trying to get out of playing in Athens and Atlanta?

MD: In the past two years, we have been developing our sound, we have been doing small weekend tours, or we would take a week up to New York and back, but it’s been mostly regional shows. Ideally, it would be amazing to go on tour with someone like, in our wildest dreams, Kishi Bashi or Lykke Li or Grimes. People we look up to but we also feel like we have a comparable, yet different sound. We have such an odd, eclectic sound, and it’s very hard for us to find people to tour with. With Kishi Bashi and him living in town, it’s like a dream come true.

I played on of Montreal’s last album, so it’s cool being in Athens, because we do run into people who are national acts, and that is our goal. It’s a great place to live. As an artist, it’s perfect, because you can go on tour and come home and not get bombarded with daily life. You can lock yourself in your room in your house and then work. And then go out.

AH: Seriously. There’s like 10 million people in New York City, right? And we all know of some bands that come out of New York and get really big, but not really the proportion it should be. We’ve got 120 thousand people in Athens, and the number of bands…there’s so many!

MD: Sometimes, we’ll play on a random night in Athens, and there won’t be very many people there, and that’s fine because we get to use it as a practice. That’s another plus in Athens – you get to break your new material to not very many people.

 

Be sure to catch Powerkompany on their current tour!  Really. You want to.

Dates:

Tue, 08 Jul Athens, GA Georgia Theatre

Thu, 10 Jul Greenville, SC WPBR Radio Room

Fri, 11 Jul Columbia, SC Conundrum Music Hall

Sat, 12 Jul Atlanta, GA Mammal Gallery

Wed, 30 Jul Athens, GA Flicker Theatre and Bar

Tue, 30 Sep Atlanta, GA WREK Radio: Live @ WREK

Street Style Profile: Julien Cahen

Posted on June 27, 2014July 2, 2014 by Aubrey Mascali


Julien Cahen is our latest and most James Dean-like subject thus far. Though slightly less American than Dean, Julien hails from the French countryside. His style is laid back yet polished, and always unique​. He is currently living in and enjoying Athens culture and all it has to offer in the way of food, music, and entertainment. This week we find out about his influences, some things he just can’t live without, and the best advice he’s ever gotten. And scroll down to hear a playlist of his favorite songs!

How would you describe your personal style?

I’d say its a balance between rugged and refined. I look to classic movie stars like Sinatra, Clark Gable and Cary Grant. Not down to every detail of their dress, but their essence and how they carry themselves. I’m influenced by the spirit of the American gentleman. Growing up, my dad loved watching American Westerns. Stars like John Wayne and Clint Eastwood were strong, confident personalities. I’m a fan of the gentleman-farmer look. Marlboro Classic is a brand that exudes this feeling – it’s outdoor adventure clothing but with a stylish twist. Casual but durable American ranch-wear with Italian influences in the tailoring…don’t get me wrong though – I like a good pair of sweatpants and a hoodie.

What are ten things you can’t live without ?

1. A good chopping knife- I just got a new one I can’t wait to use.
2. My fiancé – she’s my muse.
3. The NPR podcast Radio Lab- I like to listen to it on long drives.
4. My garden – I’m trying to walk in the footsteps of my dad who is a farmer. We just got our first two tomatoes of the season – pretty exciting!
5. Action movies, preferably with zombies.
6. Garlic is an essential ingredient for me in the kitchen. It makes everything taste better.
7. Brunch.
8. A cup of tea or espresso everyday – it’s soothing and cozy. It’s my afternoon routine.
9. Soccer or running is important for me and helps me center myself.
10. My weekly phone calls to me family back in France.

What is your Spirit Animal ?

I was told it was a whale once, because I’m peaceful but powerful…so I don’t know, but the Chinese calendar says I’m the rat – go figure.

What are your future aspirations – or at least for the next five years?

To retire to the beach within the next five years. … just kidding. I’ve always wanted to open a
restaurant.

If you could pick a superpower, what would it be?

To stop or control time.

What is something you learned since moving to the U.S?

Being more open-minded. Moving to a new place can be challenging but rewarding. I think everyone should move somewhere totally different at least once in their life.

What’s the best piece of advice you’ve received ?

I grew up in a very family-oriented culture, and I was always told to give time to my elders. This advice has served me well. I have so much respect for older generations and the wisdom they share. Also, my dad told me once, if you ever want to seduce a girl, be friends with her mom first…so far that’s worked.

Athfest 2014: Wieuca x Vinyl Mag

Posted on June 24, 2014June 25, 2014 by Miranda Feneberger

Four piece “characteristically noisy” (their words, not mine) southern rock group, Wieuca, was founded in 2011 by frontman and guitarist Will Ingram and drummer Robert Smith. Three years, two new members and one full length album later, Wieuca takes the main stage at AthFest and kills it.

The chemistry onstage is incredible, and the group works a hot and sweaty 1 p.m. crowd with ease. The four shred through their performance and earn themselves a place in my ranks as one of the best groups in Athens to see live. These guys come from all around Atlanta and are somewhat new to the Athens area, so I think I speak for everyone when I say we’re glad they’re here.

We grabbed an interview with the boys before their set and asked them a little about how it feels to be performing on the main stage this year, and what plans Wieuca has for the future.

VM: I read that you guys describe yourselves as having a “characteristically noisy approach to the southern sound.” With such a unique sound, what kind of artists influence you as a group??

Will: When we started playing together, we were heavily influenced by 90’s college rock and midwestern alt-country, but we’ve started incorporating a little bit of everything. It’s fun to combine different styles in an unexpected way.

Robert: I think it’s always hard to pinpoint exactly who or what is influencing us at any point in time. Consciously trying to emulate any particular artist isn’t something we really do. Our everyday lives, our relationships, are really our biggest influences. But if I had to name an artist, I’ve spent the past couple of months listening to a lot of Todd Rundgren. And War on Drugs. They’re pretty tight, too.

VM: I saw you play at Rowdy Dowdy a few weeks back, and I was thoroughly impressed with your dynamic as a band. You have great chemistry and just all around good stuff going on on stage. You’ve had a few lineup changes in the past; do you finally feel really good about the group?

Robert: Yeah, the lineup seems pretty solid at the moment.

Will: The band is more collaborative and fun than it ever has been, but we’re open to adding more members to expand the potential of our live show.

VM: There Is No Balance, your most recent record, was released in 2013. Do you guys have plans for a new album in the works?

Will: The last album came out seven months ago, and since then we’ve been recording our next one. We haven’t decided whether to release it soon or to make it a double-length and record a few more tracks first.

VM: First of all, congratulations on earning yourselves a main stage performance at AthFest this year!  Who are you all most excited to see?

Will: Elf Power. And DEGA was great last night.

Robert: Futurebirds are one of my favorite bands, and seeing them in Athens is always pretty radical, so them of course. And one of their openers, Woodfangs, are another one of our favorite local bands.

VM: You guys clearly have a sense of humor, from the fantastic Jesus Christ critique on your website to the name of your band, Wieuca. Tell us a little about why you finally decided on Wieuca as a band name to represent you all as artists. 

Will: Wieuca is straight, so we wanted it to represent us.

VM: What is your favorite song from the record to play live?

Will: We usually play our new songs at shows and try them in front of a crowd before recording them.

VM: Who came up with the idea behind the music video for “Low Probability”?

Robert: Will.

Will: The video stars a handsome young man with a mustache.

VM: What’s your favorite activity, besides playing music, to do together as a band?

Robert: Scoping out new and exciting ethnic cuisines. Which goes pretty well with our other favorite activity of teaching O’Reilly how to correctly pronounce certain words.

VM: What’s in the pipeline for Wieuca? Do you have any exciting plans in the future?

Will: We’re looking forward to releasing our new songs.

VM: I have to ask you my signature question as well: If you could choose the headliners (dead or alive) for a new music festival, who would play?

Will: It would be really cool to see Bill Doss with OTC. Or Vic Chesnutt.

Robert: You could make a pretty awesome festival solely with Athens musicians who have passed away…

Electricology at Electric Forest: Raising the Standard of Clean and Sustainable Music Festivals

Posted on June 24, 2014June 24, 2014 by Jacklyn Citero

There is a common mindset that plagues general perceptions of trash. When large crowds gather, especially at our beloved music festivals, it becomes prevalent that when it comes to garbage and sustainability, the general population banks on the fact that someone else will – either because they volunteered, or because it’s their job – come after us and clean up any mess left behind. Although many individuals play their part in the reduce, reuse, and recycle, and should not be generally lumped in with those who don’t, somewhere it has been instilled in us that someone else will do the clean-up.

Unseen by many, the aftermath of a music festival can be shocking. Some have even gone as far as calling these festivals “environmental disasters.”  The perceptions of how these gatherings are impacting the environment – let alone the behaviors of many attendees when it comes to waste management – have sparked the creation of many green/eco initiative programs at several music festivals, including Electric Forest’s Electricology program.

Electricology is the science of waste reduction through the use of sustainable products, composting, recycling, and most importantly, your participation. With the collaborative efforts of Electric Forest, The High Five Program, Gemini Production Solutions, The Sweaty Mouse and Zero Hero, Electric Forest’s sustainability efforts touch all aspects of the production and work towards significantly reducing the festival’s carbon footprint. In meeting attendees halfway and providing some incentive to help with the cleanup, the Electricology program uses “EcoPoints” to reward participants for their green actions.

The concept is simple: (1) Recycle by bringing your recycling and trash to designated EcoZones throughout the grounds of Electric forest, (2) Earn EcoPoints for your participation in helping keep the festival clean, and (3) Redeem by visiting one of two Electricology Stores – you can redeem sponsored prizes such as ENO Hammocks, Osprey Packs, bottles by Eco Vessel, sunglasses by Nothing But Shades, and solar batteries by Solar Go. It’s that easy.

In addition to the generous prizes, Electricology is providing a productive and informative message that has the potential to change mindsets and reset behaviors. “These [types of] programs can change somebody’s direction in life, and we’ve been fortunate enough to see it happen with us and a couple of people we have brought along the last couple of years,” said Rachel Wells, representative of Electricology and The High Five Program.

Whether by volunteering for the program, participating to earn EcoPoints or coming up to Electricology’s booths just to find out more information, “I think getting involved and daring to see what is left behind from your precious music festival is a big thing you can do to change your perspective,” Wells stated. “The more and more people that do that, we invite them to become part of this message and to make it a priority of conversation. Sustainability touches everything you do, whether you realize it or not. Everything we consume is made of something, and the likelihood that it can be made into something else is a pretty awesome, beautiful concept, and it’s something we need to get people excited about.”

In these past months leading up to the festival, Electricology has not only been building excitement over this year’s expanded green program, but they have also sparked some heated social media debates over what types of items are better left at home.

“The Forest has been super supportive, and [we have] generated some really interesting and [sometimes] controversial sustainable conversations,” Wells said. “People got really defensive about glow sticks, but it’s a really important thing to talk about, because it is a very interesting product that cannot be recycled, and it’s so prevalent in our scene. If we start talking about some of these issues, there’s no right or wrong answers, but just ideas and perspective – how do we use it? How can we reuse it? What can we do to replace it?”

In addition to the problematic glow sticks, those beautiful prayer lanterns that light up the night sky are such a problem for the surrounding community that Electricology has started a campaign to #losethelanterns. Wells explained that days after the festival, workers and volunteers have gone around to the surrounding community of Rothbury, MI, apologizing and picking up lanterns that have landed in nearby farmland. Although the lanterns are marketed as biodegradable and environmentally friendly, “they do not burn up in the atmosphere, unfortunately. They may be made out of biodegradable materials, but they will never breakdown in 100 years in a landfill or sitting a lone in a field like they lie,” Wells stated. “We’re adamantly saying #losethelanterns and leave your lanterns at home.”

This year, Electricology is prepared to handle the waste from 40,000 people, not only over the course of the four-day festival but also from the pre and post production. Their hopes are to see more attendees participating than previous years and to get their message out to as many individuals as possible. “[With Electricology], we have the opportunity to teach some people how to be a better festival-goer, to be a better member of their community and to participate,” Wells said. “We all share the responsibility of keeping this place awesome, clean and sustainable, and making it possible for us to have future gatherings like this here.”

To read Vinyl’s interview with Rachel Wells in detail, please see our Q&A below:

Vinyl Mag: How do we get out of the mindset that someone else will just clean up our trash?

Rachel Wells: For us personally, volunteering and having the opportunity to service some of the companies that service that idea (that someone will just come and clean up your trash after you leave) really changed our perspective. As a frame of reference, a guy we have worked with for many years – we run this program at the Lockn’ festival as well – wanted to run our social media, but we told him if you want to run our Twitter you have to pick up litter. He did the five post-day clean-up with us, and everyday he would go home and say, ‘okay, I get it now, I get it now.’ and I would be like, ‘no, I don’t think you do yet…’ and after five days of it, it has completely changed his life.

I think getting involved and daring to see what is left behind from your precious music festival is a big thing you can do to change your perspective. The more and more people that do that, we invite them to become part of this message and to make it a priority of conversation. Sustainability touches everything you do, whether you realize it or not. Everything we consume is made of something, and the likelihood that it can be made into something else is a pretty awesome, beautiful concept, and it’s something we need to get people excited about.

That is the first step in what we’re doing here; we’re getting people excited about prizes, but it’s for doing something awesome, so it’s a win-win situation. If we can get people talking about it, getting involved, they’ll start to learn their own ways in how they can contribute and bring something new to the table.

I think we’re really doing it this year with social media. The Forest has been super supportive and generated some really interesting and controversial (sometimes) sustainable conversations. People got really defensive about glow sticks, but it’s a really important thing to talk about, because it is a very interesting product that cannot be recycled, and it’s so prevalent in our scene. If we start talking about some of these issues, there’s no right or wrong answers, but just ideas and perspective- how do we use it? How can we reuse it? What can we do to replace it?

VM: What ways have you found are most successful in encouraging people that being green doesn’t just start when you arrive on the festival grounds, but it starts in advance with the packing an preparation of their arrival?

RW: This is going to be our third year bringing our program to EF, and we have done the post-fest clean up multiple times; without a doubt, a third of what we are picking up is packaging. You are never going to get that air mattress back in that box. It’s great to get some new gear and pack it all up and set up your site, but we’re asking you to leave the box at home. Ultimately, [leaving the packaging at home], isn’t just going to cut down the clean-up time we’ve got here; it’s also going to cut down on the labor that we have to hire to come when our working WET’s leave.  Sometimes, there’s a few extra days of post production clean-up there that could have been cut if people had just left some of that stuff at home.

In the long run, that also equates to major costs that could be taken off next year’s overhead and maintain the ticket prices. That’s what I mean when I say sustainability touches everything. You can actually equate this to ticket prices, when you really get down to it.

The social media aspect of encouraging people to really think about these things before they get on site has really been huge and crucial. Our concept is prevention before reaction, so what better way to body that than really get to people through social media months in advance.

VM: How do you think the program has developed over the last couple of years, and where do you see this program going?

RW: We are very proud of how it has expanded over the years. The first year in 2012, we partnered with a recycling company, and we created this massive sorting zone, and it really touched a lot of kids and had many people return (to help out with the program) the following year, because they were pretty much knee deep in everyone’s trash, and they saw what people threw away, and they realized how important it was to get the message out. We were just in the venue that year, and we had great success with 13,000 people bringing their Eco points back to our one store location for prizes. We had a really clean venue, but the campgrounds were pretty crazy that year, and it took a couple of weeks to clean up, and the seagulls were just awful.

In 2013, we decided to expand the program and extend to the campgrounds. We expanded multiple EcoZones to be like your neighborhood recycling center. When you go to the bathroom in the morning, remember to take your campsite waste with you, and get some Eco points on the way back, and get some new trash bags for the day, and make it part of your routine of your services. We were actually out of the campgrounds in five days last year, as opposed to the two and a half weeks the previous year.

This year we have 30,000 Budweiser recycling bags to hand out, in addition to other bags, and we are bringing the program back to the venue, as well as the campgrounds with seven locations, and we’re also putting an EcoZone in the Good Life Village this year with [it] being bigger than ever this year. The Village is almost it’s own music festival, and we want those folks to have the opportunity to participate in the program, and they don’t usually come out to the general campgrounds very often, so it’s important that we bring that to them. We’re going to have two stores – one in the campground and one in the venue, and it’s really crazy how much it has expanded.

Every sponsor that has gotten involved with EF has been very supportive and have donated lots of prizes including special ENO Hammocks, Osprey Packs, Solar-Go batteries, Nothing But Shades; it’s just incredible.  And it’s incredible for us that we get to provide a service for all these awesome brands that we like and affiliating them with a great cause.

Where we see this going…first and foremost, we hope it is successful this year and we see people picking up and participating more. If that’s the case, and we think it will be, then we want to see these kids take these ideas home and take them to other festivals they go to.

VM: Why do you think programs like this are important, if not vital, to the festival circuit in general, and why specifically to Electric Forest?

RW: EF is kind of a rare bird. I think everyone that is involved in the production and on the patron side of things has a very eclectic taste, have been to a lot of festivals, have thrown a lot of legendary events in different genres – so EF itself is like this ‘turducken’ of fun and programs and prizes. So our program fits right in there with just getting people engaged. These programs can change somebody’s direction in life, and we’ve been fortunate enough to see it happen with us and a couple of people we have brought along the last couple of years.

Something beautiful about these events is everybody feeling like they are a part of it.  And that’s why we believe our program is important, because the trash is often forgotten, but it is so important. We have an opportunity to keep a foot in the fun and also keep a foot in the important services and the building of this. We want to make sure we’re teaching people how to be a better festival-goer, how to be the type of promoters we want to work with – it’s important, because it builds an alternate community than the one you may grow-up in, and that’s just remarkable to us.

VM: What are your top three tips to staying green at EF?

RW: (1) Try and bring sustainable material. If something can be reusable or recyclable, awesome! Food stuff (containers) – if it can’t be something that is reusable, try to make it compostable.

  1. We ask you, in that moment, after that set is done, and your are basking in all the glory, stand there, and as that crowd clears, maybe just look around you, and make sure you haven’t left anything you consumed during that party, and make your way to one of our stations. We have hundreds of three-bin waste stations this year. So use our stations, and keep your areas clean.
  2. Reward your neighbor for doing the same (keeping your areas clean). That is ultimately the idea of how our program works. That positive reinforcement from a stranger to a stranger rolls over to another stranger, and before you know it everyone feels good about doing what they should be doing. Remember to pay it forward.

VM: What are three things attendees should just leave home?

RW:

  1. Packaging
  2. Prayer lanterns- we spend days working with the community afterwards trying to pick these up and apologizing to the farmers after the lanterns land in their fields. They do not burn up in the atmosphere, unfortunately. They may be made out of biodegradable materials, but they will never breakdown in a 100 years in a landfill or sitting alone in a field like they lie. We’re adamantly saying #losethelanterns, and leave your lanterns at home.
  3. Misconceptions about recycling, and negativity – we want people to be celebrating the idea of keeping it clean and not ragging on folks that aren’t – show them a better way to be.

Weekly Playlist: Payday

Posted on June 23, 2014July 14, 2014 by Nina Guzman

Payday Playlist

That holiest of holy days is here. After days, weeks even, of six-hour longs shifts full of bratty kids, picky customers and the constant smell of grease, you finally have that thin white envelope that keeps your lights on, the water running and hopefully buys you a couple of cans of cheap beer at Flicker Bar.

This recyclable holy grail for service industry workers (or workers at any other job that involves customer service…or pretty much any job…ever) brings such joy, it deserves it’s own playlist.

Now you better cash that check before your boss realizes that you haven’t washed out the tea dispenser in over a month.

SomeKindaWonderful: ‘SomeKindaWonderful’

Posted on June 23, 2014June 24, 2014 by Alexis Tiedemann

Somewhere at the intersection of the Black Keys, Outkast, Kings of Leon and Curtis Mayfield lies the Cleveland band “SomeKindaWonderful” (check out our SXSW interview here!) and their self-titled release out today via Downtown Records/White Clover Records. Good god, this stuff is catchy. Every song sounds like it could be in an Apple ad or movie trailer. In fact, as I listened to the album, I pretty much pictured everything from whiskey advertisements to kissing-in-the-rain moments from all my favorite chick flicks (not that I have that many).

The album kicks off at a wild pace with “Cornbread”, raspy and soulful with plenty of heavy drums from Ben Schigel and bluesy guitar riffs from Matt Gibson (fitting name, huh?). This is the kind of song you would expect to hear as a woman in stilettos walks slow-motion away from a rather menacing explosion, AK-47 in hand, completely unaffected by the chaos behind her. “It’s a conscious revolution” wails front man Jordy Towers, who moved to Cleveland from LA to get away from the big labels and conformity he felt was rampant in the big city. He certainly finds himself on this album, adventurously exploring with his lyrics while remaining very relatable.

Nowadays, bands rarely fit into a particular genre. But SomeKindaWonderful manages to fit into all of them, mixing pop, soul, rock and roll, funk, electronic, R&B, and western together effortlessly. “Police” is a perfect example of this, with John Legend-esque vocals peppered with gospel backing vocals and electronic beats reminiscent of Disclosure. Somehow these sounds blend together seamlessly, in an incredibly dynamic way.

“Hard For Days” means exactly what you don’t think there’s any way it could actually mean. It is a pop-y but risqué tune dedicated to “that first wave of lust when you meet a new mate” in the words of the band themselves…literally about being hard for days. Not gonna lie, it took me aback, with its eyebrow-raising lyrics, but once you jump in, the water’s nice. Kind of makes you want to roll around in bed with someone.

“Honeymoon” makes a quick u-turn, veering off in the opposite direction, lamenting about that inevitable moment when you realize the honeymoon phase is over, and love sucks. “I ain’t got time for a broken heart” sings Towers, and I don’t believe anyone is fighting him on that one. This struggle between love, infatuation, heartbreak and starting over is a theme dealt with in “Caveman”, “Amaretto”, and “Reverse.”

“Reverse,” the single that has been climbing charts, tells a story of a f*cked up relationship and a lover with a wandering eye. It’s like the soundtrack to that moment in the movie when the two lead characters realize that they will never work, but no matter the pain and suffering they’ve caused each other, they feel they belong together…but with a far more realistic feel to it and pretty epic instrumentals.

“Devilish Man” is my absolute favorite track off this record. Opening with a John Wayne quote, the track mixes western music with a heavy dose of soul, telling the story of an lyin’, cheatin’, drinkin’ scumbag that (SPOILER ALERT) ends up being an autobiographical tale about the narrator himself.

Exultant and uplifting tunes like “Burn” and “Shine On Me” round out a record that talks a lot about life and love, with lyrics that you instantly know the words to and choruses that build like Imagine Dragons’ do, with a tad bit more soul. It is an incredible album, really. Keep them on your radar, because SomeKindaWonderful is going to be big really soon.

AthFest 2014: Party Dolls x Vinyl Mag

Posted on June 20, 2014June 20, 2014 by Miranda Feneberger

After making their debut on Valentine’s Day 2013, the local collaborative supergroup, Party Dolls, knew they had created something awesome. Exactly one year later, they had an album under their belt, and they haven’t stopped playing since. Party Dolls, a conglomeration of members from multiple Athens/Atlanta area acts including The District Attorneys and Tedo Stone, will continue taking the local scene by storm this weekend at AthFest

Party Dolls have a huge Athens following, and they are all about putting on a good show. The group masters their attempt at a “mini-Arcade Fire” sound, and really fosters and rekindles the collab-rock genre. Their debut album, Love Wars Baby, is an album of anthems that front man Drew Beskin says “had to be written.”

We caught up with them before the fest to chat about what it’s like to be part of such a big collab project, who would play their dream music fest and what’s in store for Party Dolls in the future.

Vinyl Mag: So there are quite a few members in Party Dolls; you’re a kind musical collage featuring members of multiple Athens/Atlanta bands. Do you all have a ‘the more the merrier’ philosophy when it comes to the band?

Drew Beskin: We definitely have a more the merrier attitude for Party Dolls. The band was put together in a very spur-of-the-moment kind of way. We all have or have had bands that fit a very specific structure, so this is everyone’s side pop band where we can just let loose and see how weird we can make it.

VM: Your record has been out for a few good months now – what’s that like? How has the reaction been?

DB: It is great to have it out there. We worked on it casually over a year, and we are very proud of the record. We have had some great press and premieres from some very cool publications. People seem to like it; I am proud of it. That is all that matters. The live version is a trip, because we have accordion, violin and a bunch of random instruments that I have never had on stage before, and I get a huge kick out of that.

VM: A lot of the record, Love Wars Baby, alludes to a bad breakup. I’ve always been curious about what it’s like for the rest of the band to play a song about someone else’s breakup. Is it hard to get into that head space?

DB: By the time the songs were recorded, the meaning behind them kind of vanished. They just turn into songs that happened to be about the past. When we play them now, we just enjoy the music and hope the audience does as well. There is no message or hidden meaning.

VM: Is it easy for you all to collaborate, having come from such varying musical backgrounds and groups? Do your styles all align when you come together to create something new?

DB: Yeah, for sure. We all just want to do the song justice and have as much fun playing as possible. We want to show each other off; we have a lot of amazing musicians in the band right now.

VM: What kind of artists influence you as a group?

DB: A lot of Whiskeytown and Rilo Kiley. We made the album with just four people, but we wanted to try and get a kind of ‘mini-Arcade Fire’ sound. A lot going on in 10 very short pop songs.

VM: Who are you most excited to see at AthFest 2014?

DB: Probably Dead Confederate and Kishi Bashi.

VM: Alright, this is my signature question: if you could choose the headliners – dead or alive – for a new music festival, who would play?

DB: Prince, Ryan Adams and the Cardinals, Rilo Kiley, The Smiths and Oasis.

VM: What’s in store for you all in the future? 

DB: Not quite sure post-Athfest. We have some new songs and might record another album under the Party Dolls name or we might start a new project. Kind of playing it by ear right now.

VM: What’s the hardest thing about being in a group with so many members?

DB: Probably trying to write new songs off the fly, so we have stuck to listening to demos and learning from there. It’s never really that hard though; we all want the same thing, and if someone isn’t feeling it, they usually have a better idea. We are all friends with each other, so it’s pretty easy.

VM: What’s the craziest experience you’ve had at a show thus far? 

DB: Our band usually floats between having seven or eight members, so whenever we are able to pull that off and get the sound right and everyone is locked in and happy, that is a pretty crazy experience.

 

*Check out Party Dolls at Athfest  Saturday at Hull Street Stage at 4:00 p.m.  See you there!

AthFest 2014: Dank Sinatra x Vinyl Mag

Posted on June 20, 2014June 20, 2014 by Kelly Mattick

It is safe to say that Dank Sinatra is a band that is as unique as the music they play. Originating from Athens, Georgia, these five members manage to fuse energy, joy, an electric mix and a dash of old school rock and roll to create an unforgettable sound in their newest album, Strange.

As they tour the east coast, Matt Henderson, Joe Gaines, Clint Meadows, Josh Birmingham, and Jimmy Mcalpin will take some time from playing concerts on hotel roof tops and travel back to the Classic City for their performance at AthFest.

We caught up with Matt and Jimmy to talk about their biggest influences, “The Dank Tank” and, of course, AthFest!

Vinyl Mag: You recently released your album, Strange – what was the inspiration for the album?

Jimmy Mcalpin: We sought out to make a tighter record than our previous releases and really start to hone a sound that we are continually working on improving and refining.

VM: I saw you recently played the song “Down South Georgia Boy” on BalconyTV Charleston. How was that experience, playing on the roof top of a Holiday Inn?

Matt Henderson: It was a great experience because we met two NASA engineers who were staying in Charleston at the Holiday Inn, and we were able to give them a copy of Strange and chat with them about the opportunity for a tour of the Milky Way in 2015.

VM: You play AtheFest on the 20th. How do you like playing Athens compared to other cities?

JM: Well it is always nice to drive 10 minutes to get to your gig. It’s a great town to play as well; you can always count on some people who are as in to live music as you are to be around for your show.

VM: How has Athens influenced your music?

JM: It probably hasn’t influenced our music in too many stylistic ways so much as it has in conditional ways. There is so much music and so many musicians that it creates an environment of having a good work ethic and an atmosphere of excitement about creating new music and sharing it with friends and the town you live in.

VM: Have you ever been to/played AthFest before?

MH: This is going to be our fourth time playing AthFest, and we would probably be around even if we weren’t, it being one of our favorite times of the year to be in Athens. Can’t wait to see all the other great bands.

VM: What can your fans expect at your show in the Green Room?

JM: We have been working hard lately writing songs and creating new music, and we are looking forward to the opportunity to play live again, so fans can expect to see a band that is ready to play out, have fun and blow stuff up.

VM: What are you currently listening to?

JM: We’ve been listening to a lot of Sibelius (Fifth Symphony) and the thoughts of such men as Ernest Hemingway and David Foster Wallace. Music is a very important thing to listen to as a musician, and it is equally as important to absorb as many other creative arts as possible to provoke creativity in yourself.

VM: What are some unexpected hobbies that each of you have besides music (other creative outlets?)?

JM: Matt is currently engaged in all the World Cup action happening down in Brasil, while Joe has been holed up in his house with a model train project that he is currently working on. He just finished the first boardwalk he will be using as a platform to the other stations. Also we have been playing a lot of monopoly lately.

VM: I recently read that you all are headlining this year’s Unitus Music Festival at Cherokee Farms. How does it feel to go from a starter band to headliner in just a few years?

MH: It is really nice to be sharing the stage with some of our friends in Sumilan and Funk You and being apart of the festival experience. Hopefully we can do some collaborating and get some other musicians on stage during our show.

VM: Are there any differences in your shows when you play a festival vs. a regular show?

JM: There is a lot of energy at a festival and that inevitably will make it into our performances at festival shows. The opportunity to share our music to a diverse audience is also in our thoughts when we are preparing for a festival show. We want to make sure we can deliver the best of what we have to offer to inspire the listeners and grow our fanbase.

VM: We have to know – where did “The Dank Tank” nickname originate?

MH: That is part of the long storied history of Dank-isms we have been writing and hope to publish in the coming months. Part of having a silly name is the opportunity to have fun with it, which we like to do.

VM: Ok last question. Have you finally calculated how you will play the first concert on the moon?

JM: We were doing some calculations recently about how many shows we would have to play in order to raise enough money and awareness to make a lunar show possible, but our calculator broke right in the middle of figuring it out. Once we raise enough money to get a new calculator (have to use a TI-83 because of the extensiveness of the lunar calculations) we can begin the process again.

EXCLUSIVE Premiere: Poppy Brothers: “Where Nothing Grows”

Posted on June 19, 2014June 19, 2014 by Vinyl Mag

The boys of Poppy Brothers are back with another exclusive song premiere off their upcoming record, Sour Fruit, the bros’ first release since 2013’s End of the Rainbow EP.  Sour Fruit drops on Tuesday, so get your ears ready!

Check out “Where Nothing Grows” below!

AthFest 2014: Judah & the Lion x Vinyl Mag

Posted on June 19, 2014July 9, 2014 by Nikki Smith

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Nothing compares to the comfort that southern music brings, and Judah & the Lion supplies just that. The Tennessee-based band brings energy and folk spirit to their music and performances. It’s one of those bands where you have to clap in rhythm to every song and really can’t fight it. Tennessee comes to Athens for Athfest, and Judah & the Lion are sure to provide a memorable show…and maybe a barrel of cookies?  Their newest music video for “Sweet Tennessee” embodies the bluegrass roots and gospel sound of the south, complete with shotguns and suspenders. Although Judah & the Lion are but mere cubs, there’s no doubt they will continue to create beautiful music that will remain timeless and comforting.

Vinyl Mag: Y’all are from Tennessee – how do you incorporate that culture and your roots into the music? When did you first know you wanted to make music?

Judah Akers: Well, we aren’t all from Tennessee. I am from Tennessee, and I think the culture, rootsy, Johnny Cash vibe definitely comes through, but you have to add a little Chicago sass and Colorado vibes to really get us as a band !

VM: Who (or what) is your inspiration in music?

JA: Backstreet Boys, Boys 2 Men, [The] Gap Band.

VM: How did the group come together? How do you hope to evolve in future albums?

JA: Came together randomly in college. I called the other guys on a wim, and we really hit it off. We hope to revolve and sculpt our craft as the years go. We hope to be the best at being us. Nothing else.

VM: Sweet Tennessee is your most recent album – what challenges have you had to face as a group in order to create the album? How has the response been?

JA: The response has been amazing. We are super grateful. Especially to Athens. We’ve felt so loved by this city since the start!! So thank you!

VM: Where was the video for “Sweet Tennessee” filmed? What process did you have to go through to create the video? How long did it take to make a bucket of chocolate chip cookies? Were there any left over?

JA: [Laughing} No cookies left over – luckily, we had moms and girls involved to help with the cookie-making. We filmed it in my hometown of Cookeville, Tennessee. Right down the road from my house. ‘Twas a special few days.

VM: What do you guys do when you aren’t playing music? Do you have any other creative outlets besides music?

JA: We have a special community of friends we love to be with. Lakes, cliff jumping, bon fires, The Office. We love writing and working on other things as well!

VM: Have you been to Athens before? How has your experience in Athens been so far? What are you looking forward to most during Athfest?

JA: WE LOVE ATHENS. ATHENS IS FAMILY. IT HAS CHANGED US! We have been three times now and will continue to come back, ’cause we love the culture, the people, and feel loved too!

VM: Athens is a hotbed of striving musicians. Since you have also just started, what advice can you give musicians who are trying to find a starting point? From personal experiences, what encouragement can you give artists, in general?

JA: Stay true to yourself. Don’t change for anything. Work hard, keep your head down, and have fun!!

VM: What is next for Judah & the Lion?

JA: New record drops in September, and be road warriors!!! We love it. And can’t wait to share it with people like you!

 

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