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Michelle King

Michelle King is the executive manager and director of publicity at Noisy Ghost PR, based out of the Graveface Records headquarters in Savannah, GA. You can also find her blogging at She Turns the Tables, contributing music content at Posture Magazine, and obsessively streaming music on Spotify.

CHVRCHES at Buckhead Theatre on October 8

Posted on October 13, 2014October 13, 2014 by Michelle King
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You know you love a band when you have only three songs in the pit to get photos you need for an article, yet you’re still barely able to control yourself from dancing and jumping in front of the stage. I say barely…when the lights would cut out completely for a couple of seconds during CHVRCHES on Wednesday, and I knew I couldn’t shoot, I was definitely not holding still. I honestly don’t even remember what those songs were. I was too caught up in the moment.

I do remember, however, that “Gun” was the fourth song, which was playing as we photographers were being escorted out of the venue. It was then that I realized just how packed the sold-out Buckhead Theatre had gotten, and was able to see the obvious ecstasy and excitement on the faces of so many adoring fans. Lauren Mayberry is a hard one not to fall for.

I am told I missed a beautiful sky-like backdrop for “Night Sky,” but by the time I had dropped my camera in the car and gotten back into the venue, they were well into “Strong Hand,” followed quickly by “Science and Visions” and “Recover,” an epic breakup anthem which was apparently a favorite of many in the room, as the crowd found themselves clapping in unison and singing (screaming?) along, totally enthralled.

Mayberry took a moment to address the audience before moving into the slower paced “Tether,” which seemed to bring a more romantic mood to the room. The lights were dimmed and less spastic, and there was more swaying and less jumping…until the breakdown, when “the sun” came out, not only with the frenetic display of white lights, but also more literally in the form of the lyrics sung in Iain Cook’s backing vocal chant.

Martin Doherty then took center stage for “Under the Tide,” as Mayberry stepped aside to handle his synthesizer. Proving he’s quite the frontman in his own right, Doherty used the whole stage and seemingly the entirety of his energy and emotion to deliver the words that I would have to assume he penned. While I must admit Mayberry’s enchanting vocals are a huge part of my love for CHVRCHES, I might make the argument that Doherty has a more impressive – at least more energetic – stage presence.

The not-so-last song of the night was, appropriately, their epic first single, “The Mother We Share,” but it wasn’t long before the trio was back on stage for an encore starting with Doherty taking lead vocals again on ballad “You Caught the Light,” before they moved into a promising new song entitled “Richard Pryor,” and closing out the evening in earnest with “By the Throat.”

To be honest, I debated even attending this show, citing that I had already seen them perform the same set of material earlier this year. My point being, the next time you think you’ve seen something once, and that’s all you need, you might want to reconsider that thought.  I’m glad I did.

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Poliça at Terminal West on Oct. 6

Posted on October 10, 2014October 10, 2014 by Michelle King
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In this environment of musical over-saturation, and after many years of heavy concert-going, it has become a (maybe) sad truth that it’s now quite difficult for me to be truly interested or impressed with a live performance. A band has to possess a truly distinguishing factor. An element of surprise, if you will, in the live show. Just something freaking different, please. Poliça fit that bill, and proved it Monday night at Terminal West.

On-stage, you see two drummers, a bassist, and vocalist. A curious line-up, one would think. Okay. I’m interested. The attentive viewer will find hidden off-stage near the sound booth, one Ryan Olsen, who, contrary to his lack of visibility, is arguably the most important member of the group. Founding the band in 2011 with vocalist Channy Leaneagh, Olsen is responsible for everything you’re hearing outside of the bass and drums (obviously), and also handles the majority of the distortion on Leaneagh’s vocals.

The dual-drummers and heavy bass make for a deep, full-body experience and, along with the overwhelming use of red lighting, the “brutal” feel that it seems the band are embracing translates perfectly to the live show. Leaneagh’s presence and delivery are naturally what draw your eye, but her vocals almost swirl around you like a specter, while the music itself crawls in and makes itself a cozy home inside your gut, creating an experience that is much more than visual.

Leaneagh explained in an interview with Vice that she’s actually a very introverted person, saying,”That show, that performance is the most extroverted performance I will do all day.”

Her stage presence wouldn’t exactly suggest an introverted personality, as she certainly doesn’t reserve any emotion, but you can tell it’s more of an internal episode than an act adopted purely for performance or entertainment. You can feel the pain in the songs without even distinguishing the lyrics, which happen to all be depressing as hell.

So there you have it. Thank you, Poliça.  Your show was something different. Something that made an impact. Something with purpose, honesty, and distinction.

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Conway x Vinyl Mag

Posted on March 20, 2014March 21, 2014 by Michelle King

Conway is a name you should know by now. Whether it be from her current tour dates with Ellie Goulding, her brand new video for killer track “Hustler” (see below), or from hearing her track on HBO’s GIRLS, she’s definitely an artist to keep an eye – and two ears – out for.  We recently got to fire some questions at Conway, and this is what she had to say.

VM: You recently released your first EP, but your sound is definitely more developed than a novice artist. When did you start writing music? And how has your sound and writing process developed over time? 

Conway: This is my first EP as a solo artist but I have been in bands for years. I’ve been writing songs for about 10 years, but this solo release is really the result of a lot of work and exploration. I used to write only to the bass, which I played in all my bands. Now I write in all kinds of ways. I’m more focused on melody and structure. Before I wrote without thinking. Now I write with the intention of communicating with people.

VM: Were there other hands involved in the writing and/or recording of Big Talk? 

C: Like most great things, Big Talk was a collaboration. I always write all lyrics and melody by myself….and collaborate with others on the music, sound and production. I programmed the original trashy beat for the verse of “Big Talk” on Reason and wrote the lyrics/melody… then Billy Mohler and Rene Arsenault (Riot City) made the music for the chorus.

I then went back and wrote over their chorus. When we had a solid song, we just went nuts adding cool sounds and really carving out little moments all over the song.

VM: Not many musicians also design their own wardrobe for shows. What inspires your design choices? Do you have fashion in mind when you’re writing your music? Or vice versa?

C: I love making things. So the wardrobe is just one more piece of my world I get to create. I want to wear things that I can jump around in but don’t have to worry about falling out of. I love designs that are strong but feminine. I love loud and imaginative patterns…things that take you into another world. For example, I have a zip-up onesie that looks like the surface of the moon. Tight!!

I don’t think about fashion when I’m making music. But I do think about it when I’m imagining singing to people. I want them to have as much to dive into as possible. What they see is very important…so it should be interesting.

VM: After self-recording and editing your first music video, which saw such a huge response on YouTube, and now being signed to Columbia Records partially due to it’s success, do you plan to continue the DIY approach, or will you welcome the resources that a major label will afford you in the future?

C: I will always be involved in a hands on way with everything that surrounds my music. I don’t know any other way of doing it..and I certainly don’t want anyone else speaking for me. I will of course welcome the help that can come from the resources of a label…because in my case, my label really supports my vision and lets me create it without getting in the way. Crazy, right?

VM: You’ve had songs featured on Girls and Teen Wolf and seen placements in Rolling Stone, Nylon, Idolator, and a slew of other noteworthy outlets. Did you have any idea that your music would strike a chord with such a large audience so quickly? 

C: I have been working on this for the past couple years..so for me it doesn’t feel that fast. I will say that I’m super excited and relieved that people are beginning to hear it…and that they don’t hate it. Yikes!

VM: You’ve also already had the chance to play some pretty massive shows. Between Madison Square Garden earlier this week, Diddy’s Revolt TV party, The Natural History Museum, etc., what would you say is your most memorable moment? 

C: Wow..I mean Madison Square Garden with Ellie Goulding was epic. The second night we played there was one of my favorite things I’ve done in life! I ran off stage after the set with my band, and we were all just screaming. It was too much to put into words. Bucket list. Check.

VM: And who’s been your favorite act to share the stage with?

C: St. Lucia might be the best dance party of a show ever. It was awesome touring with them, because I basically got to dance to them for almost two hours every night for FREEEEE!

VM: Your next show is Atlanta’s Fox Theatre Thursday night. It’s quite a beautiful and legendary venue. Have you ever had the chance to visit Atlanta? 

C: This is my first time to Atlanta, and I have to say I have met the nicest people wherever I go. Southern hospitality is REAL! I had some southern food at Mary Mac’s Tea Room, saw jazz at Churchill Grounds and am about to play a historic venue tonight. I couldn’t be happier.

VM: After your tour with Ellie Goulding wraps up, what’s next for you? 

C: Well, we’re on tour with Ellie until May..and then we hope to be going over to the UK to do some of our first shows there. This year is all about touring and meeting people. When I’m not touring, I will be working on finishing the full length album, which is almost there! Yippeee!

*Be sure to keep up with Conway. This girl is the bomb. And check out her video for “Hustler” below!

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