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Jacob Feinberg

Jacob Feinberg is a student at the University of Georgia, studying marketing and music business, with hopes to find a career in music journalism or artist management. After years of listening to and studying music, Jacob has decided to share his knowledge and opinion through Vinyl Mag. His favorite genre is rap/hip-hop, but you can catch him listening to basically any genre (r&b, jazz, rock, etc.). Jacob has a deep love for music and artistry, and he hopes to apply that by highlighting Athens's rich music scene and all its talented artists.

Kenny Mason x Vinyl Mag

Posted on January 6, 2023January 8, 2023 by Jacob Feinberg

December 17, 2022 was an important day for upcoming Atlanta rapper Kenny Mason (@kennymason). He ended his first solo tour with his first sold-out show in Atlanta on his 28th birthday. These shows happen annually and he has dubbed the occasion “Pup Day,” which I was fortunate enough to witness at Atlanta’s the Loft. 

I got in contact with the opener (and brother) of Kenny Mason, Sam Carlito (@carlitosameze), to discover a more meaningful purpose behind Pup Day. Carlito recounted the story of his son, Sameze, who died in a car crash at the age of three on December 17, 2017. Reflecting on the day, Carlito said, “Kenny don’t celebrate his pup day… [but] since that day we celebrate baby Carlito and his life.” On this day, five years ago, Mason lost his nephew, adding to the emotional significance and gravity of the event. Carlito explained to me the importance of familial connections to Mason and their family, stating that “[Mason’s] dad was there… [and] that was cool to see them connect, making [Carlito] wanna go harder.” Carlito attributed the success of his opening act tonight to inspiration from his family, who are always there, supporting him and pushing him to the next level.

Check out Sam Carlito’s new singles “Crazy” and “Hit-A-Rapper” on streaming services and look out for a feature on Kenny Mason’s upcoming ‘Ruffs 2’

Their passion and cherished relationships were showcased throughout the night culminating in an incredible opening. His openers were an homage to Atlanta’s underground rap scene, almost all of whom had a close background with Mason. It began with an impressive, energetic performance from his brother Carlito, who did not fall short of getting the crowd excited for the special night. He was followed by Mason’s DJ and friend DvDx (@dvdx_) who had a high-spirited performance. He brought out more of Mason’s friends, Vonta Worldwide (@vontarender), the masked MuddyMya (@muddy.mya), and frequent Kenny Mason collaborator, Jelani Imani (@jelaniimani). They were followed by an amazing set from Tony Shhnow (@tonyshhnow), a fairly popular Atlanta rapper, and his manager and DJ, OG Bluetooth (@ogbluetooth). After bringing out associate Northside Mally, he played his hit song “Don’t Look at Numbers” followed by a remix of Steve Lacy’s popular “Bad Habit.” Shhnow had the crowd laughing and dancing with lines like “I wish I knew where to find some weed” and “I got my finger on the trigger it’s a bad habit.”

After a fantastic opening, Kenny Mason finally stepped out. He did it all, from rapping complex bars to singing beautifully after, all whilst rocking with the audience with absolute crowd control. Mason takes inspiration from grunge and punk rock music, as can be heard in many of his overdrive guitar laced melodies, which he capitalized on for his tour. Mason included a live guitarist during his tour, adding a more authentic element to the show. I am hopeful that as he continues to grow, Mason will play with a full live band, further emphasizing his rock influences and drawing in a wider audience.

After playing a few throwback hits from his Angelic Hoodrat series, Kenny Mason brought out frequent collaborator and friend DavidTheTragic (@davidthetragic). They performed one of the singles from his PUP PACK EP, the woozy “Dip!”, followed by a solo performance from DavidTheTragic of one of his hit songs, “DRUGZ.” DavidTheTragic and Mason have been working together for years, so seeing them perform together live was a phenomenal experience.

Mason returned after, playing the most popular songs from his newest mixtape, Ruffs, leading to some of the most energetic moments of the show. The rock influence, alongside Mason’s energy, encouraged wild mosh pits. And when a fan fell, needing to get out of the pit, Mason promptly stopped his performance, got them water, and cleared space for their leave before resuming. After the show, I spoke with attendee Mark Toth, who shared “I was blown away by the care Mason has for his fans. Not only did he emphasize everyone’s safety before the show, he actually stopped the show to make sure one fan was alright. Honestly, I don’t know how he isn’t more famous.” With all the outcry for concert safety over the last year, this move had a positive impact on fans, making them feel safe and comfortable.

The show ended with a brief encore, where Mason pledged “Hit”, one of his most popular songs, to the city of Atlanta and its artists. I discussed this with DJ DvDx, who Mason has been working with since high school. He shared “‘Hit,’ in particular, came out during an uprising in the underground Atlanta music scene. Lots of incredible artists, creatives, and tastemakers were starting to unify in a major way and I believe that song, and really everything Kenny did at that time, were key moments in bringing the city together.”

The song and Mason himself have had a major impact on the city, but also are a product of the environment of Atlanta. He has taken inspiration from his surroundings and, in turn, has been able to make an impact with his music.

Check out DvDx’s new singles “Candid” and “Maria” on streaming services as well as his new mixtape with producer Juberlee (@jupiterjube), “Sensory Overload”

Longtime friend, opener, and House 9 cofounder (a music collective they started), Vonta shared, “[Kenny Mason] represents a new wave of artists that Atlanta is birthing. The kinds of artists that look at the same environment Atlanta has always been but with a new perspective. One that looks at the things around him as well as himself as the art. I also think he represents the innovation of Atlanta’s sound musically.”

Check out Vonta’s latest single “Yola” on streaming services and look out for his upcoming EP

This artistic innovation in sound is what sets Mason apart. Industry greats like Denzel Curry, JID, and Freddie Gibbs have recognized this and have given him a platform to further share his art. This popularity allows Mason to uplift Atlanta and his fellow artists, which will eventually serve as a stepping stone for future artists.

It’s apparent, even with his peers, the shift that Mason has brought, pushing artists to think differently about their environment in Atlanta, their inspiration from the city, and their potential for impact on it. I appreciate his emphasis on music as art, which is something I have seen and appreciate a lot from many newer, more underground artists as well. Kenny Mason is truly an incredible artist, a great performer and a perfect encapsulation of the upcoming, talented underground rap scene in Atlanta.

Missed the show? Check the playlist below for all the highlights:

A collage of Noah Kahan, Beyonce, Rosalia, Kendrick Lamar, and Denzel Curry with a background featuring orange, blue, and purple tones blending together

Year in Review: Our Favorite Albums of 2022—Staff Picks

Posted on January 2, 2023January 20, 2023 by Buket Urgen, Haley Gilbert and Jacob Feinberg

As lifelong music fans, our lives are soundtracked by the records we listen to. Our seasons change with each new album we find and cling to. Our favorite lyrics are often the flashlight’s glimmer that shine during the darkest of our nights. Here, Vinyl Mag’s staff reflects on their favorite albums of the year. How does your list compare to ours?

Jake Feinberg, Staff Writer

  1. JID, The Forever Story
  2. JPEGMAFIA, LP
  3. Smino, Luv 4 Rent
  4. Kendrick Lamar, Mr. Morale & The Big Steppers
  5. Westside Gunn, 10
  6. Fly Anakin, Frank
  7. MAVI, Laughing so Hard, It Hurts
  8. Denzel Curry, Melt My Eyes See Your Future
  9. Pusha T, It’s Almost Dry
  10. Kenny Mason, RUFFS

Looking back, 2022 was a monumental year for how I perceive music. I dodged viral TikTok songs and commercial hits to find amazing new music and a deeper appreciation for the craft. Rap music, especially, was constantly changing and growing, like a rap music renaissance. We saw quality lyricism take a forefront, with albums like Melt My Eyes See Your Future, the Forever Story and Frank. These albums found artful angles within the “fast rap” style, creating complex rhyme schemes and flows, but never once taking away from the artists’ emotional narratives. I saw Denzel Curry at the Tabernacle, and watched him perform “walkin”, one of his deeper and more lyrically dense songs from the album. Nothing is as impressive as seeing an artist perform with such lyricism, especially when done as effortlessly as Curry. Creativity in production found further popularity as well, giving space for experimental albums to emerge like JPEGMAFIA’s LP, MAVI’s Laughing so Hard, it Hurts and Kenny Mason’s RUFFS. Each approached rap from a different creative angle, such as electronic beats, complex drums and flows or rock-influenced melodies. At JPEGMAFIA’s show at Atlanta’s the Masquerade, I was blown away by the artist’s solo presence with just his experimental background instrumentals. I am thankful for 2022’s expansive musical landscape that allowed me to branch into newer areas of music I hadn’t anticipated. Kendrick Lamar and Pusha T finally returned, after a five-year and four-year hiatus respectively. They delivered masterfully crafted albums, reminding us why they are still at the top. This year, 10 was another important album, where Westside Gunn demonstrated the power of curation. Collaborating with signees from Griselda, the record label he founded, Gunn was able to create one of the hardest and most cohesive albums of the year. In 2022, artists took their talents to the next level and excelled at expressing themselves, ultimately bringing together a beautiful year of music.

Haley Gilbert, Staff Writer

  1. Noah Kahan, Stick Season
  2. Lizzie McAlpine, Five Seconds Flat
  3. Gang of Youths, angel in realtime
  4. Mt. Joy, Orange Blood
  5. Caamp, Lavender Days
  6. Conan Gray, Superache
  7. Maggie Rogers, Surrender
  8. The Lumineers, BRIGHTSIDE
  9. Matt Maeson, Never Had to Leave
  10. COIN, Uncanny Valley

For me, 2022 was a very transformative year; I know that’s a cliché, but there’s a reason it’s said so often. During times when everything around me is changing and filled with uncertainty, I often cling to music to keep myself grounded. Thankfully, there were plenty of great options to choose from this year. The albums on my list were the soundtrack to the calamity that this year bred. The year started out on a lighter note, with The Lumineers new album Brightside delicately guiding me through the joys and turbulences associated with one’s early twenties. For the days when I just wanted to be angry and not feel guilty about it, Conan Gray’s Superache gave me an outlet to express those frustrations while sing-shouting along to songs like “Jigsaw” and “Memories,” much to the dismay of my neighbors in my thin-walled apartment building. During the more confusing times, I have found support and solace in the words of Lizzy McAlpine, listening to Five Seconds Flat as if it was advice given to me by one of my best friends. After spending a good portion of my year listening to Caamp’s Lavender Days, I learned that it is a great album to fill the empty space with, but I can also just as easily get swept up into it. As the Hannukah season was approaching, I found myself listening to the self-titled Jewish Ed Sheeran himself, Noah Kahan, and gladly spent all eight days unwrapping the gifts he gave the world with his album Stick Season. For all the short days, long nights, and moments in between, the albums on this list carefully and purposefully filled those gaps with glimpses of heartbreak, happiness, and immense awe at what these artists were able to convey with their music. As the year is coming to an end, so is a chapter of my life, and I am grateful it had such talented narrators. 

Buket Urgen, Editor-in-chief

  1. Beyonce, Renaissance
  2. Taylor Swift, Midnights
  3. MUNA, MUNA
  4. Kendrick Lamar, Mr. Morale & The Big Steppers
  5. Charli XCX, CRASH
  6. Lucius, Second Nature
  7. Rina Sawayama, Hold the Girl
  8. Angel Olsen, Big Time
  9. Little Simz, No Thank You
  10. ROSALIA, MOTOMAMI

My 2022 played out in two acts. Act one—I rounded out my final college semester culminating with graduation. As I went through the motions of preparing for post-grad life, leaving no stone unturned as this incredible chapter came to a sudden, cathartic but ultimately somewhat anticlimactic ending, I was comforted by wildly fun and equally cathartic tunes (CRASH, Second Nature).  Act two—post graduation calm followed by me moving abroad. Everything from the scenery to the supporting roles shifted into new territory, which is nothing if not nostalgic. Music became an easy, necessary escape when I couldn’t find the words to communicate in my new everyday language. Naturally, I relied on new music by old favorites (Midnights, MUNA, Hold the Girl). Although, Midnights was a controversial one for me. It features some of Swift’s strongest work (‘Would’ve Could’ve Should’ve,’ ‘You’re on Your Own Kid’) and some of her worst (Vigilante Shit) and also her most average. But alas, her chokehold on my Spotify Wrapped (and me) persists. On a final note, Beyonce’s Renaissance was the strongest album of the year. In the year of house music revival, Beyonce (and her many collaborators) created the perfect one that kept me dancing all summer long. My only complaint is that it wasn’t released sooner.

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