After many grueling hours in the studio, up-and-coming artist Laura Marling may deliver the best folk Americana album this month. With every song drenched in depth, this singer-songwriter branches from her usual acoustic to much grungier electric guitar.
The album’s concept primarily lies within Marling’s exploration of herself. As a child growing up in London, she started strong in the business, even racking up a famous relationship with a Mumford brother. Marling moved to LA during her time off from the scene and searched for her soul, taking a full break from music. However, after two years, she found her way back. Short Movie, recorded in London’s Urchin Studios, marks her return.
The album features musicians Matt Ingram on drums, Ruth De Tuberville on Cello, Nick Pini on bass, Tom Fiddle, and of course Marling on guitar. All songs were written and produced by Laura herself.
The album starts off with song “Warrior,” a Bonnie Tyler/American lyric-inspired synthy western love story. She presents herself in this moody, ambient mix, reminding listeners of exactly who she is as an independent singer/songwriter.
The album only gets better with “False Hope.” Marling fans have probably played this song a thousand times from her “Short Movie Sessions” available both on her website and YouTube. The song shows off not only Laura’s lyrical abilities but also the band that helps bring her magic to life. As she sings about her life in New York, her band – even live – hits every note perfectly and provides the ideal balance with every riff and drum beat to this upbeat yet melancholy piece of genius.
The next song, which is just as brilliant, has a similar sound to the “Warrior.” Unlike “Warrior,” however, “I Feel Your Love” includes the beautiful sounds of the violin instead of synth. Touching on relationships in life, this song provides you with a continual chill as she creates an image of a caged bird yearning for freedom, regardless of the love she feels.
The album takes a turn with the song “Strange.” Instead of showing off her singing, Marling speaks straight poetry as bongos and maracas play, giving a different twist to this folk game she plays.
Tracks “Easy” and “Gurdijeff’s Daughter” have a similar taste but differ in the lyrical scenarios Marling presents. And trust me – the album only gets better – “Worship Me” is not one to be overlooked – and worship you, we do, Marling.
Although Marling has been placed in the folk-Americana-indie singer/songwriter genre, which has become overrun with many musicians these days, Marling strives for innovation through self-reflection in this album. Every song brings a different thought to the table.
5/5
